{"id":11219,"date":"2008-06-13T09:20:00","date_gmt":"2008-06-13T07:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-daretha-franklin\/"},"modified":"2026-11-09T07:05:36","modified_gmt":"2026-11-09T06:05:36","slug":"interview-afterlife-daretha-franklin","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-daretha-franklin\/","title":{"rendered":"Interview afterlife d’Aretha Franklin"},"content":{"rendered":"

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Riffs and Beats retrouve Aretha Franklin au piano \u00e0 queue sous lumi\u00e8re d’\u00e9glise de Detroit, robe dor\u00e9e qui attrape le verre color\u00e9, une rose blanche qui attend sur le couvercle. Les bancs d’\u00e9glise sont un d\u00e9cor. L’insistance de ses consonnes, c’est le sujet.<\/h3>\n

Riffs and Beats<\/strong>
\nAretha, ce sanctuaire swingue encore. O\u00f9 avons-nous atterri ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLa base avec de meilleures acoustiques. L’\u00e9glise m’a appris les premi\u00e8res sc\u00e8nes. Ici les vitraux gardent le tempo. Assieds-toi o\u00f9 tu veux. Le piano est d\u00e9j\u00e0 chauff\u00e9 et moi aussi.<\/p>\n

Riffs and Beats<\/strong>
\nRespect a transform\u00e9 une reprise en hymne des droits civiques. Comment te l’es-tu appropri\u00e9e ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nEn l’\u00e9pelant pour que personne ne puisse esquiver l’exigence. Otis avait \u00e9crit la supplique d’un homme. J’en ai fait la facture d’une femme. Le groupe frappait, les choristes r\u00e9pondaient et l’Am\u00e9rique devait d\u00e9cider si elle pouvait danser et \u00e9couter en m\u00eame temps.<\/p>\n

Riffs and Beats<\/strong>
\nNatural Woman, Chain of Fools, Think. Laquelle disait ta v\u00e9rit\u00e9 en premier ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLes v\u00e9rit\u00e9s changeaient avec le matin. Natural Woman, c’est un abandon qui reste debout. Chain of Fools avertit et on peut danser dessus. Think pose une limite. Le rythme reste. Il me fallait plus d’une chanson pour le dire. Tiens la voyelle un temps de plus : la tribune du ch\u0153ur se penche encore.<\/p>\n

Riffs and Beats<\/strong>
\nLe gospel n’a jamais quitt\u00e9 ta gorge. Comment Atlantic Records a-t-il g\u00e9r\u00e9 ce feu ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nJerry Wexler savait mieux que de le diluer. Les studios de Muscle Shoals et de New York ont appris \u00e0 faire de la place pour l’\u00e9glise. La soul sans racines gospel n’a rien en dessous. J’apportais la base et aussi ce qui brille au-dessus.<\/p>\n

Riffs and Beats<\/strong>
\nTu jouais du piano comme une autre voix. Qu’est-ce qui venait en premier pour toi ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLes mains enseignaient \u00e0 la voix o\u00f9 s’appuyer. Un accord peut pr\u00eacher avant qu’un texte n’arrive. Sur sc\u00e8ne j’aimais diriger le groupe depuis le banc. Si je peux mener le groupe depuis le banc, je n’attends personne pour le faire. Je maintiens encore \u00e7a.<\/p>\n

Riffs and Beats<\/strong>
\nLa c\u00e9l\u00e9brit\u00e9 et la famille demandaient toutes deux des heures. Comment as-tu tenu la couronne droite ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nEn me souvenant qui pr\u00e9parait mon d\u00e9jeuner avant l’arriv\u00e9e des couronnes. Detroit restait dans la voix m\u00eame quand les robes devenaient plus lourdes. Je me suis battue pour ce qui m’\u00e9tait d\u00fb et j’ai quand m\u00eame essay\u00e9 de laisser de la place \u00e0 la gr\u00e2ce. La couronne glisse si tu oublies qui la tient.<\/p>\n

Riffs and Beats<\/strong>
\nNessun Dorma aux Grammys a surpris la moiti\u00e9 de la plan\u00e8te. Est-ce que \u00e7a t’a surprise ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nCh\u00e9rie, la pr\u00e9paration est la seule surprise \u00e0 laquelle je fais confiance. L’op\u00e9ra et le gospel partagent les poumons. Je suis entr\u00e9e parce que la soir\u00e9e avait besoin d’une voix et j’en avais une pr\u00eate. Je prends une fronti\u00e8re pour une suggestion quand l’esprit dit d’y aller. C’est une note de travail, pas un souvenir.<\/p>\n

