{"id":9577,"date":"2024-11-01T09:00:00","date_gmt":"2024-11-01T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/madison-square-garden-1986-run-dmc-2\/"},"modified":"2026-11-09T07:14:18","modified_gmt":"2026-11-09T06:14:18","slug":"madison-square-garden-1986-run-dmc","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/conciertos\/madison-square-garden-1986-run-dmc\/","title":{"rendered":"Madison Square Garden 1986 &#8211; Run-D.M.C."},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Raising Hell en el Garden: zapatillas en el aire<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Madison Square Garden, Nueva York, 19 de julio de 1986. Run-D.M.C. encabezaba la gira Raising Hell: Joseph \u00abRun\u00bb Simmons, Darryl \u00abDMC\u00bb McDaniels y Jason \u00abJam Master Jay\u00bb Mizell. Whodini y un joven LL Cool J iban debajo en un cartel que pon\u00eda el rap en cabeza. Antes de esto, el rap en una sala grande sol\u00eda significar calentar a un p\u00fablico venido por otra cosa. Esa noche el cartel estaba hecho para Queens.<\/p>\n<p style=\"text-align: justify;\">Lo que distingue la noche es un canto que se convierte en contrato. Durante <em>My Adidas<\/em>, la sala responde a la orden de levantar los zapatos. Angelo Anastasio, de Adidas, estaba en el edificio. El patrocinio que sigui\u00f3 es hoy un ejemplo de escuela de negocios. En la noche era m\u00e1s simple: tres hombres de Queens mirando un techo de zapatillas que no hab\u00edan pagado, y una corporaci\u00f3n descubriendo que un canto pod\u00eda ser un mercado.<\/p>\n<p style=\"text-align: justify;\">Los platos de Jam Master Jay eran la banda. Los breaks y la bater\u00eda sal\u00edan de esos platos. El Garden, construido para guitarras y reverberaci\u00f3n de arena, recibi\u00f3 una caja de ritmos y dos MCs y aguant\u00f3. El ladrido de Run, el peso de DMC debajo, el tema golpeaba en vez de balancearse. La sala funcionaba como un gimnasio multiplicado por la fama: eco de cemento, zapatillas, un estribillo que tambi\u00e9n es una orden. Levantadlas. Las levantaron. Alrededor de ese momento, los hits de Raising Hell que ya hab\u00edan cruzado a la radio rock: cortos, duros, sin disculpas.<\/p>\n<p style=\"text-align: justify;\">Frente a los cortes de estudio, las versiones del Garden son m\u00e1s fuertes en la sala y m\u00e1s cortas de paciencia. No hay solo de guitarra detr\u00e1s del que esconderse, ni fundido final. La actuaci\u00f3n es ataque: dos voces intercambiando peso, Jay cortando los breaks limpios. El hip-hop hab\u00eda sido una fiesta de parque, un single, un telonero. Esto era un cabeza de cartel diciendo a un gigante de la ropa deportiva cu\u00e1l era ya el uniforme, sin suavizar el golpe para la arena.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Este es el show legendario donde un ejecutivo de Adidas, Angelo Anastasio, vio a 20.000 fans agitar sus zapatos en el aire cuando Run-DMC toc\u00f3 My Adidas.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Beastiemania, nota sobre el cartel del 19 de julio de 1986)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El ambiente es el volumen natal de Nueva York: una arena rock llena de gente que hab\u00eda comprado entradas para o\u00edr rap. La relaci\u00f3n con el p\u00fablico es un canto y respuesta usado como una orden. Cuando los zapatos suben, la multitud no decora el show. Termina la canci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">La gira es el hecho mayor. Unas cuarenta ciudades, el rap arriba del p\u00f3ster. La fecha del Garden es la que recuerda el trato de zapatos, porque un testigo de la compa\u00f1\u00eda estaba presente, y porque Nueva York ten\u00eda el concierto en casa. Otras noches fueron igual de altas. Esta cambi\u00f3 un contrato. Todav\u00eda no era un anuncio. El anuncio vino despu\u00e9s. El 19 de julio el sonido segu\u00eda siendo un desaf\u00edo: desatado, alto, corto de disculpas. El concierto fue primero. El trato es la nota al pie que guardaron los contables.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>El 19 de julio de 1986 Run-D.M.C. encabez\u00f3 Madison Square Garden en la gira Raising Hell; el ejecutivo de Adidas Angelo Anastasio vio My Adidas levantar veinte mil zapatos.<\/p>\n","protected":false},"author":1,"featured_media":9527,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[302,299],"tags":[477,1107],"class_list":["post-9577","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-conciertos","category-criticas","tag-hiphop-rap-es","tag-run-d-m-c-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Madison Square Garden 1986 - Run-D.M.C. - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"El 19 de julio de 1986 Run-D.M.C. encabez\u00f3 Madison Square Garden en la gira Raising Hell; 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