{"id":12602,"date":"2015-04-28T16:20:00","date_gmt":"2015-04-28T14:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-de-nick-drake\/"},"modified":"2026-11-09T07:08:40","modified_gmt":"2026-11-09T06:08:40","slug":"interview-afterlife-de-nick-drake","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-nick-drake\/","title":{"rendered":"Interview afterlife de Nick Drake"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454689759548{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">\u00c0 l\u2019aube anglaise, la brume est sur les haies. <em>Riffs and Beats<\/em> retrouve Nick Drake avec une guitare acoustique, de dos. Il n\u2019a jamais sign\u00e9 pour une pi\u00e8ce forte.<\/h3>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Nick, Pink Moon dure trois minutes et sonne comme un hiver entier. Intention ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nEnlever le groupe. Garder la pi\u00e8ce. Une guitare, une voix, pas de foule \u00e0 impressionner. L\u2019hiver fait le reste. L&rsquo;aube anglaise m&rsquo;a appris \u00e0 compter le silence dans le tempo.  On baissait le micro. Le grave de la prise disait les choses plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Tu as peu tourn\u00e9. Timidit\u00e9 ou strat\u00e9gie ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nTimidit\u00e9 avec un emploi du temps. Les sc\u00e8nes voulaient un showman. Moi, la prise o\u00f9 les doigts ne mentent pas. On baissait le micro. Le grave de la prise disait les choses plus vite.  Le refrain devait tenir sans formule. Si la formule portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Bryter Layter avait cordes et batterie douce. Trop habill\u00e9 pour toi ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nParfois. Joe et John ont habill\u00e9 les chansons avec gentillesse. J\u2019entends encore la chanson dessous. Le refrain devait tenir sans formule. Si la formule portait tout, on recommen\u00e7ait.  Je me souviens de la guitare plus que d&rsquo;aucune foule qui n&rsquo;est jamais venue.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le titre Five Leaves Left : blague ou avertissement ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nUne blague de paquet de cigarettes devenue avertissement. J\u2019aimais les petits objets qui en disent plus que les discours. Le fingerpicking garde les deux mains sur le m\u00eame compte.  On baissait le micro. Le grave de la prise disait les choses plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Tes patterns de fingerpicking enseignent encore. M\u00e9thode ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nLent. La m\u00eame figure jusqu\u2019\u00e0 ce que le pouce arr\u00eate de discuter. Puis la parole comme une seconde horloge. On baissait le micro. Le grave de la prise disait les choses plus vite.  Le refrain devait tenir sans formule. Si la formule portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le streaming t\u2019a red\u00e9couvert des d\u00e9cennies trop tard. Bizarre ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nBizarre et bien. Les disques calmes ont besoin de temps pour circuler. Les algorithmes leur en ont enfin laiss\u00e9. Le refrain devait tenir sans formule. Si la formule portait tout, on recommen\u00e7ait.  Joe Boyd m&rsquo;a donn\u00e9 de l&rsquo;espace; l&rsquo;espace est plus rare que les cordes.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Conseil \u00e0 un auteur qui d\u00e9teste le micro ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nEnregistre \u00e0 l\u2019aube. Mens s\u2019il le faut sur qui \u00e9coute. Garde la premi\u00e8re prise vraie. Pink Moon, ce sont trois minutes. \u00c7a ne crie pas.  On baissait le micro. Le grave de la prise disait les choses plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Un luxe de studio que tu refuserais ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nUne chorale appel\u00e9e pour adoucir le doute. Le doute reste dans le son de la corde. On baissait le micro. Le grave de la prise disait les choses plus vite.  Le refrain devait tenir sans formule. Si la formule portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Mythe \u00e0 clarifier ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nQue je n\u2019\u00e9crivais que sur le brouillard. J\u2019\u00e9crivais des chaises, des trains, des tasses de th\u00e9 et des accords exacts. Le refrain devait tenir sans formule. Si la formule portait tout, on recommen\u00e7ait.  J&rsquo;ai utilis\u00e9 la pi\u00e8ce plus que les arrangements.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>La brume se l\u00e8ve ici ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Nick Drake<\/strong><br \/>\nEn milieu de matin\u00e9e. Puis la haie montre son travail. Je reste pour \u00e7a. Si le pouce est en retard, le texte d\u00e9croche.  On baissait le micro. Le grave de la prise disait les choses plus vite.<\/p>\n<p style=\"text-align: justify;\">Il suit le sentier le long de la haie, guitare basse. La brume devient un vert ordinaire. La sc\u00e8ne est invent\u00e9e. L\u2019accord doux est encore dans la prise.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>\u00c0 l\u2019aube, dans la brume des haies anglaises, Riffs and Beats retrouve Nick Drake et sa guitare acoustique, de dos.<\/p>\n","protected":false},"author":1,"featured_media":12598,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[416,1180],"class_list":["post-12602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-country-folk-fr","tag-nick-drake-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview afterlife de Nick Drake - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"\u00c0 l\u2019aube, dans la brume des haies anglaises, Riffs and Beats retrouve Nick Drake et sa guitare acoustique, de dos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-nick-drake\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview afterlife de Nick Drake - 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