{"id":11177,"date":"2017-03-23T11:20:00","date_gmt":"2017-03-23T10:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-damy-winehouse\/"},"modified":"2026-09-27T01:18:01","modified_gmt":"2026-09-26T23:18:01","slug":"interview-afterlife-damy-winehouse","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-damy-winehouse\/","title":{"rendered":"Interview afterlife d’Amy Winehouse"},"content":{"rendered":"

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Riffs and Beats retrouve Amy Winehouse dans une entr\u00e9e de Camden qui laisse encore filtrer la lumi\u00e8re de club sur les pav\u00e9s mouill\u00e9s, le beehive plus haut que la pluie. La nuit de Camden est dessin\u00e9e; la ballade f\u00eal\u00e9e dans sa bouche, non.<\/h3>\n

Riffs and Beats<\/strong>
\nAmy, Camden sent encore la derni\u00e8re tourn\u00e9e. O\u00f9 avons-nous atterri ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nQuelque part o\u00f9 les pubs ne ferment jamais et o\u00f9 les ragots s’ennuient enfin. Appelle \u00e7a after hours si tu veux. Je pr\u00e9f\u00e8re toujours une petite salle et une grande voix. Assieds-toi. La pluie dehors a un meilleur rythme que la plupart des batteurs que j’ai fr\u00e9quent\u00e9s.<\/p>\n

Riffs and Beats<\/strong>
\nRehab est devenu une blague et une proph\u00e9tie \u00e0 la fois. Que disait vraiment la chanson ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nC’\u00e9tait dr\u00f4le jusqu’\u00e0 ce que \u00e7a ne le soit plus, et c’est comme \u00e7a que la v\u00e9rit\u00e9 s’habille pour sortir. Mark Ronson apportait le bounce Motown, j’apportais la punchline qui faisait mal. Je n’\u00e9crivais pas un tract. J’\u00e9crivais comment l’ent\u00eatement sonne quand il porte des talons et de l’eye-liner.<\/p>\n

Riffs and Beats<\/strong>
\nBack to Black est plein de bleus mis en cuivres. Comment as-tu fait danser le chagrin ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nEn refusant de chuchoter. Le chagrin chuchote d\u00e9j\u00e0 assez en priv\u00e9. Sur disque, je voulais des cuivres, des fant\u00f4mes de girl groups, et un groove qui se la p\u00e8te pendant que le texte boite. Salaam Remi et Mark comprenaient que la tristesse peut porter un costume impeccable. Je m’assurais juste que le costume ait des br\u00fblures de cigarette. Casse une note expr\u00e8s et la verrerie du bar se pr\u00e9pare encore.<\/p>\n

Riffs and Beats<\/strong>
\nTa voix portait le jazz, le ska, le doo-wop. Qui t’a appris \u00e0 voler avec tant d’\u00e9l\u00e9gance ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nDinah, Sarah, Tony Bennett le dimanche, et des nuits londoniennes qui se moquaient des fronti\u00e8res de genre. Je volais comme une pie au diapason parfait. Si une ligne de cuivre clignait de l’\u0153il, je clignais en retour. La tradition n’est pas un mus\u00e9e si tu l’emm\u00e8nes danser.<\/p>\n

Riffs and Beats<\/strong>
\nLa c\u00e9l\u00e9brit\u00e9 est arriv\u00e9e comme un temps de paparazzi. A-t-elle chang\u00e9 les chansons ou seulement les matins ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nSurtout les matins, et c’est d\u00e9j\u00e0 trop. Les chansons voulaient encore l’honn\u00eatet\u00e9 plus que les titres. Mais l’honn\u00eatet\u00e9 se complique quand chaque porte a un objectif. J’essayais de garder l’\u00e9criture petite et les sentiments grands. Parfois la ville gagnait. Parfois la m\u00e9lodie. Je p\u00e8se chaque syllabe de cette phrase.<\/p>\n

Riffs and Beats<\/strong>
\nTu as tatou\u00e9 tes bras comme un journal. Que devraient lire les gens en premier ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nLa loyaut\u00e9, puis la malice, puis les noms qui comptaient. La peau est une meilleure archive que les magazines. Les magazines te r\u00e9\u00e9crivent. L’encre au moins admet que \u00e7a fait mal une minute.<\/p>\n

