{"id":9809,"date":"2026-05-18T10:00:00","date_gmt":"2026-05-18T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/abbey-road-the-beatles-2\/"},"modified":"2026-05-18T10:00:00","modified_gmt":"2026-05-18T08:00:00","slug":"abbey-road-the-beatles-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/abbey-road-the-beatles-2\/","title":{"rendered":"Abbey Road &#8211; The Beatles"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">La \u00faltima sesi\u00f3n, vestida de despedida<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">El 26 de septiembre de 1969, los Beatles publican el \u00faltimo \u00e1lbum que grabar\u00edan juntos, y visten la despedida como un cruce de calle. <em>Abbey Road<\/em> no suena a un grupo que se deshace, y eso es parte del truco. Las voces encajan. El bajo, tocado por Paul McCartney en la mayor parte del disco, es lo bastante mel\u00f3dico como para ser una segunda voz principal. George Harrison, tanto tiempo el compositor menor de la sala, ofrece <em>Something<\/em> y <em>Here Comes the Sun<\/em>, dos canciones que han sobrevivido a la discusi\u00f3n sobre qui\u00e9n ten\u00eda derecho a escribirlas. El paso de cebra de la portada, fotografiado por Iain Macmillan el 8 de agosto de 1969, llev\u00f3 unos minutos y un polic\u00eda reteniendo el tr\u00e1fico. El \u00e1lbum llev\u00f3 el verano.<\/p>\n<p style=\"text-align: justify;\">Lo graban sobre todo en abril, julio y agosto de 1969, de vuelta en los estudios Abbey Road, con George Martin en la producci\u00f3n y Geoff Emerick de regreso a la mesa. <em>Let It Be<\/em> ya se hab\u00eda filmado y saldr\u00eda m\u00e1s tarde, desordenado y p\u00fablico. Este es la salida m\u00e1s limpia. Un sintetizador Moog, nuevo en la sala, colorea <em>Here Comes the Sun<\/em>, <em>Because<\/em> y <em>Maxwell&#8217;s Silver Hammer<\/em>. <em>Come Together<\/em> entra contone\u00e1ndose sobre un groove de pantano. <em>I Want You (She&#8217;s So Heavy)<\/em> cierra la primera cara deteni\u00e9ndose, simplemente, la cinta cortada, el deseo dejado en el aire como una puerta cerrada de golpe por la m\u00e1quina y no por un cantante. Ringo Starr tiene <em>Octopus&#8217;s Garden<\/em>, un mapa infantil de la paz, y cabe aqu\u00ed porque el \u00e1lbum tambi\u00e9n habla, en secreto, de querer una vida m\u00e1s peque\u00f1a.<\/p>\n<p style=\"text-align: justify;\">La segunda cara es la parte que Lennon llamar\u00e1 m\u00e1s tarde una \u00f3pera pop, para descartarla. McCartney quiere una suite: fragmentos cosidos hasta que parezcan una sola tarde. Martin ayuda a la costura. <em>You Never Give Me Your Money<\/em> empieza la caminata. Canciones peque\u00f1as le pasan la melod\u00eda a la siguiente. Luego <em>The End<\/em>, donde los tres guitarristas se turnan en el solo, McCartney, Harrison, Lennon, en ese orden, un \u00faltimo reparto educado del foco. La frase final es casi demasiado simple para ser lo \u00faltimo que graban como grupo en activo. La sencillez es el punto. Despu\u00e9s de toda la invenci\u00f3n, una frase que le podr\u00edas decir a alguien que sale de una habitaci\u00f3n.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">I liked the A side but I never liked that sort of pop opera on the other side. I think it&#8217;s junk.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(John Lennon, entrevista con Jann Wenner, Rolling Stone, 1971)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Un doble cara A, <em>Something<\/em> y <em>Come Together<\/em>, sigue en octubre y llega al n\u00famero uno americano. El \u00e1lbum hace lo mismo a ambos lados del Atl\u00e1ntico. Nada de eso cancela la fractura. El grupo ya est\u00e1 terminado, en el sentido pr\u00e1ctico, cuando el p\u00fablico tiene la portada en las manos. Lo que la portada sostiene es un grupo que recuerda c\u00f3mo tocar como si el futuro siguiera siendo una habitaci\u00f3n compartida. La objeci\u00f3n de Lennon al medley es \u00fatil. Impide que el disco se vuelva un santuario. Una de las personas que lo hizo no amaba la arquitectura. La arquitectura se mantuvo de todos modos, y as\u00ed se sabe que era arquitectura y no solo un humor.<\/p>\n<p style=\"text-align: justify;\">Cruza la calle en tu cabeza cuando empieza el medley. Las canciones son cortas a prop\u00f3sito. Nadie termina un pensamiento antes de que llegue el siguiente, lo cual es una descripci\u00f3n decente de 1969, y de cualquier grupo que se ha querido lo bastante como para conocer las salidas. <em>Abbey Road<\/em> es la rara despedida que suena a un hola para el oyente. El grupo se va. El disco se queda en el bordillo, paciente, todav\u00eda afinado.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>El 26 de septiembre de 1969, los Beatles publican el \u00faltimo \u00e1lbum que grabar\u00edan juntos, y visten la despedida como un cruce de calle.<\/p>\n","protected":false},"author":1,"featured_media":9798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[481,494],"class_list":["post-9809","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-classic-rock-es","tag-the-beatles-es","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Abbey Road - The Beatles - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/abbey-road-the-beatles-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Abbey Road - The Beatles - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"El 26 de septiembre de 1969, los Beatles publican el \u00faltimo \u00e1lbum que grabar\u00edan juntos, y visten la despedida como un cruce de calle.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/es\/criticas\/abbey-road-the-beatles-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-18T08:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/AbbeyRoad.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/abbey-road-the-beatles-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/criticas\\\/abbey-road-the-beatles-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/es\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Abbey Road &#8211; 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