{"id":9602,"date":"2024-09-02T19:00:00","date_gmt":"2024-09-02T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/abba-glitter-with-a-fracture-2\/"},"modified":"2026-11-09T07:14:13","modified_gmt":"2026-11-09T06:14:13","slug":"abba-glitter-with-a-fracture-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/abba-glitter-with-a-fracture-2\/","title":{"rendered":"ABBA &#8211; Purpurina con fisura"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">De Eurovisi\u00f3n a Waterloo y los a\u00f1os del divorcio<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">ABBA se form\u00f3 en Estocolmo en 1972 a partir de dos parejas: Bjorn Ulvaeus y Agnetha Faltskog, y Benny Andersson y Anni-Frid Lyngstad. Ulvaeus y Andersson hab\u00edan sido miembros de exitosos grupos pop suecos en los a\u00f1os sesenta y llevaban escribiendo canciones juntos desde 1966. Las mujeres ya eran artistas consagradas en Escandinavia. Los cuatro comenzaron a trabajar juntos como una unidad en serio a partir de 1971, con una ambici\u00f3n a la vez local e internacional desde el principio.<\/p>\n<p style=\"text-align: justify;\">El Festival de Eurovisi\u00f3n de abril de 1974 fue el momento que hizo concreta esa ambici\u00f3n internacional. &#8216;Waterloo&#8217; gan\u00f3 el concurso en Brighton con una actuaci\u00f3n que manten\u00eda los trajes y el estribillo en el mismo sitio. El tema lleg\u00f3 al n\u00famero uno en el Reino Unido y penetr\u00f3 en el mercado americano de una manera que los grupos pop suecos no hab\u00edan logrado antes. Tambi\u00e9n estableci\u00f3 el n\u00facleo de lo que ABBA pasar\u00eda los siguientes ocho a\u00f1os refinando: un enfoque de producci\u00f3n inspirado en los sonidos superpuestos de Phil Spector, las armon\u00edas de los Beach Boys y la tradici\u00f3n europea del schlager, con melod\u00edas lo bastante claras para viajar fuera de Suecia.<\/p>\n<p style=\"text-align: justify;\">Polar Music Studios en Estocolmo se convirti\u00f3 en el sitio de grabaci\u00f3n principal, con Andersson como compositor y arreglista principal, Ulvaeus encarg\u00e1ndose de gran parte de la escritura de letras en ingl\u00e9s con la participaci\u00f3n del manager Stig Anderson. El sonido se constru\u00eda en capas: fundaciones de piano y sintetizador, voces densamente superpuestas combinando a Agnetha y Anni-Frid para explotar el contraste entre sus timbres, arreglos de cuerdas y metales a\u00f1adidos sistem\u00e1ticamente. Los ingenieros, entre ellos Michael B. Tretow, trabajaron las elecciones de compresi\u00f3n y ecualizaci\u00f3n para que los discos sonaran a la vez c\u00e1lidos y precisos.<\/p>\n<p style=\"text-align: justify;\">El per\u00edodo comercial de mayor auge se extendi\u00f3 desde Arrival (1976) hasta The Album (1977) y Voulez-Vous (1979). &#8216;Dancing Queen&#8217;, &#8216;Fernando&#8217;, &#8216;Knowing Me Knowing You&#8217;, &#8216;The Name of the Game&#8217;, &#8216;Chiquitita&#8217;, &#8216;Voulez-Vous&#8217;, &#8216;Gimme! Gimme! Gimme! (A Man After Midnight)&#8217;: cada single se constru\u00eda con una atenci\u00f3n al detalle que la mayor\u00eda reservaba para los cierres de \u00e1lbum. Los arreglos no repet\u00edan una sola f\u00f3rmula. El tempo, los instrumentos y el \u00e1nimo de la letra cambian de una canci\u00f3n a otra.<\/p>\n<p style=\"text-align: justify;\">Las rupturas privadas se fueron oyendo mejor en las canciones a medida que avanzaba la d\u00e9cada. Agnetha y Bjorn anunciaron su separaci\u00f3n en 1979; Benny y Anni-Frid se divorciaron en 1981. Las canciones de este per\u00edodo, &#8216;The Winner Takes It All&#8217; (1980), &#8216;One of Us&#8217; (1981), &#8216;The Day Before You Came&#8217; (1982), no ocultan de qu\u00e9 tratan. &#8216;The Winner Takes It All&#8217; es particularmente directa, escrita por Andersson y Ulvaeus e interpretada por Agnetha con una precisi\u00f3n controlada que hace dif\u00edcil pasar por alto el v\u00ednculo con la ruptura. El grupo continu\u00f3 como socios profesionales mientras las vidas privadas se deshac\u00edan. Los discos tard\u00edos se hicieron en ese tramo, los cuatro todav\u00eda en el estudio.