{"id":9620,"date":"2026-09-19T23:28:52","date_gmt":"2026-09-19T21:28:52","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-temptations-silk-pulled-tight-2\/"},"modified":"2026-09-19T23:28:52","modified_gmt":"2026-09-19T21:28:52","slug":"the-temptations-silk-pulled-tight-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/chronicles\/the-temptations-silk-pulled-tight-2\/","title":{"rendered":"The Temptations &#8211; La seda tensada"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Cinco voces, un reloj Motown<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Hitsville U.S.A., Detroit, un estudio estrecho que los Funk Brothers ya han convertido en un reloj. Cinco hombres con trajes a juego se acercan a micr\u00f3fonos que no perdonan una mezcla perezosa. David Ruffin toma la voz principal de una canci\u00f3n que Smokey Robinson escribi\u00f3 con Ronnie White, una declaraci\u00f3n simple que la m\u00e1quina Motown complicar\u00e1 mediante la perfecci\u00f3n. <em>My Girl<\/em> se graba en 1964. El bajo de James Jamerson no se exhibe. Pone el suelo. La figura de guitarra es un chasquido de dedos con modales. Cuando el disco llega al n\u00famero uno a principios de 1965, los Temptations dejan de ser un grupo vocal prometedor y se vuelven una arquitectura: cinco voces, una silueta, una coreograf\u00eda que parece geometr\u00eda y se siente como un cortejo.<\/p>\n<p style=\"text-align: justify;\">La arquitectura se arm\u00f3 a partir de dos grupos anteriores, los Distants y los Primes, bajo la paciencia de Otis Williams. La voz de bajo de Melvin Franklin es el cimiento que solo se nota cuando se mueve. El falsete de Eddie Kendricks es el lucernario. Paul Williams es el bar\u00edtono que tambi\u00e9n construye los pasos que bailan. Al Bryant no dura. Ruffin llega en 1964 y los cinco cl\u00e1sicos se cierran. Berry Gordy los firma en Motown, prueba el nombre the Elgins, y luego deja que los Temptations se sostengan. Los primeros singles bajo Smokey, <em>The Way You Do the Things You Do<\/em>, <em>My Girl<\/em>, <em>Since I Lost My Baby<\/em>, son canciones de amor fabricadas como coches: cada pieza reemplazable, el conjunto, no se sabe c\u00f3mo, no.<\/p>\n<p style=\"text-align: justify;\">Norman Whitfield quiere otro coche. A finales de los sesenta le ha quitado el volante a Robinson, y las letras echan dientes. <em>Ain&#8217;t Too Proud to Beg<\/em> sigue siendo un cortejo, pero el cortejo es desesperado. <em>I Wish It Would Rain<\/em> es el tiempo atmosf\u00e9rico como sentimiento. Luego 1968, y Ruffin est\u00e1 fuera, despedido por faltar a conciertos y por querer que el grupo llevara su nombre. Dennis Edwards, de los Contours, tiene un grano m\u00e1s \u00e1spero. <em>Cloud Nine<\/em> ese mismo a\u00f1o es el giro: wah-wah, letra social, un Grammy, el inicio de lo que se llamar\u00e1 soul psicod\u00e9lico. Los trajes siguen n\u00edtidos. Las canciones dejan de fingir que la calle termina en el borde de la pista. <em>Ball of Confusion<\/em>, <em>Psychedelic Shack<\/em>. Whitfield y Barrett Strong escriben como si la actualidad fuera un hook.<\/p>\n<p style=\"text-align: justify;\"><em>Just My Imagination (Running Away with Me)<\/em> en 1971 es el \u00faltimo gran aliento de la ternura antigua, y la despedida de Kendricks en todo menos en el nombre. Se va. Paul Williams, enfermo, adicto, en lucha, deja la carretera. Entra Damon Harris. Richard Street ocupa el lugar de Paul. El grupo podr\u00eda haberse vuelto una marca que gira los viejos \u00e9xitos y nada m\u00e1s. En cambio Whitfield les entrega <em>Papa Was a Rollin&#8217; Stone<\/em> en 1972, doce minutos en el \u00e1lbum, un single recortado a una s\u00faplica todav\u00eda inmensa. La letra es un hijo que pregunta por un padre. La pista es una ciudad de noche: cuerdas, wah, un bajo que da dos vueltas a la manzana. Un Grammy. Y la prueba de hasta d\u00f3nde puede llegar un grupo vocal sin abandonar la mezcla.<\/p>\n<p style=\"text-align: justify;\">El coste no es abstracto. Paul Williams muere en 1973, un suicidio, a los treinta y cuatro. El grupo guarda los pasos. Ruffin y Kendricks volver\u00e1n para reuniones que venden entradas y reabren el tiempo viejo. Edwards se queda, luego se va, y las formaciones se vuelven una historia de tenores. Melvin Franklin permanece hasta que la enfermedad lo saca; muere en 1995. Otis Williams, el \u00faltimo de los originales, se convierte en el guardi\u00e1n del nombre, lo cual es a la vez un deber y una controversia cada vez que un antiguo quiere recuperar las letras. El musical <em>Ain&#8217;t Too Proud<\/em> contar\u00e1 m\u00e1s tarde la historia en Broadway. Los discos la cuentan mejor, porque no explican el baile. Son el baile.<\/p>\n<p style=\"text-align: justify;\">Lo que los Temptations a\u00f1adieron al soul no fue solo el grano, ni solo el pulido. Fue la idea de que cinco timbres distintos pod\u00edan funcionar como un solo instrumento sin que ninguno desapareciera. El rasposo de Ruffin, el grito de Kendricks, el suelo de Franklin, el calor de Paul, el pegamento de Otis: se puede se\u00f1alar a cada uno en una mezcla y seguir oyendo un grupo. Whitfield demostr\u00f3 que el instrumento pod\u00eda tocar pol\u00edtica. Smokey demostr\u00f3 que pod\u00eda tocar devoci\u00f3n. Los Funk Brothers demostraron que ambas cosas iban a swinguear.<\/p>\n<p style=\"text-align: justify;\">Delante de <em>My Girl<\/em> sigue sonando a una promesa cumplida de cerca. Delante de <em>Papa Was a Rollin&#8217; Stone<\/em> la promesa se ha ido de la casa. El mismo nombre est\u00e1 en las dos etiquetas. Esa distancia, de la seda a la farola, es la cr\u00f3nica. Los trajes eran reales. Tambi\u00e9n lo era la tensi\u00f3n dentro de ellos. Motown construy\u00f3 un reloj. Los Temptations aprendieron a hacerle decir m\u00e1s de una hora.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Hitsville U.S.A., Detroit, un estudio estrecho que los Funk Brothers ya han convertido en un reloj.<\/p>\n","protected":false},"author":1,"featured_media":9615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[280,273],"tags":[537,890],"class_list":["post-9620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bands","category-chronicles","tag-soul-rb","tag-the-temptations"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Temptations - La seda tensada - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/chronicles\/the-temptations-silk-pulled-tight-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Temptations - La seda tensada - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Hitsville U.S.A., Detroit, un estudio estrecho que los Funk Brothers ya han convertido en un reloj.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/chronicles\/the-temptations-silk-pulled-tight-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-19T21:28:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Couverture-Fb-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1640\" \/>\n\t<meta property=\"og:image:height\" content=\"924\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-temptations-silk-pulled-tight-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/chronicles\\\/the-temptations-silk-pulled-tight-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"The Temptations &#8211; 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