{"id":12523,"date":"2025-01-11T16:20:00","date_gmt":"2025-01-11T15:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-de-chris-cornell\/"},"modified":"2026-09-26T23:00:28","modified_gmt":"2026-09-26T21:00:28","slug":"interview-afterlife-de-chris-cornell","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-chris-cornell\/","title":{"rendered":"Interview afterlife de Chris Cornell"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454689759548{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dans une ruelle de Seattle o\u00f9 la pluie polit le n\u00e9on en lames, <em>Riffs and Beats<\/em> retrouve Chris Cornell en long manteau, Telecaster basse, voix d\u00e9j\u00e0 accord\u00e9e \u00e0 la brique mouill\u00e9e.<\/h3>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Chris, Black Hole Sun arr\u00eate encore le trafic. Pourquoi ce riff ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nKim a apport\u00e9 l\u2019\u00e9trange. J\u2019ai apport\u00e9 la m\u00e9lodie qui sourit en br\u00fblant. Refrain large pour que les salles crient sans perdre le froid. La pluie de Seattle m&rsquo;a appris la dynamique avant tout producteur.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Soundgarden, Audioslave, solo : trois pi\u00e8ces ou un couloir ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nTrois pi\u00e8ces sur le m\u00eame c\u00e2blage. Soundgarden, la cave. Audioslave, la fen\u00eatre ouverte. Solo, le bureau \u00e0 3 h du matin. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Tu chantais aigu sans excuses. Travail ou ent\u00eatement ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nLes deux. Les notes hautes comme un m\u00e9tier, pas des feux d\u2019artifice. Souffle d\u2019abord. Ego ensuite. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Une Telecaster dans une ruelle veut encore du gain honn\u00eate.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Rusty Cage en live faisait peur. Des tricks studio ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nMoins de trick que de muscle. Section rythmique serr\u00e9e, voix pench\u00e9e en avant. Je voulais que le micro tressaille. Je me souviens de la gorge plus que du mythe du volume.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le streaming aplatit les catalogues grunge. Superunknown a encore besoin de la face A ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nOui. Ce disque est un syst\u00e8me m\u00e9t\u00e9o. L\u2019al\u00e9atoire en fait des cartes postales. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Temple of the Dog t\u2019a appris quoi sur les chansons de deuil ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nGarder les noms honn\u00eates. Ne pas parfumer la perte. Laisser le refrain porter le poids sans discours. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Temple of the Dog, c&rsquo;\u00e9tait du deuil avec un clic.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Conseil aux chanteurs qui chassent les clips d\u2019ambitus ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nFilme le milieu de ta voix une semaine. Si \u00e7a t\u2019ennuie, les aigus aussi. Le Drop D est une humeur, pas une mode.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Une guitare que tu refuses de romantiser ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nToute guitare qui reste au mur. Joue-la sale ou vends-la. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Mythe \u00e0 l\u00e2cher ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nQue Seattle, c\u2019\u00e9tait seulement flanelle et mis\u00e8re. On riait dans les vans. On se disputait pour le caf\u00e9. Puis on accordait. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Le couplet discret me faisait plus peur que le cri.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>La pluie s\u2019arr\u00eate ici ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Chris Cornell<\/strong><br \/>\nNon. C\u2019est le clic. J&rsquo;ai couru apr\u00e8s une note tenue jusqu&rsquo;\u00e0 ce que la pi\u00e8ce c\u00e8de.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\">Il rel\u00e8ve la Telecaster, avance sous le n\u00e9on et la pluie, le manteau avale la lumi\u00e8re de la ruelle. Fiction, oui. La note aigu\u00eb goutte encore sur la brique.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dans une ruelle de Seattle sous la pluie et le n\u00e9on, Riffs and Beats retrouve Chris Cornell et sa Telecaster.<\/p>\n","protected":false},"author":1,"featured_media":12519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[919,452],"class_list":["post-12523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-chris-cornell","tag-hardrock-metal-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview afterlife de Chris Cornell - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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