{"id":11219,"date":"2015-10-05T09:20:00","date_gmt":"2015-10-05T07:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-daretha-franklin\/"},"modified":"2026-09-27T00:00:14","modified_gmt":"2026-09-26T22:00:14","slug":"interview-afterlife-daretha-franklin","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-daretha-franklin\/","title":{"rendered":"Interview afterlife d’Aretha Franklin"},"content":{"rendered":"

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Riffs and Beats retrouve Aretha Franklin au piano \u00e0 queue sous lumi\u00e8re d’\u00e9glise de Detroit, robe dor\u00e9e qui attrape le verre color\u00e9, une rose blanche qui attend sur le couvercle. Les bancs d’\u00e9glise sont du d\u00e9cor; l’insistance de ses consonnes, non.<\/h3>\n

Riffs and Beats<\/strong>
\nAretha, ce sanctuaire swingue encore. O\u00f9 avons-nous atterri ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLa base avec de meilleures acoustiques. L’\u00e9glise m’a appris les premi\u00e8res sc\u00e8nes. Ici les vitraux gardent le tempo. Assieds-toi o\u00f9 tu veux. Le piano est d\u00e9j\u00e0 chauff\u00e9, et moi aussi.<\/p>\n

Riffs and Beats<\/strong>
\nRespect a transform\u00e9 une reprise en hymne des droits civiques. Comment te l’es-tu appropri\u00e9e ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nEn l’\u00e9pelant pour que personne ne puisse esquiver l’exigence. Otis avait \u00e9crit la supplique d’un homme. J’en ai fait la facture d’une femme. Le groupe frappait, les choristes r\u00e9pondaient, et l’Am\u00e9rique devait d\u00e9cider si elle pouvait danser et \u00e9couter en m\u00eame temps.<\/p>\n

Riffs and Beats<\/strong>
\nNatural Woman, Chain of Fools, Think. Laquelle disait ta v\u00e9rit\u00e9 en premier ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nDiff\u00e9rents matins, diff\u00e9rentes v\u00e9rit\u00e9s. Natural Woman, c’est l’abandon qui reste droit. Chain of Fools, l’avertissement avec des hanches. Think, la limite avec un groove. Une reine a besoin de plus d’une cl\u00e9 de la ville. Tiens la voyelle un temps de plus et la tribune du ch\u0153ur se penche encore.<\/p>\n

Riffs and Beats<\/strong>
\nLe gospel n’a jamais quitt\u00e9 ta gorge. Comment Atlantic Records a-t-il g\u00e9r\u00e9 ce feu ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nJerry Wexler savait mieux que de le diluer. Les studios de Muscle Shoals et de New York ont appris \u00e0 faire de la place pour l’\u00e9glise. La soul sans racines gospel, c’est une maison sans fondations. J’apportais les fondations et le chandelier.<\/p>\n

Riffs and Beats<\/strong>
\nTu jouais du piano comme une autre voix. Qu’est-ce qui venait en premier pour toi ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLes mains enseignaient \u00e0 la voix o\u00f9 s’appuyer. Un accord peut pr\u00eacher avant qu’un texte n’arrive. Sur sc\u00e8ne j’aimais diriger le groupe depuis le banc. Une reine qui sait conduire n’attend pas un chauffeur. Je p\u00e8se chaque syllabe de cette phrase.<\/p>\n

Riffs and Beats<\/strong>
\nLa c\u00e9l\u00e9brit\u00e9 et la famille demandaient toutes deux des heures. Comment as-tu tenu la couronne droite ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nEn me souvenant qui pr\u00e9parait mon d\u00e9jeuner avant l’arriv\u00e9e des couronnes. Detroit restait dans la voix m\u00eame quand les robes devenaient plus lourdes. Je me suis battue pour ce qui m’\u00e9tait d\u00fb et j’ai quand m\u00eame essay\u00e9 de laisser de la place \u00e0 la gr\u00e2ce. Les couronnes glissent si tu oublies le cou qui les porte.<\/p>\n

