{"id":9614,"date":"2025-03-20T19:00:00","date_gmt":"2025-03-20T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/parliament-funkadelic-the-mothership-in-the-basement-2\/"},"modified":"2026-11-09T07:14:31","modified_gmt":"2026-11-09T06:14:31","slug":"parliament-funkadelic-the-mothership-in-the-basement-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/parliament-funkadelic-the-mothership-in-the-basement-2\/","title":{"rendered":"Parliament-Funkadelic &#8211; La nave madre en el s\u00f3tano"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">El ej\u00e9rcito funk de Clinton y los a\u00f1os Casablanca<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">George Clinton empez\u00f3 como cantante de doo-wop en Plainfield, Nueva Jersey, llevando una barber\u00eda y gestionando un grupo vocal llamado The Parliaments a principios de los a\u00f1os 60. Una disputa contractual en 1967 dej\u00f3 a Clinton sin los derechos sobre el nombre Parliaments. Su soluci\u00f3n fue seguir grabando con los mismos m\u00fasicos bajo un nuevo nombre, Funkadelic, mientras trabajaba simult\u00e1neamente para recuperar la marca Parliaments. A principios de los 70 dirig\u00eda dos bandas simult\u00e1neamente: Parliament en Casablanca, Funkadelic en Westbound. Gran parte de los miembros se solapaban.<\/p>\n<p style=\"text-align: justify;\">Los primeros discos de Funkadelic eran psicod\u00e9licos y crudos. Funkadelic (1970) y Free Your Mind and Your Ass Will Follow (1970) empujaron al grupo a trav\u00e9s de un territorio que James Brown y Jimi Hendrix hab\u00edan abierto por separado. Maggot Brain (1971) abr\u00eda con \u00abMaggot Brain,\u00bb un solo de guitarra de diez minutos de Eddie Hazel grabado en una sola toma. Clinton le dijo a Hazel que tocara como si acabara de escuchar que su madre hab\u00eda muerto, y luego a trav\u00e9s del duelo hacia la aceptaci\u00f3n. La toma es un solo de guitarra con una forma clara, diez minutos, de una sola pasada.<\/p>\n<p style=\"text-align: justify;\">La serie Casablanca de Parliament puso esa historia en un escenario grande. Mothership Connection (1975) introdujo la narrativa de la Nave Madre: el Dr. Funkenstein como liberador llegado del espacio, el ritmo como salida, el grupo como una comunidad fuera del planeta. The Clones of Dr. Funkenstein (1976) y Funkentelechy vs. the Placebo Syndrome (1977) extendieron el universo. Las producciones eran densas con arreglos de metales, teclados superpuestos, voces en llamada y respuesta.<\/p>\n<p style=\"text-align: justify;\">El dispositivo en directo estaba a la altura de la ambici\u00f3n. El espect\u00e1culo de gira de Parliament-Funkadelic de finales de los 70 contaba con una nave madre a tama\u00f1o real que descend\u00eda del techo de los pabellones; Clinton llegaba al escenario a trav\u00e9s de ella. Los conciertos duraban largo, el grupo era numeroso, el espect\u00e1culo era costoso. Era tambi\u00e9n la presentaci\u00f3n esc\u00e9nica m\u00e1s teatral de la m\u00fasica negra americana desde Ike y Tina Turner.<\/p>\n<p style=\"text-align: justify;\">Bootsy Collins se uni\u00f3 al colectivo tras dejar el grupo de James Brown en 1971, aportando un estilo de bajo el\u00e1stico, parlanch\u00edn y mel\u00f3dicamente inventivo. Su forma de tocar sacaba el bajo del puro marcaje del tiempo y lo llevaba a l\u00edneas mel\u00f3dicas. Bernie Worrell &#8211; armon\u00eda formada en jazz combinada con un uso temprano del Minimoog &#8211; daba a los arreglos su complejidad arm\u00f3nica.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb8457&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790075971847{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\u00abFlash Light\u00bb (1977) y \u00abOne Nation Under a Groove\u00bb (1978) fueron los picos comerciales. \u00abGive Up the Funk (Tear the Roof off the Sucker)\u00bb era el himno. Estos temas se convirtieron en algunos de los m\u00e1s sampleados de la historia del hip hop: NWA, Public Enemy, Ice Cube, Snoop Dogg, Kendrick Lamar y cientos m\u00e1s usaron material P-Funk. Las grabaciones de los 70 proporcionaban esencialmente una infraestructura r\u00edtmica para el hip hop de los 80 y 90.<\/p>\n<p style=\"text-align: justify;\">Al lado de James Brown, los discos de Clinton muestran menos un jefe \u00fanico, m\u00e1s autores, y m\u00e1s im\u00e1genes psicod\u00e9licas y espaciales. Brown dirig\u00eda una banda cerrada. Clinton dirig\u00eda un colectivo grande que no sonaba a la habitaci\u00f3n de un solo autor. Al lado de Sly and the Family Stone, los discos son m\u00e1s pesados y m\u00e1s llevados por el bajo, menos apuntados a una melod\u00eda pop, y las historias son m\u00e1s abiertamente nacionalistas negras.<\/p>\n<p style=\"text-align: justify;\">Empieza por Mothership Connection para la entrada en la mitolog\u00eda en su forma m\u00e1s accesible. Maggot Brain para la apertura psicod\u00e9lica y el solo de Eddie Hazel. One Nation Under a Groove para el per\u00edodo tard\u00edo en su forma m\u00e1s refinada. \u00abFlash Light,\u00bb \u00abGive Up the Funk\u00bb y \u00abOne Nation Under a Groove\u00bb son los tres temas que explican el abanico en secuencia. Lo que las d\u00e9cadas siguientes guardaron fue el cat\u00e1logo, y los samples que salieron de \u00e9l.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Parliament-Funkadelic convirti\u00f3 el colectivo de estudio de George Clinton en el teatro de la era Casablanca, con una nave madre que aterrizaba.<\/p>\n","protected":false},"author":1,"featured_media":9609,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,301],"tags":[427,1115,1103],"class_list":["post-9614","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-discofunk-es","tag-funkadelic-es","tag-parliament-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Parliament-Funkadelic - La nave madre en el s\u00f3tano - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Parliament-Funkadelic convirti\u00f3 el colectivo de estudio de George Clinton en el teatro de la era Casablanca, con una nave madre que aterrizaba.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/parliament-funkadelic-the-mothership-in-the-basement-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Parliament-Funkadelic - La nave madre en el s\u00f3tano - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Parliament-Funkadelic convirti\u00f3 el colectivo de estudio de George Clinton en el teatro de la era Casablanca, con una nave madre que aterrizaba.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/parliament-funkadelic-the-mothership-in-the-basement-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-20T18:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:14:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/parliament.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/parliament-funkadelic-the-mothership-in-the-basement-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/parliament-funkadelic-the-mothership-in-the-basement-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Parliament-Funkadelic &#8211; 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