{"id":9620,"date":"2026-02-03T11:00:00","date_gmt":"2026-02-03T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-temptations-silk-pulled-tight-2\/"},"modified":"2026-11-09T07:14:53","modified_gmt":"2026-11-09T06:14:53","slug":"the-temptations-silk-pulled-tight-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-temptations-silk-pulled-tight-2\/","title":{"rendered":"The Temptations &#8211; La seda bien tensa"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Cinco cantantes de Motown, de 1964 a Psychedelic Shack<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Los Temptations se formaron en Detroit en 1960 de la fusi\u00f3n de dos grupos vocales: los Primes, que inclu\u00edan a Eddie Kendricks y Paul Williams, y los Distants, con Otis Williams y Melvin Franklin. El quinto puesto rot\u00f3 entre varios candidatos antes de que David Ruffin se uniera definitivamente en 1963. Berry Gordy los fich\u00f3 para el sello Miracle antes de trasladarlos a la marca principal Motown. El nombre ven\u00eda de un grupo de Miami llamado los Elgins, que ya hab\u00eda registrado el nombre de los Primes.<\/p>\n<p style=\"text-align: justify;\">Los primeros discos no llevaron a ning\u00fan lado hasta 1964, cuando Smokey Robinson escribi\u00f3 y produjo &#8216;The Way You Do the Things You Do&#8217;, y luego &#8216;My Girl&#8217; en 1965, con el bar\u00edtono de Ruffin como voz principal. &#8216;My Girl&#8217; lleg\u00f3 al n\u00famero uno del hit parade pop, algo que segu\u00eda siendo inusual para un grupo masculino de Motown en aquella \u00e9poca. Smokey hab\u00eda encontrado un reparto simple: cada voz del grupo ocupa un lugar en el arreglo: el dulce falsete de Kendricks en &#8216;Just My Imagination&#8217;, el bar\u00edtono crudo de Ruffin en &#8216;Ain&#8217;t Too Proud to Beg&#8217;, Williams y Franklin anclando las armon\u00edas graves. Las voces principales rotaban de canci\u00f3n en canci\u00f3n. Esa era la principal ventaja del grupo.<\/p>\n<p style=\"text-align: justify;\">En 1966, el productor Norman Whitfield comenz\u00f3 a hacerse cargo de las sesiones de los Temptations. El paso llev\u00f3 unos dos a\u00f1os, hasta llegar a Cloud Nine. Whitfield absorbi\u00f3 la energ\u00eda de Sly Stone y James Brown y la aplic\u00f3 a las producciones de Motown: &#8216;Cloud Nine&#8217; en 1968 trajo guitarra wah-wah, arreglos extendidos y tem\u00e1tica de la droga, y le vali\u00f3 a Motown su primer Grammy. &#8216;Psychedelic Shack&#8217; y &#8216;Ball of Confusion&#8217; siguieron con un comentario social denso y arreglos que no guardaban relaci\u00f3n con lo que Robinson hab\u00eda construido. Estas producciones abordaban de frente Vietnam, las tensiones raciales y el declive urbano.<\/p>\n<p style=\"text-align: justify;\">David Ruffin se fue en 1968 tras una disputa sobre la facturaci\u00f3n; Dennis Edwards lo reemplaz\u00f3 con igual eficacia en el material de Whitfield. Eddie Kendricks parti\u00f3 en 1971, sustituido por Damon Harris. Paul Williams, con graves problemas de salud, abandon\u00f3 ese mismo a\u00f1o y muri\u00f3 en 1973. Otis Williams y Melvin Franklin, las dos constantes, mantuvieron el grupo en pie a trav\u00e9s de cambios de formaci\u00f3n que hac\u00edan dif\u00edcil seguir la lista de los Temptations de un a\u00f1o para otro. El sistema rotativo, que era su fortaleza, tambi\u00e9n hac\u00eda que una sola salida no acabara con ellos.<\/p>\n<p style=\"text-align: justify;\">La era Whitfield produjo &#8216;Papa Was a Rollin&#8217; Stone&#8217; en 1972, que pasa de once minutos en su versi\u00f3n de \u00e1lbum, m\u00e1s largo que los sencillos de grupos vocales que Motown sol\u00eda publicar. La l\u00ednea de bajo y el funk lento pesan m\u00e1s que los discos de pop-soul m\u00e1s cortos que lo precedieron. La versi\u00f3n de \u00e1lbum se toma su tiempo. La producci\u00f3n gan\u00f3 tres Grammys y demostr\u00f3 que Motown pod\u00eda competir con la creciente sofisticaci\u00f3n del soul de Filadelfia y el incipiente movimiento funk.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb11065&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790075976799{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Frente a sus contempor\u00e1neos de Motown, los Temptations ocupaban una posici\u00f3n distintiva. Las Supremes ten\u00edan a Diana Ross como voz principal claramente designada; los Four Tops ten\u00edan a Levi Stubbs dominando cada tema. Los Temptations rotaban las voces principales seg\u00fan la canci\u00f3n, lo que significaba que la identidad del grupo era colectiva m\u00e1s que jer\u00e1rquica. Ninguna salida acab\u00f3 con el grupo, lo que explica su longevidad. Las formaciones posteriores a menudo conservaron el nombre despu\u00e9s de que se fueran las voces cl\u00e1sicas.<\/p>\n<p style=\"text-align: justify;\">Los a\u00f1os ochenta trajeron revisiones y giras de reencuentro. La reuni\u00f3n de 1982 con Ruffin y Kendricks produjo &#8216;Standing on the Top&#8217; con Rick James, que lleg\u00f3 a las listas de R&#038;B. La pel\u00edcula para televisi\u00f3n de 1998 renov\u00f3 el inter\u00e9s por el material cl\u00e1sico. Otis Williams, que sobrevivi\u00f3 a todos los dem\u00e1s miembros originales, ha mantenido las giras del grupo hasta los a\u00f1os 2020, lo que deja a los Temptations entre los actos m\u00e1s longevos del cat\u00e1logo Motown.<\/p>\n<p style=\"text-align: justify;\">Empiece con la compilaci\u00f3n Anthology para el arco completo de &#8216;My Girl&#8217; a &#8216;Papa Was a Rollin&#8217; Stone&#8217;. Para el per\u00edodo de soul psicod\u00e9lico espec\u00edficamente, Psychedelic Shack y All Directions son los \u00e1lbumes clave. Junto a los Miracles y los Four Tops, los Temptations son uno de los grupos vocales masculinos que Motown mantuvo en las listas durante a\u00f1os. Siguieron a Robinson, luego a Whitfield, y conservaron la coreograf\u00eda cuando cambiaban los productores.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Los Temptations cantaron \u00e9xitos de Motown, de My Girl a los a\u00f1os de soul psicod\u00e9lico de Norman Whitfield.<\/p>\n","protected":false},"author":1,"featured_media":9615,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,301],"tags":[538,1117],"class_list":["post-9620","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-soul-rb-es","tag-the-temptations-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Temptations - La seda bien tensa - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Los Temptations cantaron \u00e9xitos de Motown, de My Girl a los a\u00f1os de soul psicod\u00e9lico de Norman Whitfield.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-temptations-silk-pulled-tight-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Temptations - La seda bien tensa - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Los Temptations cantaron \u00e9xitos de Motown, de My Girl a los a\u00f1os de soul psicod\u00e9lico de Norman Whitfield.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/the-temptations-silk-pulled-tight-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-02-03T10:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:14:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/temptations.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-temptations-silk-pulled-tight-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/grupos\\\/the-temptations-silk-pulled-tight-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Temptations &#8211; 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