{"id":10652,"date":"2020-03-22T16:00:00","date_gmt":"2020-03-22T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/mlah-les-negresses-vertes-2\/"},"modified":"2026-09-27T01:18:39","modified_gmt":"2026-09-26T23:18:39","slug":"mlah-les-negresses-vertes-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/mlah-les-negresses-vertes-2\/","title":{"rendered":"Mlah – Accord\u00e9on, cuivres et fran\u00e7ais de rue"},"content":{"rendered":"

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Studio Davout, l’accord\u00e9on dans la rue<\/h3>\n

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Fin 1988, Mlah<\/em> sortit du Studio Davout comme un carnaval de rue qui aurait appris \u00e0 tenir le tempo. L’accord\u00e9on r\u00e2pe contre la trompette, les claquements de mains r\u00e9pondent \u00e0 la basse, et les voix s’empilent en refrains mi-taverne, mi-th\u00e9\u00e2tre. Les N\u00e9gresses Vertes ne lissaient pas une sc\u00e8ne : elles laissaient Paris fuiter dans les micros, po\u00e9sie de chiffonniers, ombre maghr\u00e9bine, bal musette, refus punk de se tenir sage.<\/p>\n

Produit par Clive Martin et Sodi, le premier album para\u00eet chez Delabel avec quatorze titres sans passeport unique. \u00ab\u00a0La Valse\u00a0\u00bb ouvre sur une \u00e9l\u00e9gance de travers ; \u00ab\u00a0Zobi la Mouche\u00a0\u00bb transforme une mouche en anthem farceur, la voix pr\u00e9cipit\u00e9e de No\u00ebl Rota tranchant des cuivres qui refusent de rester en place. \u00ab\u00a0Voil\u00e0 l’\u00e9t\u00e9\u00a0\u00bb \u00e9tale du soleil dans la pi\u00e8ce, tandis que \u00ab\u00a0C’est pas la mer \u00e0 boire\u00a0\u00bb sourit \u00e0 l’adversit\u00e9 comme si le groove \u00e9tait d\u00e9j\u00e0 un art de survivre. Trois des fondateurs venaient du cirque \u00e9questre Zingaro ; un autre avait \u00e9t\u00e9 clown. On entend ce pedigree dans chaque cahot et chaque fioriture.<\/p>\n

Ce qui fait tenir Mlah<\/em>, ce n’est pas un assaisonnement exotique vers\u00e9 sur du rock fran\u00e7ais. C’est de l’architecture. Les arrangements basculent de la confession solo au cri collectif d\u00e9braill\u00e9. Les m\u00e9lodies empruntent \u00e0 la guinguette, puis filent vers quelque chose qui ressemble au gypsy punk avant que la presse anglaise n’ait un nom propre pour le dire. Le groupe jouait comme un quartier d\u00e9cid\u00e9 \u00e0 devenir orchestre, imparfait expr\u00e8s, irr\u00e9sistible par m\u00e9tier.<\/p>\n

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\n

Les racines culturelles de ce groupe sont en partie \u00e0 Paris, en partie en Alg\u00e9rie et en Espagne, avec de saines doses d’influence de Nashville et de l’Am\u00e9rique urbaine. Il faut y ajouter le th\u00e9\u00e2tral de la musique de cirque.<\/p>\n<\/blockquote>\n

(Richard Foss, AllMusic)<\/em><\/p>\n

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La critique britannique et am\u00e9ricaine s’en saisit, m\u00eame quand la radio traitait encore le fran\u00e7ais comme une porte ferm\u00e9e. Les singles trouv\u00e8rent des poches d’antenne ; le disque voyagea parce que le rythme faisait le travail de traduction. En France, il devint un rep\u00e8re pour une g\u00e9n\u00e9ration qui voulait des racines sans nostalgie et de la f\u00eate sans flou artistique. Philippe Man\u0153uvre le placera plus tard parmi les albums essentiels du rock fran\u00e7ais : autre mani\u00e8re de dire que le carnaval \u00e9tait entr\u00e9 au canon.<\/p>\n

R\u00e9\u00e9coutez : l’arrangement fait encore le travail, accord\u00e9on, cuivres, percussions bon march\u00e9 et la voix d’Helno qui coupe. Mlah n’a pas invent\u00e9 le m\u00e9tissage parisien, mais il a fix\u00e9 un son de groupe que la sc\u00e8ne alternative fran\u00e7aise a continu\u00e9 de sampler et de reprendre. L’image de carnaval sur la pochette est optionnelle. Les sessions Davout sont le fait.<\/p>\n

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Fin 1988, Mlah sort du Studio Davout comme premier album des N\u00e9gresses Vertes : accord\u00e9on, cuivres et fran\u00e7ais de rue.<\/p>\n","protected":false},"author":1,"featured_media":10649,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[311,996],"class_list":["post-10652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-alternative-indie-punk-fr","tag-les-negresses-vertes-fr"],"yoast_head":"\nMlah - Accord\u00e9on, cuivres et fran\u00e7ais de rue - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/mlah-les-negresses-vertes-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mlah - 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