{"id":12571,"date":"2007-12-17T16:20:00","date_gmt":"2007-12-17T15:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-dian-curtis\/"},"modified":"2026-11-09T07:05:17","modified_gmt":"2026-11-09T06:05:17","slug":"interview-afterlife-dian-curtis","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-dian-curtis\/","title":{"rendered":"Interview afterlife d&rsquo;Ian Curtis"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454689759548{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Sous les lampes au sodium de Manchester, qui ne chauffent pas la brique, <em>Riffs and Beats<\/em> retrouve Ian Curtis en manteau, cigarette allum\u00e9e. Il s\u2019arr\u00eate. La suite est une fiction.<\/h3>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Ian, Love Will Tear Us Apart remplit encore les soirs indie. Tu l\u2019as \u00e9crite comme un hit ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nJe l\u2019ai \u00e9crite comme un fait avec une ligne de basse. La piste de danse est venue apr\u00e8s. Batterie s\u00e8che pour que le texte coupe. Le froid de Manchester m&rsquo;a appris l&rsquo;\u00e9conomie avant tout label.  Le micro restait plus bas que leur ego. Le grave disait vrai plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Joy Division ou les po\u00e8mes du carnet : quoi d\u2019abord les jours durs ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nLe carnet. Puis le groupe faisait tenir les mots dans une pi\u00e8ce qui sentait la sueur et les amplis. On gardait un micro plus bas que l&rsquo;ego. Le grave parlait plus net ici.  Sans formule, le refrain devait tenir. Si le slogan faisait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>La pochette d\u2019Unknown Pleasures est devenue un uniforme. Ton sentiment ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nLe trac\u00e9 de Peter a fait plus que n\u2019importe quelle photo de mon visage. \u00c7a me va si cette pochette tient lieu de portrait. Le refrain devait tenir sans formules. Si la formule suffisait, on refaisait tout.  Je me souviens de la basse plus que du mythe racont\u00e9 apr\u00e8s.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Ta danse sur sc\u00e8ne semblait involontaire. Performance ou l\u00e2cher-prise ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nL\u00e2cher-prise avec un compte. Stephen surveillait le tempo. Moi, le sol. Le mythe a rendu \u00e7a mystique. C\u2019\u00e9tait du travail avec un corps qui n\u2019ob\u00e9issait pas toujours. Un texte court peut durer plus longtemps que la l\u00e9gende.  Le micro allait plus bas que notre ego. C&rsquo;est le grave qui disait vrai.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le streaming met Atmosphere \u00e0 c\u00f4t\u00e9 des playlists de f\u00eate. Bizarre ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nBizarre et utile. Si un inconnu trouve la chanson entre deux blagues, peut-\u00eatre qu\u2019il reste pour le texte. On voulait le micro plus bas que l&rsquo;ego. Le grave disait le vrai plus t\u00f4t.  Le refrain tenait l\u00e0 sans une formule. Si le slogan portait le tout, on reprenait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Que devrait refuser un jeune chanteur post-punk ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nLes machines \u00e0 fum\u00e9e comme contenu \u00e9motionnel. Joue les notes. Dis la ligne. Laisse la fum\u00e9e \u00e0 la salle. Le refrain se tenait sans une formule. Si tout venait d&rsquo;une formule, on reprenait.  J&rsquo;ai tenu une ligne de baryton jusqu&rsquo;\u00e0 ce que la salle se calme.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le chaos Factory Records : carburant ou bruit ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nLes deux. Tony parlait grand. On enregistrait petit. Les disques ont surv\u00e9cu aux discours. Unknown Pleasures, c&rsquo;\u00e9tait de la retenue avec une colonne de bo\u00eete \u00e0 rythmes.  On a tenu le micro plus bas que l&rsquo;ego. Le vrai passait d&rsquo;abord au grave.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Une r\u00e8gle de studio \u00e0 garder pour toujours ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nPas de reverb en trop pour faire plus grand que la pi\u00e8ce. Si la pi\u00e8ce est petite, chante petit et sans en rajouter. Nous tenions le micro plus bas que l&rsquo;ego. On l&rsquo;entendait plus t\u00f4t au grave.  Le refrain marchait sans phrase faite. Si la formule tenait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Mythe \u00e0 calmer ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nQue la morosit\u00e9 \u00e9tait une strat\u00e9gie de marque. On \u00e9tait quatre avec peu de chauffage et peu de temps. On tenait le refrain sans phrase faite. Quand la formule suffisait, on recommen\u00e7ait.  Je pr\u00e9f\u00e8re encore une vraie ligne de basse aux textes tragiques.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le gris de Manchester se l\u00e8ve ici ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Ian Curtis<\/strong><br \/>\nNon. Le gris reste dans la batterie. Le refrain est la partie plus chaude. La dance peut porter l&rsquo;angoisse si le rythme reste simple.  On posait le micro plus bas que l&rsquo;ego. Le grave annon\u00e7ait le vrai d&rsquo;abord.<\/p>\n<p style=\"text-align: justify;\">Il jette la cigarette et plie le manteau. Les lampes au sodium restent allum\u00e9es. Fiction, oui.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Sous les lampes au sodium de Manchester, qui ne chauffent pas la brique, Riffs and Beats retrouve Ian Curtis en manteau, cigarette allum\u00e9e.<\/p>\n","protected":false},"author":1,"featured_media":12564,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[311,649],"class_list":["post-12571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-alternative-indie-punk-fr","tag-joy-division-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview afterlife d&#039;Ian Curtis - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Sous les lampes au sodium de Manchester, qui ne chauffent pas la brique, Riffs and Beats retrouve Ian Curtis en manteau, cigarette allum\u00e9e.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-dian-curtis\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview afterlife d&#039;Ian Curtis - 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