{"id":9728,"date":"2024-04-15T09:00:00","date_gmt":"2024-04-15T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/sin-categoria\/dont-look-back\/"},"modified":"2026-11-09T07:14:02","modified_gmt":"2026-11-09T06:14:02","slug":"dont-look-back","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/peliculas\/dont-look-back\/","title":{"rendered":"Don&#8217;t Look Back"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Pennebaker, Dylan y la \u00faltima gira ac\u00fastica por Inglaterra<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La pel\u00edcula abre en un callej\u00f3n: carteles, c\u00e1mara al hombro y Bob Dylan pasando las letras de <em>Subterranean Homesick Blues<\/em> mientras Allen Ginsberg y Bob Neuwirth quedan al borde del encuadre. <em>Don&#8217;t Look Back<\/em> (1967), de D. A. Pennebaker, sigue la gira inglesa de la primavera de 1965 de Dylan, sin narrador y casi sin presentaci\u00f3n. El set sigue siendo ac\u00fastico. La paciencia ya se ha ido. Pennebaker se queda en pasillos de hotel, coches y camerinos, y trata los conciertos como fechas en un calendario, no como revelaciones. El t\u00edtulo viene de un verso de <em>She Belongs to Me<\/em>. La pel\u00edcula se atiene a ello. No vuelve al chico de Hibbing. Se queda con el joven de veinticuatro a\u00f1os, harto de responder las mismas preguntas de cada peri\u00f3dico local.<\/p>\n<p style=\"text-align: justify;\">En el Savoy Hotel de Londres, Joan Baez canta en la habitaci\u00f3n mientras Dylan escribe a m\u00e1quina; comparten un espacio, no una carrera. Albert Grossman, el manager, regatea dinero y facturaci\u00f3n en las puertas. Un reportero de <em>Time<\/em> obtiene una entrevista y descubre que el acceso no es lo mismo que las respuestas. Dylan es afilado, grosero, acorralado, divertido. La pel\u00edcula se niega a convertirlo en el portavoz oficial del folk. En 1965 el circuito de coffeehouses a\u00fan lo reclamaba. En esta gira \u00e9l devuelve el reclamo sin usarlo. Las ruedas de prensa se juegan como asaltos. Los enfados se leen como t\u00e1cticas. La amabilidad, cuando aparece, es lo bastante breve para cre\u00e9rsela.<\/p>\n<p style=\"text-align: justify;\">Lo que la pel\u00edcula no es &#8211; y la cronolog\u00eda importa &#8211; es la ruptura el\u00e9ctrica del a\u00f1o siguiente. El grito \u00abJudas\u00bb en el Manchester Free Trade Hall pertenece a 1966, a otra gira y a otra pel\u00edcula. <em>Don&#8217;t Look Back<\/em> es la \u00faltima mirada sostenida al circuito ac\u00fastico, cuando las canciones ya hab\u00edan desbordado el contrato folk y las multitudes a\u00fan no se hab\u00edan instalado en la traici\u00f3n. Se oyen <em>The Times They Are a-Changin&#8217;<\/em>, <em>To Ramona<\/em>, <em>It&#8217;s All Over Now, Baby Blue<\/em> como noches de trabajo en salas inglesas, no como un recopilatorio de \u00e9xitos. El grano 16 mm en blanco y negro es la pel\u00edcula que pod\u00eda correr por esos pasillos, no un filtro de atm\u00f3sfera a\u00f1adido en postproducci\u00f3n. Aqu\u00ed la m\u00fasica es el trabajo: el escenario es donde Dylan a\u00fan entrega, el pasillo donde se niega a explicarlo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">She&#8217;s got everything she needs, she&#8217;s an artist, she don&#8217;t look back.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Bob Dylan, She Belongs to Me, 1965)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El direct cinema, etiqueta pegada despu\u00e9s a este enfoque, puede sonar a seminario. En pantalla es un conjunto de decisiones: sin entrevista sentada preparada, sin partitura bajo un primer plano, sin corte que diga a qui\u00e9n aplaudir. Pennebaker ya hab\u00eda filmado m\u00fasicos y pol\u00edticos. Con Dylan tuvo un sujeto que actuaba incluso al negarse a actuar para la prensa. El gag de los carteles en el callej\u00f3n enuncia el m\u00e9todo con la claridad de un manifiesto: las palabras pueden alzarse y desecharse. El resto de la pel\u00edcula observa a un compositor hacer lo mismo con las preguntas que le lanzan.<\/p>\n<p style=\"text-align: justify;\">Las biograf\u00edas posteriores apilaron motivos, mujeres, drogas, el accidente de moto de julio de 1966, las basement tapes en Woodstock. <em>Don&#8217;t Look Back<\/em> no necesita la pila. Es el registro de una primavera inglesa en la que un compositor era el hablante m\u00e1s afilado de cada habitaci\u00f3n y estaba harto de las habitaciones. En un sitio que a menudo archiva country y folk en el estante de lo quieto, esta pel\u00edcula demuestra que lo quieto era un papel que otros necesitaban m\u00e1s que \u00e9l. Dylan mira Londres por la ventanilla de un coche mientras la ciudad pide un mensaje, y la pel\u00edcula no se gira para inventar uno. Lo que queda es el trabajo: las canciones, las fechas y una c\u00e1mara que se qued\u00f3 en el pasillo.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Carteles en un callej\u00f3n: Pennebaker filma la gira inglesa de 1965 de Dylan, set ac\u00fastico y paciencia ya agotada.<\/p>\n","protected":false},"author":1,"featured_media":9723,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[299,303],"tags":[409,415],"class_list":["post-9728","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-criticas","category-peliculas","tag-bob-dylan-es","tag-country-folk-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Don&#039;t Look Back - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Carteles en un callej\u00f3n: Pennebaker filma la gira inglesa de 1965 de Dylan, set ac\u00fastico y paciencia ya agotada.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/peliculas\/dont-look-back\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Don&#039;t Look Back - 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