{"id":9626,"date":"2026-10-20T13:00:00","date_gmt":"2026-10-20T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/earth-wind-and-fire-horns-aimed-at-the-sun-2\/"},"modified":"2026-11-09T07:15:08","modified_gmt":"2026-11-09T06:15:08","slug":"earth-wind-and-fire-horns-aimed-at-the-sun-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/grupos\/earth-wind-and-fire-horns-aimed-at-the-sun-2\/","title":{"rendered":"Earth, Wind &#038; Fire &#8211; Metales apuntando al sol"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Kalimba, metales y los a\u00f1os Columbia<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Un piano de pulgar en un estadio desentona sobre el papel. Maurice White llev\u00f3 el kalimba del Ramsey Lewis Trio a los conciertos de Earth, Wind &#038; Fire. El instrumento se queda en el arreglo, junto a los metales. Philip Bailey canta en falsetto por encima de los metales. El bajo de Verdine White es mel\u00f3dico y brusco a la vez. En una buena noche el espect\u00e1culo lleva capas, pir\u00e1mides y un lenguaje espiritual prestado de Egipto y del South Side de Chicago, m\u00e1s una secci\u00f3n r\u00edtmica que tocar\u00eda una boda o un chiste amplio con el mismo compromiso.<\/p>\n<p style=\"text-align: justify;\">Maurice toc\u00f3 bater\u00eda con Ramsey Lewis, aprendi\u00f3 el estudio por dentro, y en 1969 arm\u00f3 su propio grupo en Chicago antes de mover la operaci\u00f3n a Los Angeles. Los primeros discos a\u00fan buscan un sonido. Head to the Sky en 1973 y Open Our Eyes en 1974 lo fijan: Bailey se une, falsetto y bar\u00edtono en doble lead que pocos equilibran. Columbia es el sello. Charles Stepney, arreglista y coproductor, es quien, en la sala, oye las cuerdas como un ritmo. Cuando That&#8217;s the Way of the World llega en 1975, ligado a una pel\u00edcula casi olvidada y a una banda sonora que todos conocen, Shining Star va al n\u00famero uno. Las ideas del grupo est\u00e1n en la funda. La l\u00ednea de metales es lo que se oye primero.<\/p>\n<p style=\"text-align: justify;\">Gratitude, el vivo de ese a\u00f1o, muestra el show funcionando. Spirit en 1976 se dedica en parte a Stepney, muerto en mayo. El grupo no convierte el disco siguiente en un homenaje. All &#8216;n All en 1977 es el punto alto: Serpentine Fire, Fantasy, color brasile\u00f1o y arreglos que siguen siendo concretos porque la bater\u00eda sigue ocupada. Luego September, la canci\u00f3n, no el mes. Escrita con Al McKay y grabada en 1978 para la primera recopilaci\u00f3n, nombra la noche del veintiuno porque las s\u00edlabas cantan as\u00ed, no por una agenda. White lo dijo. La fecha es concreta. Hay parejas que siguen us\u00e1ndola.<\/p>\n<p style=\"text-align: justify;\">I Am en 1979 llega m\u00e1s lejos. Boogie Wonderland, con the Emotions, junta cantantes del mismo c\u00edrculo musical. After the Love Has Gone es la balada. El falsetto de Bailey lleva ah\u00ed la parte triste. Let&#8217;s Groove, de Raise! en 1981, cambia los trajes y conserva las mismas canciones alegres. En esos a\u00f1os los Phenix Horns no son adorno. Llevan l\u00edneas como un segundo cantante. El bajo de Verdine sigue movi\u00e9ndose bajo la voz. La percusi\u00f3n de Ralph Johnson y la bater\u00eda de Maurice sostienen el tempo mientras avanza el espect\u00e1culo.<\/p>\n<p style=\"text-align: justify;\">Cat\u00e1logos posteriores, Powerlight, Electric Universe, reuniones y giras largas, son la vida de un grupo que sigui\u00f3 en los carteles de festival, con las canciones antiguas. La salud de Maurice White lo saca de la carretera. Muere el 3 de febrero de 2016. Bailey y Verdine cargan el nombre: la voz alta y el bajo que no camina en l\u00ednea recta. En cada escucha, los arreglos siguen mostrando a los m\u00fasicos que tocan.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00bb11023&#8243; img_size=\u00bbfull\u00bb css=\u00bb.vc_custom_1790075981303{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Los discos apilan soul de Chicago, voces de big band, percusi\u00f3n brasile\u00f1a e impulso gospel. El lado iglesia sigue en la pista. Frente al funk de fiesta de Kool &#038; the Gang o el espect\u00e1culo espacial de Parliament, Earth, Wind &#038; Fire mantiene partituras de metales ajustadas y estribillos hechos para un coro.<\/p>\n<p style=\"text-align: justify;\">Escucha el kalimba contra los metales, el falsetto de Bailey donde otro grupo habr\u00eda puesto cuerdas, el bajo mel\u00f3dico de Verdine y la bater\u00eda de Maurice, que fija el tempo mientras avanza el espect\u00e1culo. La producci\u00f3n en Columbia prefiere una mezcla clara, y as\u00ed cada l\u00ednea de metal se oye.<\/p>\n<p style=\"text-align: justify;\">Varios discos sirven de entrada. That&#8217;s the Way of the World para el breakthrough. All &#8216;n All para los arreglos m\u00e1s llenos. La primera recopilaci\u00f3n para September y los \u00e9xitos de radio. A\u00f1ade Shining Star, Fantasy y After the Love Has Gone: el \u00e9xito, el punto alto y la balada, en la misma sentada.<\/p>\n<p style=\"text-align: justify;\">Junto al trabajo de estudio de Stevie Wonder o los discos de metales de Chicago, Earth, Wind &#038; Fire comparte las melod\u00edas claras pero guarda su propio espect\u00e1culo y su propio sonido de metales. Frente a los grupos de disco, suenan como una banda con secci\u00f3n de metales, cantantes del grupo incluidos.<\/p>\n<p style=\"text-align: justify;\">Pon September junto a That&#8217;s the Way of the World: la misma invitaci\u00f3n, a dos vol\u00famenes. Una es una salida. La otra es el \u00e1lbum de 1975. Entre las dos hay una banda con capas y pir\u00e1mides, que ensayaba los arreglos. Los metales tocan la parte que la letra llama el sol.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Earth, Wind &#038; Fire puso kalimba, metales y estribillos de coro en \u00e9xitos de Columbia que llenaron estadios.<\/p>\n","protected":false},"author":1,"featured_media":9621,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,301],"tags":[427,1119],"class_list":["post-9626","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-grupos","tag-discofunk-es","tag-earth-wind-fire-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Earth, Wind &amp; Fire - Metales apuntando al sol - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Earth, Wind &amp; 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