{"id":12523,"date":"2017-10-10T16:20:00","date_gmt":"2017-10-10T14:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-de-chris-cornell\/"},"modified":"2026-11-09T07:10:26","modified_gmt":"2026-11-09T06:10:26","slug":"interview-afterlife-de-chris-cornell","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-chris-cornell\/","title":{"rendered":"Interview afterlife de Chris Cornell"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454689759548{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dans une ruelle de Seattle o\u00f9 la pluie tombe sur le n\u00e9on, <em>Riffs and Beats<\/em> retrouve Chris Cornell en long manteau, Telecaster basse, voix d\u00e9j\u00e0 pos\u00e9e contre la brique mouill\u00e9e.<\/h3>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Chris, Black Hole Sun arr\u00eate encore le trafic. Pourquoi ce riff ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nKim a apport\u00e9 l\u2019\u00e9trange. J\u2019ai apport\u00e9 la m\u00e9lodie qui reste claire et devient dure. Refrain large pour que les salles crient sans perdre le froid. La pluie de Seattle m&rsquo;a appris la dynamique avant tout producteur.  On laissait le micro plus bas que l\u2019ego. La v\u00e9rit\u00e9 arrive plus vite par le bas.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Soundgarden, Audioslave, solo : trois pi\u00e8ces ou un couloir ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nTrois pi\u00e8ces, le m\u00eame c\u00e2blage. Soundgarden \u00e9tait la cave. Audioslave, la pi\u00e8ce \u00e0 fen\u00eatre ouverte. Solo, le bureau \u00e0 3 h du matin. On gardait le micro plus bas que l\u2019ego. On entend la v\u00e9rit\u00e9 plus vite en bas.  Le refrain devait rester l\u00e0 sans slogan. Si le slogan portait l\u2019ensemble, on reprenait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Tu chantais aigu sans excuses. Travail ou ent\u00eatement ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nLes deux. Les notes hautes comme un m\u00e9tier, pas un num\u00e9ro de sc\u00e8ne. Souffle d\u2019abord. Ego ensuite. Sans slogan, le refrain devait tenir. D\u00e8s que le slogan portait tout, on reprenait.  Une Telecaster dans une ruelle veut encore un volume honn\u00eate.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Rusty Cage en live faisait peur. Des astuces de studio ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nMoins d&rsquo;astuce que de muscle. Section rythmique serr\u00e9e, voix pench\u00e9e en avant. Je voulais que le micro prenne la tension. Je me souviens de la gorge plus que du mythe du volume.  Le micro \u00e9tait tenu plus bas que l\u2019ego. Le grave dit la v\u00e9rit\u00e9 avant le reste.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le streaming aplatit les catalogues grunge. Superunknown a encore besoin de la face A ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nOui. Ce disque est une longue m\u00e9t\u00e9o d&rsquo;un seul tenant. L\u2019al\u00e9atoire en fait des cartes s\u00e9par\u00e9es. On mettait le micro sous le niveau de l\u2019ego. La v\u00e9rit\u00e9 sort plus vite dans le bas.  Le refrain devait se tenir sans slogan. Si tout tenait au slogan, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Temple of the Dog t\u2019a appris quoi sur les chansons de deuil ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nGarder les noms honn\u00eates. Ne pas enjoliver la perte. Laisser le refrain porter le poids sans discours. Il fallait un refrain sans le slogan. On reprenait d\u00e8s que le slogan portait tout.  Temple of the Dog, c&rsquo;\u00e9tait du deuil avec un clic.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Conseil aux chanteurs qui chassent les clips d\u2019ambitus ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nFilme le milieu de ta voix une semaine. Si \u00e7a t\u2019ennuie, les aigus aussi. Le Drop D est une humeur, pas une mode.  On baissait le micro avant de penser \u00e0 l\u2019ego. Le bas donne la v\u00e9rit\u00e9 plus t\u00f4t.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Une guitare que tu refuses d&rsquo;id\u00e9aliser ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nToute guitare qui reste au mur. Joue-la sale ou vends-la. Le micro restait r\u00e9gl\u00e9 plus bas que l\u2019ego. Les graves disent vrai plus vite.  Le refrain devait tenir sans slogan. Si le slogan faisait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Mythe \u00e0 l\u00e2cher ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nQue Seattle, c\u2019\u00e9tait seulement flanelle et mis\u00e8re. On riait dans les vans. On se disputait pour le caf\u00e9. Puis on accordait. Le refrain devait avancer sans slogan. Quand le slogan portait tout, on reprenait.  Le couplet discret me faisait plus peur que le cri.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>La pluie s\u2019arr\u00eate ici ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nNon. C\u2019est le clic. J&rsquo;ai tenu une note jusqu&rsquo;\u00e0 ce que la pi\u00e8ce l\u00e2che.  On tenait le micro plus bas que l\u2019ego. C\u2019est le bas qui dit vrai plus vite.<\/p>\n<p style=\"text-align: justify;\">Il rel\u00e8ve la Telecaster, avance sous le n\u00e9on et la pluie, le manteau couvre la lumi\u00e8re de la ruelle. Fiction, oui. La note aigu\u00eb reste sur la brique mouill\u00e9e.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dans une ruelle de Seattle, sous la pluie et le n\u00e9on, Riffs and Beats retrouve Chris Cornell et sa Telecaster.<\/p>\n","protected":false},"author":1,"featured_media":12519,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[1172,452],"class_list":["post-12523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-chris-cornell-fr","tag-hardrock-metal-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview afterlife de Chris Cornell - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Dans une ruelle de Seattle, sous la pluie et le n\u00e9on, Riffs and Beats retrouve Chris Cornell et sa Telecaster.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-chris-cornell\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview afterlife de Chris Cornell - 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