{"id":9590,"date":"2025-09-16T13:00:00","date_gmt":"2025-09-16T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/illmatic-nas-2\/"},"modified":"2026-11-09T07:14:45","modified_gmt":"2026-11-09T06:14:45","slug":"illmatic-nas-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/illmatic-nas-2\/","title":{"rendered":"Illmatic – Nas"},"content":{"rendered":"

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Illmatic: diez temas desde Queensbridge<\/h3>\n

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En la primavera de 1994, un joven de veinte a\u00f1os de Queensbridge Houses publica un debut lo bastante corto como para caber en una sola tarde. Illmatic<\/em> son diez temas y poco menos de cuarenta minutos. No hay ning\u00fan sketch estirado para llenar un CD. Las voces de fuera son gente que ya est\u00e1 en la historia, no nombres tra\u00eddos para pedir prestada una reputaci\u00f3n: AZ en Life’s a Bitch<\/em>, y el padre de Nas, Olu Dara, en la corneta, en el tema de su hijo. La portada pone una foto de infancia contra los proyectos. El ni\u00f1o mira m\u00e1s all\u00e1 del borde de la foto. Publicado el 19 de abril de 1994, el \u00e1lbum entra en el Billboard 200 en el n\u00famero doce, con unas ventas de primera semana que decepcionan a un gran sello y satisfacen a quien contaba los versos y no la cifra de la primera semana.<\/p>\n

Nasir Jones hab\u00eda empezado las rimas a\u00f1os antes, un adolescente escribiendo lo que ve\u00eda desde Queensbridge. Columbia lo ficha con ayuda de MC Serch. Las sesiones, en 1992 y 1993, pasan por Chung King, D&D, Battery, Unique: salas de Nueva York, ingenieros de Nueva York, y un grupo de productores que no comparten un solo sonido. DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S. Las bases no siguen una sola plantilla. Las cajas de Premier son secas y cercanas. El loop de Pete Rock en The World Is Yours<\/em> queda ancha y abierta bajo la voz. One Love<\/em> de Q-Tip est\u00e1 escrita como una carta, y el tema se queda quieto. Large Professor cierra el disco con It Ain’t Hard to Tell<\/em>, construido en parte sobre Human Nature<\/em> de Michael Jackson, un sample que se sienta junto a una rima m\u00e1s dura y aun as\u00ed encaja, porque Nas mantiene la voz precisa sobre un disco suave.<\/p>\n

N.Y. State of Mind<\/em> se queda en una sola esquina de Nueva York. No es un recorrido por toda la ciudad. Memory Lane<\/em> y Represent<\/em> se quedan en el bloque. Halftime<\/em> es la fanfarronada, merecida porque los versos ya han ense\u00f1ado el trabajo. One Love<\/em> escribe a amigos en la c\u00e1rcel sin convertirlos en s\u00edmbolos. Las l\u00edneas apilan rimas internas, as\u00ed que un verso suele llevar dos ideas. Se puede seguir la trama o seguir el sonido. Los dos se quedan en el detalle de Queensbridge.<\/p>\n

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\n

Cuando lo reduje a lo que ser\u00eda material de \u00e1lbum, probablemente empez\u00f3 a los 16. Firm\u00e9 a los 18 y termin\u00e9 el disco a los 20.<\/p>\n<\/blockquote>\n

(Nas, entrevista con Roger Catlin, Songfacts)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb17589″ img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790423800{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

The Source le da al \u00e1lbum cinco micr\u00f3fonos, la nota m\u00e1s alta de la revista, en su n\u00famero de abril de 1994. Esa nota se vuelve la historia que la gente cuenta del \u00e1lbum. Tambi\u00e9n deja el debut fijo, y los discos de despu\u00e9s tuvieron que vivir al lado. Nas creci\u00f3. Los discos de despu\u00e9s discuten, tropiezan y a veces aciertan. Illmatic<\/em> no tiene que ocupar el lugar de todos los \u00e1lbumes posteriores. Su fuerza es seguir corto y concreto. Diez temas, poco menos de cuarenta minutos. El detalle no se diluye del primer verso al \u00faltimo.<\/p>\n

Ponlo desde The Genesis<\/em> hasta la \u00faltima rima, de un tir\u00f3n. Cuarenta minutos son m\u00e1s o menos un trayecto, un almuerzo o una vuelta a la manzana. El disco no pide a cada oyente que finja ser de Queensbridge. Describe el lugar con bastante precisi\u00f3n para que se pueda seguir desde fuera. La escalera est\u00e1 en las l\u00edneas. Tambi\u00e9n la ambici\u00f3n de salir de ah\u00ed. Nas ten\u00eda veinte a\u00f1os, y los versos muestran a la vez lo que hab\u00eda le\u00eddo y lo que hab\u00eda visto desde Queensbridge Houses.<\/p>\n

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En abril de 1994 Nas public\u00f3 Illmatic, un debut de Queensbridge de diez temas bajo cuarenta minutos que The Source valor\u00f3 con cinco micros.<\/p>\n","protected":false},"author":1,"featured_media":9581,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[477,886],"class_list":["post-9590","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-hiphop-rap-es","tag-nas-es","post_format-post-format-video"],"yoast_head":"\nIllmatic - Nas - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"En abril de 1994 Nas public\u00f3 Illmatic, un debut de Queensbridge de diez temas bajo cuarenta minutos que The Source valor\u00f3 con cinco micros.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/albumes\/illmatic-nas-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Illmatic - 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