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb8481&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790075961945{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">ABBA se disolvi\u00f3 efectivamente en 1982 sin ning\u00fan anuncio formal. A lo largo de los a\u00f1os ochenta y noventa, el cat\u00e1logo encontr\u00f3 una segunda vida en recopilaciones, el musical Mamma Mia (1999) y sus adaptaciones cinematogr\u00e1ficas, y una persistente revaluaci\u00f3n cr\u00edtica que situ\u00f3 las t\u00e9cnicas de producci\u00f3n junto a las de los mejores artesanos del pop americano de la \u00e9poca. La recopilaci\u00f3n ABBA Gold, publicada en 1992, se convirti\u00f3 en uno de los \u00e1lbumes m\u00e1s vendidos de la historia en varios mercados.<\/p>\n<p style=\"text-align: justify;\">Voyage (2021) trajo nuevo material por primera vez en cuarenta a\u00f1os, acompa\u00f1ado del espect\u00e1culo ABBA Voyage en Londres, donde avatares digitales de los cuatro miembros act\u00faan con una banda en directo. Esta elecci\u00f3n tecnol\u00f3gica refleja el inter\u00e9s constante del grupo por la relaci\u00f3n entre actuaci\u00f3n y artificio, de los trajes de Eurovisi\u00f3n a los discos de estudio de los a\u00f1os setenta.<\/p>\n<p style=\"text-align: justify;\">Empiece con Gold para los \u00e9xitos en una sola secuencia. Arrival es el \u00e1lbum que mejor muestra el punto alto de la escritura y la producci\u00f3n. The Album y Voulez-Vous muestran el alcance. Super Trouper (1980) es el per\u00edodo tard\u00edo, cuando las rupturas se oyen con m\u00e1s claridad, con The Winner Takes It All ese mismo a\u00f1o. Entre sus contempor\u00e1neos de los a\u00f1os setenta, los Bay City Rollers y Sweet ocupaban el mismo espacio de pop adolescente sin la ambici\u00f3n compositiva; el par m\u00e1s cercano a ABBA en t\u00e9rminos de artesan\u00eda eran quiz\u00e1s los Carpenters, que compart\u00edan la atenci\u00f3n al arreglo vocal y la precisi\u00f3n mel\u00f3dica, aunque no el lustre de producci\u00f3n europeo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>ABBA pas\u00f3 del Waterloo de Eurovisi\u00f3n a los singles mundiales antes de que los a\u00f1os del divorcio cerraran la puerta del estudio, y luego regres\u00f3 con Voyage y los shows de avatares.<\/p>\n","protected":false},"author":1,"featured_media":9597,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,301],"tags":[1069,468],"class_list":["post-9602","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-abba-es","tag-pop-es-2","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ABBA - Purpurina con fisura - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"ABBA pas\u00f3 del Waterloo de Eurovisi\u00f3n a los singles mundiales antes de que los a\u00f1os del divorcio cerraran la puerta del estudio, y luego regres\u00f3 con Voyage y los shows de avatares.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/abba-glitter-with-a-fracture-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ABBA - Purpurina con fisura - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"ABBA pas\u00f3 del Waterloo de Eurovisi\u00f3n a los singles mundiales antes de que los a\u00f1os del divorcio cerraran la puerta del estudio, y luego regres\u00f3 con Voyage y los shows de avatares.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/abba-glitter-with-a-fracture-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-02T17:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:14:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/abba.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/abba-glitter-with-a-fracture-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/abba-glitter-with-a-fracture-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"ABBA &#8211; 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