{"id":11207,"date":"2013-04-28T09:20:00","date_gmt":"2013-04-28T07:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-de-george-harrison\/"},"modified":"2026-09-27T01:17:11","modified_gmt":"2026-09-26T23:17:11","slug":"interview-afterlife-de-george-harrison","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-george-harrison\/","title":{"rendered":"Interview afterlife de George Harrison"},"content":{"rendered":"

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Riffs and Beats retrouve George Harrison \u00e0 Friar Park \u00e0 l’aube, chapeau de jardinage contre la brume, sitar et guitare appuy\u00e9s sur un banc. Le sentier du jardin est peint; le slide qui refuse la h\u00e2te showbiz, non.<\/h3>\n

Riffs and Beats<\/strong>
\nGeorge, Friar Park a l’air \u00e9veill\u00e9 pour toujours. O\u00f9 sommes-nous ?<\/em><\/p>\n

George Harrison<\/strong>
\nUn jardin qui a enfin assez de matin. Appelle \u00e7a l’aile tranquille de n’importe o\u00f9. J’aime les endroits o\u00f9 la c\u00e9l\u00e9brit\u00e9 ne trouve pas de place pour se garer. Assieds-toi sur le banc. Le sitar ne refuse pas de partager l’espace avec une guitare ordinaire. Moi non plus.<\/p>\n

Riffs and Beats<\/strong>
\nWhile My Guitar Gently Weeps a encore l’air du Beatle tranquille qui parle fort. \u00c9tait-ce le cas ?<\/em><\/p>\n

George Harrison<\/strong>
\nAssez fort. Dans ce groupe tu apprenais \u00e0 attendre l’espace, puis \u00e0 l’utiliser proprement. Eric a jou\u00e9 le solo comme une lettre que j’\u00e9tais trop poli pour crier. La chanson, c’\u00e9tait du chagrin avec des mani\u00e8res. Les mani\u00e8res coupent parfois plus profond que le bruit.<\/p>\n

Riffs and Beats<\/strong>
\nAll Things Must Pass a \u00e9t\u00e9 une crue apr\u00e8s des ann\u00e9es de rationnement. Qu’as-tu ressenti en ouvrant les vannes ?<\/em><\/p>\n

George Harrison<\/strong>
\nComme la pluie apr\u00e8s une s\u00e9cheresse diplomatique. Phil Spector apportait des murs de son. J’apportais des ann\u00e9es de chansons qui attendaient dans des tiroirs. My Sweet Lord, c’\u00e9tait de la d\u00e9votion avec un sourire de guitare slide. Soudain le tranquille avait un triple album. Les gens tranquilles tiennent des inventaires. Plie le slide lentement et les plantes font encore semblant d’\u00e9couter.<\/p>\n

Riffs and Beats<\/strong>
\nL’Inde, le sitar, Ravi Shankar. Qu’est-ce que cet apprentissage a donn\u00e9 \u00e0 la pop occidentale ?<\/em><\/p>\n

George Harrison<\/strong>
\nDe la patience, du drone, et une humilit\u00e9 que la pop emballe rarement. J’\u00e9tais \u00e9tudiant d’abord, star ensuite. Si les oreilles occidentales ont appris \u00e0 rester plus longtemps dans une note, tant mieux. Si elles n’ont entendu qu’un garni exotique, tant pis pour elles. L’instrument est un professeur avec des frettes.<\/p>\n

Riffs and Beats<\/strong>
\nThe Concert for Bangladesh a invent\u00e9 un mod\u00e8le. Le savais-tu ?<\/em><\/p>\n

George Harrison<\/strong>
\nJe savais que des amis souffraient et que la musique peut rassembler une salle plus vite que les discours. Les mod\u00e8les viennent apr\u00e8s, quand les historiens ont besoin de tiroirs bien rang\u00e9s. Ce jour-l\u00e0, c’\u00e9tait de la bont\u00e9 urgente avec des amplis. Dylan est venu. Clapton est venu. L’important, c’\u00e9tait l’argent et l’attention, pas le mythe. Je p\u00e8se chaque syllabe de cette phrase.<\/p>\n

Riffs and Beats<\/strong>
\nLe jardinage et la spiritualit\u00e9 partageaient ton agenda. La m\u00eame pratique ?<\/em><\/p>\n

George Harrison<\/strong>
\nLa m\u00eame attention. Tu tailles l’ego comme les roses. Tu arroses ce que tu veux garder. La c\u00e9l\u00e9brit\u00e9 fait pousser des mauvaises herbes en une nuit. Un jardin t’apprend que la beaut\u00e9 a besoin de matins ennuyeux. Je pr\u00e9f\u00e9rais les matins ennuyeux aux titres malins.<\/p>\n