Riffs and Beats<\/strong>
\nSi tu pouvais rechanter une chanson dans une petite pi\u00e8ce du nord de Londres, laquelle ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nLove Is a Losing Game, sans foule, juste le silence apr\u00e8s le dernier accord. Ou Valerie avec le groupe qui sourit comme des voleurs. Les petites pi\u00e8ces disent la v\u00e9rit\u00e9 plus vite. Les stades sont de magnifiques menteurs. Ce n’est pas de la nostalgie. C’est un inventaire.<\/p>\n

Riffs and Beats<\/strong>
\nQu’est-ce que tu veux que les gens arr\u00eatent d’inventer sur toi ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nLe dessin anim\u00e9. J’\u00e9tais bord\u00e9lique et brillante et ordinaire dans la cuisine. Gardez les chansons. Laissez le soap opera au montage. La fiction, \u00e7a va pour des interviews comme celle-ci. Les ragots, c’est juste de la fiction avec de moins bonnes mani\u00e8res.<\/p>\n

Riffs and Beats<\/strong>
\nY a-t-il du jazz dans l’au-del\u00e0 ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\n\u00c9videmment. Le jazz a invent\u00e9 l’au-del\u00e0 et a oubli\u00e9 de le copyright. La porte derri\u00e8re moi est chaude pour une raison. Quand j’entre, le groupe conna\u00eet d\u00e9j\u00e0 la tonalit\u00e9. Je n’ai m\u00eame pas besoin de leur donner le d\u00e9part.<\/p>\n

Riffs and Beats<\/strong>
\nTu portais le beehive comme une armure et une invitation. Qu’est-ce que cette coiffure a fait pour les chansons ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nElle m’a donn\u00e9 de la hauteur et une silhouette qu’on rep\u00e9rait \u00e0 travers Camden. Les chansons avaient besoin d’un personnage qui avait l’air fini m\u00eame quand elle se sentait inachev\u00e9e. Les cheveux, c’est costume et boussole. Les miens pointaient vers des fant\u00f4mes Motown et des nuits du nord de Londres. Si \u00e7a ressemblait \u00e0 une armure, tant mieux. Une armure peut encore danser, et parfois c’est la seule veste honn\u00eate sous la pluie.<\/p>\n

Riffs and Beats<\/strong>
\nQu’esp\u00e8res-tu que les auditeurs fassent de Back to Black maintenant ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nLe jouer assez fort pour sentir les cuivres dans les c\u00f4tes, puis le ranger et vivre. Ne me transformez pas en tract moralisateur. Faites de moi un standard comme Dinah est devenue un standard. Les standards survivent aux ragots. Les ragots ne survivent pas \u00e0 une bonne section de cuivres qui joue en place avec un c\u0153ur bris\u00e9 qui conna\u00eet encore le pocket.<\/p>\n

Riffs and Beats<\/strong>
\nFrank, ton premier album, a encore l’air d’une poign\u00e9e de main secr\u00e8te. Qu’est-ce que ce disque t’a appris avant la c\u00e9l\u00e9brit\u00e9 ?<\/em><\/p>\n

Amy Winehouse<\/strong>
\nQue les mani\u00e8res jazz et l’humour de rue peuvent partager un micro sans demander la permission. Frank, c’\u00e9tait moi qui apprenais \u00e0 quel point une voix peut s’asseoir pr\u00e8s de l’oreille. Les arrangements laissaient de l’air expr\u00e8s. Plus tard le monde a voulu de plus grandes salles. Frank m’a appris qu’une petite pi\u00e8ce peut encore tenir une temp\u00eate si le phras\u00e9 est assez brave pour rester doux jusqu’\u00e0 la derni\u00e8re mesure.<\/p>\n

Elle penche la t\u00eate vers la porte chaude, o\u00f9 un micro attend sur son pied. Le n\u00e9on bourdonne sans mots. Amy Winehouse entre dans l’ambre et laisse la ruelle tranquille, comme si une prise pouvait d\u00e9marrer d’une seconde \u00e0 l’autre.<\/p>\n

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Riffs and Beats retrouve Amy Winehouse dans une entr\u00e9e de Camden apr\u00e8s heures, beehive intact, traitant l’afterlife comme une petite salle \u00e0 grosse voix.<\/p>\n","protected":false},"author":1,"featured_media":11173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[799,539],"class_list":["post-11177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-amy-winehouse","tag-soul-rb-fr"],"yoast_head":"\nInterview afterlife d'Amy Winehouse - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-damy-winehouse\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview afterlife d'Amy Winehouse - 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