Riffs and Beats<\/strong>
\nNessun Dorma aux Grammys a surpris la moiti\u00e9 de la plan\u00e8te. Est-ce que \u00e7a t’a surprise ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nCh\u00e9rie, la pr\u00e9paration est la seule surprise \u00e0 laquelle je fais confiance. L’op\u00e9ra et le gospel partagent les poumons. Je suis entr\u00e9e parce que la soir\u00e9e avait besoin d’une voix, et j’en avais une pr\u00eate. Les fronti\u00e8res sont des suggestions quand l’esprit dit d’y aller. Ce n’est pas de la nostalgie. C’est un inventaire.<\/p>\n

Riffs and Beats<\/strong>
\nQue devraient prot\u00e9ger les jeunes chanteurs ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLeur repos, leurs avocats, et leur \u00e9glise s’ils en ont une. Le talent sans repos devient rumeur. Prot\u00e8ge aussi la joie. La lutte se vend, mais la joie emp\u00eache une carri\u00e8re de go\u00fbter le vinaigre.<\/p>\n

Riffs and Beats<\/strong>
\nLe respect est-il encore le mot de passe ici ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nToujours. \u00c9pelle-le, vise-le, transmets-le. La rose sur le piano n’est pas une d\u00e9coration. C’est un rappel que les choses douces peuvent encore diriger une pi\u00e8ce. Maintenant si tu veux bien m’excuser, la lumi\u00e8re des vitraux demande encore un refrain.<\/p>\n

Riffs and Beats<\/strong>
\nTu as repris des chansons et elles semblaient n\u00e9es dans ta gorge. Quel est le secret d’une reprise l\u00e9gitime ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nRespecter le plan, puis reconstruire la maison pour ton climat. Une reprise sans appropriation, c’est du karaok\u00e9 avec de meilleures chaussures. Je cherchais la charni\u00e8re d’une chanson, l’endroit o\u00f9 elle pouvait basculer vers le gospel ou le grit. Quand je trouvais la charni\u00e8re, je poussais. C’est comme \u00e7a que Respect a cess\u00e9 d’\u00eatre une demande pour devenir un re\u00e7u que toute la salle devait signer.<\/p>\n

Riffs and Beats<\/strong>
\nQuelle b\u00e9n\u00e9diction laisserais-tu \u00e0 Detroit ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nQue vos moteurs et vos chorales gardent tous deux le tempo. Que les jeunes chanteurs trouvent une \u00e9glise ou un club qui leur dise la v\u00e9rit\u00e9 avec douceur. Que la ville se souvienne que la soul n’a jamais \u00e9t\u00e9 seulement un genre. C’\u00e9tait une fa\u00e7on de se tenir debout pendant que la musique s’asseyait \u00e0 c\u00f4t\u00e9 de vous. Gardez cette posture. Le reste suivra comme un bon groupe qui sait quand laisser de la place \u00e0 la voix.<\/p>\n

Riffs and Beats<\/strong>
\nI Never Loved a Man a \u00e9t\u00e9 enregistr\u00e9 \u00e0 Muscle Shoals avec des musiciens du Sud. Qu’est-ce que cette pi\u00e8ce a donn\u00e9 \u00e0 ta voix ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nUn pocket qui respirait comme une congr\u00e9gation. Ces musiciens \u00e9coutaient avec les mains. La chanson avait besoin d’espace pour la douleur et pour le swagger \u00e0 tours de r\u00f4le. Muscle Shoals m’a donn\u00e9 les deux sans me forcer \u00e0 choisir. Ce disque a appris \u00e0 Atlantic et au pays qu’une femme pouvait ouvrir la porte et r\u00e9arranger les meubles de la soul avant le d\u00e9jeuner.<\/p>\n

Elle effleure une fois la rose blanche, s’assoit, et laisse un accord gospel s’ouvrir sous le verre color\u00e9. Les bancs se remplissent de lumi\u00e8re au lieu de gens. Aretha Franklin chante un Amen doux qui veut encore dire Respect, puis le sanctuaire attend le prochain downbeat.<\/p>\n

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Riffs and Beats retrouve Aretha Franklin au piano \u00e0 queue sous lumi\u00e8re d’\u00e9glise de Detroit, robe dor\u00e9e, rose blanche sur le couvercle, traitant l’afterlife comme un autre appel au micro.<\/p>\n","protected":false},"author":1,"featured_media":11215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[810,539],"class_list":["post-11219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-aretha-franklin","tag-soul-rb-fr"],"yoast_head":"\nInterview afterlife d'Aretha Franklin - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-daretha-franklin\/\" \/>\n<meta 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