{"id":9668,"date":"2019-03-28T09:00:00","date_gmt":"2019-03-28T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/the-last-waltz\/"},"modified":"2026-11-09T07:11:27","modified_gmt":"2026-11-09T06:11:27","slug":"the-last-waltz","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/peliculas\/the-last-waltz\/","title":{"rendered":"The Last Waltz"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Thanksgiving 1976 en Winterland<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>The Last Waltz<\/em> es un concierto de despedida. La pel\u00edcula se queda en esa noche. En la noche de Thanksgiving de 1976, el Winterland Ballroom ol\u00eda al pavo asado de la cena de antes. Bill Graham hab\u00eda alimentado a San Francisco antes de que The Band saliera al concierto que Robbie Robertson dijo que ser\u00eda el \u00faltimo. Martin Scorsese no trata esa decisi\u00f3n como un cotilleo entre bastidores. Filma el concierto como el registro de esa elecci\u00f3n. Diecis\u00e9is a\u00f1os de carretera, desde los Hawks de Ronnie Hawkins hasta las guerras el\u00e9ctricas de Dylan y <em>Music from Big Pink<\/em>, ya est\u00e1n en la sala antes de la primera nota.<\/p>\n<p style=\"text-align: justify;\">Robertson, Levon Helm, Rick Danko, Richard Manuel y Garth Hudson siguen sonando como una banda que aprendi\u00f3 estas canciones en la carretera. <em>The Weight<\/em> y <em>The Night They Drove Old Dixie Down<\/em> no se tocan como un paquete de nostalgia. Helm canta con una voz ronca que todav\u00eda arrastra la gira. Danko sonr\u00ede en sus canciones, al salir de la banda. Manuel mira m\u00e1s all\u00e1 de las luces. Hudson, casi oculto, sujeta los arreglos, que es lo que sus teclados siempre hab\u00edan hecho. Las c\u00e1maras de Scorsese se quedan lo bastante cerca para atrapar cortes\u00eda y sudor con la misma atenci\u00f3n que da a una historia.<\/p>\n<p style=\"text-align: justify;\">Luego los invitados meten varias corrientes de m\u00fasica americana en el mismo sal\u00f3n. Muddy Waters toma <em>Mannish Boy<\/em>. La canci\u00f3n llena la sala. Van Morrison empuja <em>Caravan<\/em> en un traje que atrapa las luces. Joni Mitchell canta <em>Coyote<\/em>. Neil Young se inclina en <em>Helpless<\/em>. Cuando se suelta la correa de Eric Clapton durante <em>Further On Up the Road<\/em>, Robertson entra sin discurso. Neil Diamond canta <em>Dry Your Eyes<\/em>. Se le ve un poco sorprendido de estar ah\u00ed. Dylan llega tarde, con un sombrero blanco. El concierto recuerda los a\u00f1os que pas\u00f3 en la carretera con este grupo. Algunas voces se a\u00f1adieron despu\u00e9s en un plat\u00f3. Las im\u00e1genes del concierto todav\u00eda sostienen esa noche.<\/p>\n<p style=\"text-align: justify;\">Esa lista de invitados no es decoraci\u00f3n. Muestra c\u00f3mo la m\u00fasica de The Band se situaba en el cruce del blues, el folk, el R&amp;B y el rock sin un discurso que lo explique. Dr. John, Ronnie Hawkins, Paul Butterfield, the Staple Singers, Ringo Starr, Ron Wood: los cr\u00e9ditos nombran a m\u00fasicos de un circuito que las grandes giras empezaban a sustituir. Las canciones llevan esa historia en la forma en que se tocan.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Diecis\u00e9is a\u00f1os en la carretera son suficientes. Veinte a\u00f1os son impensables.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Robbie Robertson, The Last Waltz, 1978)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Las discusiones empezaron en cuanto se recogieron los platos. Helm dir\u00eda que la pel\u00edcula coron\u00f3 a Robertson y empuj\u00f3 a los dem\u00e1s hacia el borde, la versi\u00f3n de productor de una banda que nunca hab\u00eda tenido un solo jefe. Los segmentos de entrevista, rodados en un plat\u00f3 de la MGM, s\u00ed dan a Robertson las frases m\u00e1s largas. Las actuaciones van contra ese enfoque. Cuando entran los vientos, o cuando Helm se apoya en el ritmo, la imagen vuelve a pertenecer a cinco personas. Estrenada en la primavera de 1978, <em>The Last Waltz<\/em> mantiene el concierto en el plano m\u00e1s que la fiesta de alrededor.<\/p>\n<p style=\"text-align: justify;\">Para un oyente, la pel\u00edcula es a la vez documento y \u00e1lbum. Vuelve al cat\u00e1logo de The Band despu\u00e9s de verla y las versiones en directo afilan lo que los discos de estudio ya suger\u00edan: canciones que conf\u00edan en el juego de conjunto m\u00e1s que en un foco sobre un solo cantante. Lo que queda es el registro de un rock americano tocado por cinco personas en el mismo escenario, no un brindis a los sesenta. Scorsese, entre a\u00f1os m\u00e1s duros para \u00e9l mismo, film\u00f3 la noche en que The Band dijo que dejaba la carretera. El rock sigui\u00f3 en la carretera despu\u00e9s de eso. La pel\u00edcula sigui\u00f3 en circulaci\u00f3n una vez apiladas las sillas.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En Thanksgiving 1976 The Band toc\u00f3 su despedida en Winterland, filmada por Martin Scorsese con una lista de invitados que cubre un tramo amplio de la m\u00fasica americana.<\/p>\n","protected":false},"author":1,"featured_media":9663,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,303],"tags":[481,1127],"class_list":["post-9668","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-peliculas","tag-classic-rock-es","tag-the-band-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Last Waltz - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"En Thanksgiving 1976 The Band toc\u00f3 su despedida en Winterland, filmada por Martin Scorsese con una lista de invitados que cubre un tramo amplio de la m\u00fasica americana.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/peliculas\/the-last-waltz\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Last Waltz - 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