Riffs and Beats<\/strong>
\n\u00catre le Beatle tranquille : cadeau ou pi\u00e8ge ?<\/em><\/p>\n

George Harrison<\/strong>
\nUn cadeau avec un cadenas. Le calme te laisse entendre. Le calme fait aussi inventer les autres. Je les laissais inventer un peu, puis je rentrais jouer. La meilleure revanche contre un surnom, c’est une chanson qui lui survit. Ce n’est pas de la nostalgie. C’est un inventaire.<\/p>\n

Riffs and Beats<\/strong>
\nQu’est-ce qui te manque de la Terre ?<\/em><\/p>\n

George Harrison<\/strong>
\nL’odeur de l’herbe coup\u00e9e apr\u00e8s la pluie, et une guitare slide qui se plaint dans la bonne tonalit\u00e9. Aussi les b\u00eatises des Traveling Wilburys, quatre potes qui font semblant de ne pas \u00eatre des l\u00e9gendes. Faire semblant est sain si tout le monde est d’accord.<\/p>\n

Riffs and Beats<\/strong>
\nEst-ce que tout passe encore ici ?<\/em><\/p>\n

George Harrison<\/strong>
\nTout sauf la bont\u00e9 et une bonne m\u00e9lodie. Celles-l\u00e0 renouvellent leur visa. Le reste devient compost d’aube. C’est du bon jardinage.<\/p>\n

Riffs and Beats<\/strong>
\nSomething et Here Comes the Sun ont encore l’air de soleil avec des mani\u00e8res. Comment as-tu \u00e9crit de la douceur dans un groupe bruyant ?<\/em><\/p>\n

George Harrison<\/strong>
\nEn traitant la douceur comme une structure, pas une d\u00e9coration. Les groupes bruyants ont besoin de pi\u00e8ces douces sinon ils deviennent sourds. Something, c’est de la d\u00e9votion mesur\u00e9e avec soin. Here Comes the Sun, c’est le soulagement apr\u00e8s la politique de l’hiver. Je les ai \u00e9crits petits expr\u00e8s pour qu’ils voyagent loin. Les chansons douces survivent aux engueulades, et elles laissent moins de d\u00e9bris dans le jardin.<\/p>\n

Riffs and Beats<\/strong>
\nQue devraient emporter les visiteurs de Friar Park outre des photos ?<\/em><\/p>\n

George Harrison<\/strong>
\nUn pouls plus lent. Les jardins punissent la h\u00e2te. Si tu pars avec une photo et sans patience, tu as rat\u00e9 le sens. Emporte l’habitude de tailler ce dont tu n’as pas besoin. Y compris l’envie. L’envie pousse plus vite que le lierre et sent plus mauvais. Emporte aussi l’id\u00e9e qu’un homme tranquille peut encore faire bouger un stade si la m\u00e9lodie est honn\u00eate.<\/p>\n

Riffs and Beats<\/strong>
\nTaxman \u00e9tait une morsure pr\u00e9coce du Beatle tranquille. La col\u00e8re a-t-elle surpris les autres ?<\/em><\/p>\n

George Harrison<\/strong>
\nPeut-\u00eatre. Les gens tranquilles gardent des outils tranchants dans les tiroirs. Taxman, c’\u00e9tait de la comptabilit\u00e9 avec des dents. George Martin a aid\u00e9 \u00e0 cadrer la morsure pour qu’elle voyage \u00e0 la radio. La col\u00e8re est permise si le groove est pr\u00e9cis. Je pr\u00e9f\u00e9rais la pr\u00e9cision \u00e0 la crise. Un riff propre peut se plaindre mieux qu’un discours, et il paie des royalties dans la conscience.<\/p>\n

Il ramasse les gants de jardinage, laisse les instruments \u00e0 l’aube, et entre dans la roseraie jusqu’au virage du chemin. Quelque part une slide guitar r\u00e9pond avec une ligne qui ressemble \u00e0 All Things Must Pass.<\/p>\n

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Riffs and Beats retrouve George Harrison \u00e0 Friar Park \u00e0 l’aube, chapeau de jardinage, sitar et guitare sur un banc, traitant l’afterlife comme un autre matin tranquille.<\/p>\n","protected":false},"author":1,"featured_media":11203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[482,992],"class_list":["post-11207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-classic-rock-fr","tag-george-harrison-fr"],"yoast_head":"\nInterview afterlife de George Harrison - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-george-harrison\/\" \/>\n<meta property=\"og:locale\" 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