Riffs and Beats<\/strong>
\nQue devraient prot\u00e9ger les jeunes chanteurs ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nLeur repos, leurs avocats et leur \u00e9glise s’ils en ont une. Le talent sans repos devient rumeur. Prot\u00e8ge aussi la joie. La lutte se vend, mais la joie emp\u00eache une carri\u00e8re de go\u00fbter le vinaigre.<\/p>\n

Riffs and Beats<\/strong>
\nLe respect est-il encore le mot de passe ici ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nToujours. \u00c9pelle-le, vise-le, transmets-le. La rose sur le piano n’est pas qu’une d\u00e9coration. Elle me rappelle qu’un objet discret peut encore tenir une pi\u00e8ce. Maintenant si tu veux bien m’excuser, la lumi\u00e8re des vitraux demande encore un refrain.<\/p>\n

Riffs and Beats<\/strong>
\nTu as repris des chansons et elles semblaient n\u00e9es dans ta gorge. Quel est le secret d’une reprise l\u00e9gitime ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nGarde le plan du morceau, puis reconstruis-le pour ton propre climat. Une reprise que tu ne fais pas tienne, c’est du karaok\u00e9 avec de meilleures chaussures. Je cherchais dans la chanson l’endroit o\u00f9 elle pouvait basculer vers le gospel ou un grain plus r\u00eache. Quand je trouvais cet endroit, je poussais. C’est comme \u00e7a que Respect a cess\u00e9 d’\u00eatre une demande pour devenir quelque chose \u00e0 quoi toute la salle devait r\u00e9pondre.<\/p>\n

Riffs and Beats<\/strong>
\nQuelle b\u00e9n\u00e9diction laisserais-tu \u00e0 Detroit ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nJ’esp\u00e8re que vos moteurs et vos chorales gardent le tempo. J’esp\u00e8re que les jeunes chanteurs trouvent une \u00e9glise ou un club qui leur dise la v\u00e9rit\u00e9 avec douceur. J’esp\u00e8re que la ville se souvient que la soul n’a jamais \u00e9t\u00e9 seulement un genre. C’\u00e9tait une fa\u00e7on de se tenir debout pendant que la musique s’asseyait \u00e0 c\u00f4t\u00e9 de vous. Gardez cette posture. Le reste suit quand le groupe sait laisser de la place \u00e0 la voix.<\/p>\n

Riffs and Beats<\/strong>
\nI Never Loved a Man a \u00e9t\u00e9 enregistr\u00e9 \u00e0 Muscle Shoals avec des musiciens du Sud. Qu’est-ce que cette pi\u00e8ce a donn\u00e9 \u00e0 ta voix ?<\/em><\/p>\n

Aretha Franklin<\/strong>
\nUn rythme qui respirait comme une congr\u00e9gation. Ces musiciens \u00e9coutaient avec les mains. La chanson avait besoin d’espace pour la douleur et pour un pas fier, \u00e0 tours de r\u00f4le. Muscle Shoals m’a donn\u00e9 les deux sans me forcer \u00e0 choisir. Ce disque a appris \u00e0 Atlantic et au pays qu’une femme pouvait ouvrir la porte et changer l’agencement de la soul avant le d\u00e9jeuner.<\/p>\n

Elle effleure une fois la rose blanche, s’assoit et laisse un accord gospel s’ouvrir sous le verre color\u00e9. Les bancs se remplissent de lumi\u00e8re au lieu de gens. Aretha Franklin chante un Amen doux qui veut encore dire Respect, puis le sanctuaire attend le prochain temps.<\/p>\n

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Riffs and Beats retrouve Aretha Franklin au piano \u00e0 queue sous lumi\u00e8re d’\u00e9glise de Detroit, robe dor\u00e9e, rose blanche sur le couvercle. Elle prend l’au-del\u00e0 comme un autre appel au micro.<\/p>\n","protected":false},"author":1,"featured_media":11215,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[1066,539],"class_list":["post-11219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-aretha-franklin-fr","tag-soul-rb-fr"],"yoast_head":"\nInterview afterlife d'Aretha Franklin - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Riffs and Beats retrouve Aretha Franklin au piano \u00e0 queue sous lumi\u00e8re d'\u00e9glise de Detroit, robe dor\u00e9e, rose blanche sur le couvercle. 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