{"id":9704,"date":"2021-09-01T19:00:00","date_gmt":"2021-09-01T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/wild-style\/"},"modified":"2026-11-09T07:12:45","modified_gmt":"2026-11-09T06:12:45","slug":"wild-style","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/peliculas\/wild-style\/","title":{"rendered":"Wild Style"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Bronx 1982: graffiti, breaks y hip-hop antes del producto<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Wild Style<\/em> tiene una trama fina y muestra una cultura que todav\u00eda no ten\u00eda un nombre fijo. Charlie Ahearn la rod\u00f3 en el Bronx a principios de los ochenta y la estren\u00f3 en 1983, con el grafitero Lee Qui\u00f1ones interpretando a Zoro, una versi\u00f3n apenas ficticia de s\u00ed mismo cuyo nombre en un vag\u00f3n del metro es a la vez firma y riesgo. Fab 5 Freddy, como Phade, se mueve entre trenes, galer\u00edas y parques con la calma de quien ya sabe que esto no tiene departamento, ni categor\u00eda de sello, ni producto terminado que vender. El hilo narrativo es fino a prop\u00f3sito. Lo que llena el encuadre son cuatro pr\u00e1cticas que comparten una acera: writing, breaking, DJing y MCing.<\/p>\n<p style=\"text-align: justify;\">Hollywood pronto empaquetar\u00eda esa mezcla como \u00abhip hop\u00bb. Aqu\u00ed sigue siendo trabajo. Grandmaster Flash, Busy Bee, los Cold Crush Brothers, Double Trouble y la Rock Steady Crew no hacen cameos; act\u00faan. Los enfrentamientos ocurren sin un single de radio en el que apoyarse. Los platos y el cart\u00f3n en el suelo importan tanto como el di\u00e1logo. El final en el bandshell, con un p\u00fablico que ya conoce los nombres, suena menos a un final preparado. Esta m\u00fasica y este baile pertenecen a este lugar. Ahearn ven\u00eda del medio de las galer\u00edas de Manhattan y se qued\u00f3 lo bastante como para ganarse la confianza. Mantiene la c\u00e1mara a la altura de quienes hacen la cosa. Ning\u00fan narrador traduce el Bronx para un comprador.<\/p>\n<p style=\"text-align: justify;\">Patti Astor y Lady Pink meten otras habitaciones en la pel\u00edcula: la galer\u00eda que quiere el arte sin los trenes, los grafiteros que no limar\u00e1n sus letras por una pared blanca. Las frases llegan tarde. Los chistes se quedan dentro del c\u00edrculo. Esa rudeza es lo que la pel\u00edcula documenta. Hecha casi sin presupuesto, <em>Wild Style<\/em> nunca tuvo presupuesto para convertirse en una lecci\u00f3n sobre el sue\u00f1o americano. Si aqu\u00ed hay un sue\u00f1o, es un tag que sobrevive al siguiente lavado del vag\u00f3n y una fiesta que no necesita el visto bueno de un distribuidor.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Wild Style es un cl\u00e1sico de culto, indiscutiblemente la pel\u00edcula de hip hop m\u00e1s importante de todos los tiempos.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(David Mattin, BBC)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En menos de dos a\u00f1os la industria lo hab\u00eda notado. <em>Flashdance<\/em> ya hab\u00eda tomado prestado un freeze. <em>Beat Street<\/em> y <em>Breakin&#8217;<\/em> seguir\u00edan, m\u00e1s brillantes, m\u00e1s seguros, pensados para un centro comercial. Al ver la pel\u00edcula de Ahearn, el cr\u00edtico Richard Grabel se preguntaba si la posteridad la tratar\u00eda como el <em>The Harder They Come<\/em> del hip-hop: no el relato m\u00e1s pulido, el que todav\u00eda parece rodado en esa habitaci\u00f3n. Ten\u00eda raz\u00f3n sobre esa cercan\u00eda. Se oye a las crews competir de cerca, orgullosas y locales. Fab 5 Freddy ayuda a orientar la banda sonora y la cultura musical en pantalla sin alisar ninguna de las dos. Para un oyente, esa es la puerta de entrada: no un montaje de \u00e9xitos, sino enfrentamientos y jams de parque, filmados antes de que los contratos y las costas reescribieran el origen.<\/p>\n<p style=\"text-align: justify;\">Las historias posteriores suelen empezar por los discos y los mapas de listas. <em>Wild Style<\/em> empieza con una mano en un spray y una aguja en un disco, en una ciudad a la que hab\u00edan dicho que estaba acabada. Se convirti\u00f3 en objeto de culto porque la cultura que capt\u00f3 se volvi\u00f3 global mientras la pel\u00edcula segu\u00eda siendo espec\u00edfica. El Zoro de Qui\u00f1ones no es un portavoz; es un trabajador con un estilo. Sigue siendo uno de los retratos m\u00e1s exactos que el cine ha logrado de c\u00f3mo naci\u00f3 esta m\u00fasica: gente ocupando espacio, antes de que fuera un g\u00e9nero con una estanter\u00eda que llenar. Las caras y las paredes bastan para verla. Las crews ya hac\u00edan ruido antes de que alguien les revendiera su propia historia.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Wild Style lleva a la pantalla el hip-hop naciente del Bronx, el graffiti y las crews de break antes de que la cultura tuviera un producto terminado que vender.<\/p>\n","protected":false},"author":1,"featured_media":9699,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,303],"tags":[1135,477],"class_list":["post-9704","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-peliculas","tag-fab-5-freddy-es","tag-hiphop-rap-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Wild Style - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Wild Style lleva a la pantalla el hip-hop naciente del Bronx, el graffiti y las crews de break antes de que la cultura tuviera un producto terminado que vender.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/peliculas\/wild-style\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wild Style - 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