{"id":9836,"date":"2026-08-28T10:00:00","date_gmt":"2026-08-28T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/master-of-puppets-metallica-2\/"},"modified":"2026-08-28T10:00:00","modified_gmt":"2026-08-28T08:00:00","slug":"master-of-puppets-metallica-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/es\/criticas\/master-of-puppets-metallica-2\/","title":{"rendered":"Master of Puppets – Metallica"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Hilos tirados sobre un campo de cruces<\/h3>\n

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En marzo de 1986, Metallica publica un \u00e1lbum sin sencillo de avance y una portada que ya dice el tema: unas manos en un cielo rojo, y un campo de cruces blancas sujetas por hilos. Master of Puppets<\/em> no pide que lo quieran en los primeros treinta segundos de Battery<\/em>. Pide que lo sigan. El riff es un pasillo. La voz, la de James Hetfield, es menos una melod\u00eda que un informe entregado a toda velocidad. Publicado el 3 de marzo de 1986, en Elektra, el disco es el tercero de un grupo que hab\u00eda decidido que el thrash pod\u00eda cargar composici\u00f3n, no solo impacto. Ocho canciones. Ninguna es corta como la radio quer\u00eda. Todas est\u00e1n construidas.<\/p>\n

Lo graban en los Sweet Silence Studios de Copenhague, de septiembre a diciembre de 1985, con Flemming Rasmussen en la producci\u00f3n junto al grupo. La distancia con la Bay Area importa. Una ciudad fr\u00eda, una sala que ya conoc\u00edan de Ride the Lightning<\/em>, y horas suficientes para arreglar una m\u00fasica que cambia de tempo como una historia cambia de habitaci\u00f3n. Master of Puppets<\/em> misma es la tesis del t\u00edtulo: el control, la adicci\u00f3n, un estribillo que se puede gritar y una secci\u00f3n central que cae en algo casi cl\u00e1sico antes de que la trampa se cierre otra vez. Welcome Home (Sanitarium)<\/em> es la discusi\u00f3n suave-fuerte hecha sin pedir prestada la franela de nadie. Disposable Heroes<\/em> y Leper Messiah<\/em> apuntan hacia fuera, la guerra y los predicadores. The Thing That Should Not Be<\/em> se mueve como algo bajo el hielo. Luego Orion<\/em>, el instrumental, donde el bajo de Cliff Burton no es apoyo sino una voz, una composici\u00f3n con clima. Damage, Inc.<\/em> cierra la puerta de un golpe.<\/p>\n

La pintura de la portada es de Don Brautigam, a partir de una idea que el grupo y su m\u00e1nager bosquejaron: cruces manipuladas desde arriba. Es directa, y la m\u00fasica se gana esa franqueza siendo precisa. El downpicking de Hetfield es una rejilla. La bater\u00eda de Lars Ulrich empuja contra la rejilla sin romperla. Los solos de Kirk Hammett son acontecimientos, no adornos, puestos donde la canci\u00f3n ya se ha ganado un grito. Burton es quien impide que la pesadez sea solo peso. Se oye a un hombre que hab\u00eda escuchado m\u00e1s que metal y que se negaba a disculparse por traerlo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

\n

I still think Master of Puppets is our best album.<\/p>\n<\/blockquote>\n

(James Hetfield)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n

No hab\u00eda una campa\u00f1a de v\u00eddeo esperando en la puerta. El grupo se fue de gira. El 27 de septiembre de 1986, en Suecia, el autob\u00fas de la gira se accident\u00f3 cerca de D\u00f6rarp. Burton muri\u00f3. Ten\u00eda veinticuatro a\u00f1os. Master of Puppets<\/em> es el \u00faltimo \u00e1lbum en el que toca, y es insoportable, y tambi\u00e9n justo, que el instrumental en el coraz\u00f3n del disco cargue tanta escritura suya. El disco no se vuelve un elogio por arte de magia. Ya era un pensamiento completo antes de que la carretera se lo llevara. Lo que hizo la muerte fue congelar el pensamiento. Las formaciones de despu\u00e9s ser\u00edan potentes. No ser\u00edan esta.<\/p>\n

Pon Orion<\/em> lo bastante alto para o\u00edr el bajo como una voz principal, luego vuelve a Battery<\/em> y f\u00edjate en la misma disciplina a toda carrera. Ese arco, de la carrera al r\u00e9quiem y de vuelta, es la raz\u00f3n de que el \u00e1lbum est\u00e9 donde est\u00e1. No porque sea lo m\u00e1s pesado del estante. Porque est\u00e1 organizado. Las manos de la portada siguen tirando. Las canciones aceptan ser tiradas y luego, en los giros que escribi\u00f3 Burton, tiran ellas.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

En marzo de 1986, Metallica publica un \u00e1lbum sin sencillo de avance y una portada que ya dice el tema: unas manos en un cielo rojo, y un campo de cruces blancas sujetas por hilos.<\/p>\n","protected":false},"author":1,"featured_media":9831,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[300,299],"tags":[451,706],"class_list":["post-9836","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albumes","category-criticas","tag-hardrock-metal-es","tag-metallica-es","post_format-post-format-video"],"yoast_head":"\nMaster of Puppets - Metallica - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/es\/criticas\/master-of-puppets-metallica-2\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Master of Puppets - 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