{"id":10792,"date":"2022-09-26T16:00:00","date_gmt":"2022-09-26T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/chasing-yesterday-noel-gallaghers-high-flying-birds-2\/"},"modified":"2026-09-27T00:01:54","modified_gmt":"2026-09-26T22:01:54","slug":"chasing-yesterday-noel-gallaghers-high-flying-birds-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/chasing-yesterday-noel-gallaghers-high-flying-birds-2\/","title":{"rendered":"Chasing Yesterday – Mid-tempo plus chaud, Johnny Marr \u00e0 la guitare"},"content":{"rendered":"

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Johnny Marr sur les titres plus chauds<\/h3>\n

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Sur Chasing Yesterday<\/em>, Noel Gallagher sort de la mythologie Oasis avec un saxophone dans l’embrasure et une patience mid-tempo qui sonne encore comme un chant de tribune. Sorti le 2 mars 2015 chez Sour Mash, le deuxi\u00e8me album de Noel Gallagher’s High Flying Birds est le premier qu’il produit lui-m\u00eame : moins de barricade, plus de lumi\u00e8re de fin d’apr\u00e8s-midi. Johnny Marr s’invite sur \u00ab\u00a0Ballad of the Mighty I\u00a0\u00bb ; un saxophone se d\u00e9roule dans \u00ab\u00a0Riverman\u00a0\u00bb ; les refrains gardent leur altitude sans le b\u00e9lier Britpop.<\/p>\n

\u00ab\u00a0In the Heat of the Moment\u00a0\u00bb ouvre comme un rideau tir\u00e9 sur le jour. \u00ab\u00a0Riverman\u00a0\u00bb d\u00e9rive vers la brume Pink Floyd et la courtoisie Burt Bacharach, puis laisse le cuivre finir la phrase. \u00ab\u00a0The Girl with X-Ray Eyes\u00a0\u00bb et \u00ab\u00a0While the Song Remains the Same\u00a0\u00bb \u00e9paississent le milieu du disque avec ce don Gallagher pour les titres qui ressemblent \u00e0 des affiches de film. La Deluxe Version ajoute de l’espace autour de la m\u00eame \u00e9pine : des titres qui refusent de se presser, des arrangements qui laissent de l’air entre les accords, une voix qui a appris \u00e0 s’asseoir dans le mix plut\u00f4t qu’\u00e0 le percer.<\/p>\n

Ce qui fait tenir l’album, c’est la contradiction du titre. Hors contexte, il sent la nostalgie ; dans le lyric, c’est un ordre d’avancer. Gallagher \u00e9crit sans cesse, arrive avec une pile de chansons finies, et laisse le studio d\u00e9cider lesquelles appartiennent \u00e0 ce climat. Sommet des charts UK, festivals en attente : le commerce a suivi, mais l’histoire priv\u00e9e reste celle d’un auteur qui fait confiance \u00e0 l’instinct plut\u00f4t qu’au vieux bruit.<\/p>\n

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\n

Si tu sors le titre de son contexte, \u00e7a a l’air nostalgique, mais \u00e7a vient d’une phrase. La ligne, c’est : \u00ab\u00a0Let’s stop chasing yesterday.\u00a0\u00bb C’est l’inverse de la nostalgie.<\/p>\n<\/blockquote>\n

(Noel Gallagher, Rock Cellar Magazine \/ TIDAL interview, 2015)<\/em><\/p>\n

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R\u00e9\u00e9coutez Chasing Yesterday : l’histoire de gueule de bois du titre s’efface ; il reste le craft sous une lumi\u00e8re douce. Guitare de Marr, m\u00e9lodies de Noel, un groupe qui pr\u00e9f\u00e8re le mid-tempo au sprint Britpop. Le projet High Flying Birds a arr\u00eat\u00e9 de regarder les line-ups Oasis et a gard\u00e9 les hooks. Cet \u00e9change est le vrai argument de l’album.<\/p>\n

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