{"id":9590,"date":"2026-04-22T10:00:00","date_gmt":"2026-04-22T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/illmatic-nas-2\/"},"modified":"2026-04-22T10:00:00","modified_gmt":"2026-04-22T08:00:00","slug":"illmatic-nas-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/illmatic-nas-2\/","title":{"rendered":"Illmatic &#8211; Nas"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Diez canciones desde una ventana de Queensbridge<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En la primavera de 1994, un joven de veinte a\u00f1os de Queensbridge Houses publica un debut tan corto que parece una negativa a hacerte perder la tarde. <em>Illmatic<\/em> son diez temas y poco menos de cuarenta minutos. Ning\u00fan sketch estirado para llenar un CD. Ning\u00fan invitado que venga a pedir prestada una reputaci\u00f3n que el disco no necesita, salvo los que ya viven en la historia: AZ en <em>Life&#8217;s a Bitch<\/em>, y el padre de Nas, Olu Dara, en la corneta, como si el apellido tambi\u00e9n fuera un instrumento. La portada pone una foto de infancia contra los proyectos. El ni\u00f1o ya mira m\u00e1s all\u00e1 del marco. Publicado el 19 de abril de 1994, el \u00e1lbum entra en el Billboard 200 en el n\u00famero doce, con unas ventas de primera semana que decepcionan a un gran sello y satisfacen a quien sabe contar compases.<\/p>\n<p style=\"text-align: justify;\">Nasir Jones hab\u00eda empezado las rimas a\u00f1os antes, un adolescente escribiendo lo que le daba la ventana. Columbia lo ficha con ayuda de MC Serch. Las sesiones, en 1992 y 1993, pasan por Chung King, D&amp;D, Battery, Unique: salas de Nueva York, ingenieros de Nueva York, y un banco de productores que no suenan a comit\u00e9. DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S. Cada beat es un barrio, no una plantilla. Las cajas de Premier parecen un portal. El loop de Pete Rock en <em>The World Is Yours<\/em> abre una ventana del tama\u00f1o de una pel\u00edcula. <em>One Love<\/em> de Q-Tip es una carta, lo bastante quieta como para inclinarse. Large Professor cierra la puerta con <em>It Ain&#8217;t Hard to Tell<\/em>, construido en parte sobre <em>Human Nature<\/em> de Michael Jackson, un sample que no deber\u00eda funcionar y funciona, porque la rima trata la elegancia como algo que los proyectos tambi\u00e9n tienen derecho a tener.<\/p>\n<p style=\"text-align: justify;\"><em>N.Y. State of Mind<\/em> es la tesis: no un tour por Nueva York, un parte meteorol\u00f3gico desde una sola de sus esquinas. <em>Memory Lane<\/em> y <em>Represent<\/em> se quedan en el bloque. <em>Halftime<\/em> es la fanfarronada, merecida porque los versos ya han ense\u00f1ado el trabajo. <em>One Love<\/em> escribe a amigos en la c\u00e1rcel sin convertirlos en s\u00edmbolos. La lengua es una rima interna apilada hasta que una l\u00ednea tiene dos direcciones. Se puede seguir la trama o seguir el sonido. Los dos caminos acaban en el mismo banco.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">When I narrowed it down to what would be album material, it probably started at 16 years old. I got a record deal at 18 and then finished the record at 20.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Nas, entrevista con Roger Catlin, Songfacts)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">The Source le da al \u00e1lbum cinco micr\u00f3fonos, la nota m\u00e1s alta de la revista, en su n\u00famero de abril de 1994. Esa nota se vuelve una leyenda, y las leyendas son un regalo mezclado: pueden congelar un debut en monumento y retar al artista a pasar el resto de su vida disculp\u00e1ndose por haber crecido. Nas creci\u00f3. Los discos de despu\u00e9s discuten, tropiezan, brillan. <em>Illmatic<\/em> no tiene que disculparse por ser la ventana y no el edificio entero. Su fuerza es la concentraci\u00f3n. Un libro corto puede pesar m\u00e1s que uno largo si cada p\u00e1gina estaba fuera cuando se escribi\u00f3.<\/p>\n<p style=\"text-align: justify;\">Ponlo desde <em>The Genesis<\/em> hasta la \u00faltima rima, sin el tel\u00e9fono. Cuarenta minutos son un trayecto, un almuerzo, una vuelta a una manzana donde no vives. El punto nunca fue que cada oyente fingiera ser de Queensbridge. El punto era que un lugar pudiera describirse con tanta precisi\u00f3n que fingir se volviera innecesario. Se oye la escalera. Se oye la ambici\u00f3n. Se oye a un joven que hab\u00eda le\u00eddo bastante, y visto bastante, para conocer la diferencia.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En la primavera de 1994, un joven de veinte a\u00f1os de Queensbridge Houses publica un debut tan corto que parece una negativa a hacerte perder la tarde.<\/p>\n","protected":false},"author":1,"featured_media":9581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[477,886],"class_list":["post-9590","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-hiphop-rap-es","tag-nas-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Illmatic - Nas - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/illmatic-nas-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Illmatic - Nas - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En la primavera de 1994, un joven de veinte a\u00f1os de Queensbridge Houses publica un debut tan corto que parece una negativa a hacerte perder la tarde.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/illmatic-nas-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-22T08:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Illmatic.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/illmatic-nas-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/illmatic-nas-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Illmatic &#8211; 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