{"id":12608,"date":"2011-05-16T13:20:00","date_gmt":"2011-05-16T11:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-delliott-smith\/"},"modified":"2026-09-26T23:59:13","modified_gmt":"2026-09-26T21:59:13","slug":"interview-afterlife-delliott-smith","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-delliott-smith\/","title":{"rendered":"Interview afterlife d&rsquo;Elliott Smith"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454689759548{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dans une rue de Portland o\u00f9 la pluie transforme le n\u00e9on en aquarelle, <em>Riffs and Beats<\/em> retrouve Elliott Smith en chemise ray\u00e9e, petite acoustique sous le bras, parlant assez bas pour que les flaques se penchent.<\/h3>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Elliott, Miss Misery a explos\u00e9 aux Oscars. \u00c7a ressemblait \u00e0 ta pi\u00e8ce ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\n\u00c7a ressemblait \u00e0 un smoking emprunt\u00e9. Je l\u2019ai \u00e9crite petite. Les cam\u00e9ras l\u2019ont agrandie. Je suis rentr\u00e9 au quatre-pistes. Une guitare discr\u00e8te peut convaincre une salle bruyante si l&rsquo;accordage est honn\u00eate.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Either\/Or sonne encore comme une cuisine \u00e0 2 h. Comment as-tu enregistr\u00e9 ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nMicros pr\u00e8s, voix doubl\u00e9es quand l\u2019harmonie le demandait, batterie qui ne s\u2019excuse pas d\u2019\u00eatre rare. Garde les chaises dans le mix. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Heatmiser \u00e9tait plus fort. Le solo est plus calme. Trahison ou focus ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nFocus. Le fort m\u2019a appris le muscle. Le calme, o\u00f9 se cache le texte. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Je me souviens du double-track plus que d&rsquo;aucun mythe de marbre.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Needle in the Hay : confession ou craft ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nCraft d\u2019abord. Si \u00e7a se lit comme un journal, bien. Si ce n\u2019est qu\u2019un journal, r\u00e9\u00e9cris jusqu\u2019\u00e0 ce que la m\u00e9lodie porte le bleu. Les consonnes chuchot\u00e9es faisaient la moiti\u00e9 de l&rsquo;arrangement.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Figure 8 avait de plus gros arrangements. Trop poli ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nPoli comme un zinc apr\u00e8s la fermeture. Encore collant dessous. Je voulais de la couleur sans perdre le murmure. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le streaming met tes ballades entre des tracks de f\u00eate. Conseil ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nLaisse faire. Une chanson calme dans une liste bruyante, c\u2019est une porte. Des gamins passent. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  J&rsquo;ai couru apr\u00e8s une harmonie fragile jusqu&rsquo;\u00e0 ce que la cabine se fige.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Que devraient voler les producteurs de chambre chez toi ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nLe double imparfait. Laisse un souffle trop t\u00f4t. La perfection, c\u2019est une fen\u00eatre ferm\u00e9e. XO, c&rsquo;\u00e9tait du m\u00e9tier lumi\u00e8res baiss\u00e9es, pas une brochure suicide.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Un matos que tu as trop aim\u00e9 ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nUn micro pas cher qui flattait les consonnes. Les micros chics me d\u00e9non\u00e7aient. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Mythe \u00e0 r\u00e9duire ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nQue la mis\u00e8re \u00e9tait la marque. J\u2019\u00e9crivais des blagues. Des listes de courses en accords. La tristesse vendait mieux en titres. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Je pr\u00e9f\u00e8re encore un vrai chuchotement \u00e0 une manchette tragique.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>La pluie s\u2019arr\u00eate ici ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Elliott Smith<\/strong><br \/>\nNon. Portland garde le clic mouill\u00e9. \u00c7a me va. Le bruit de doigt sur la corde faisait partie du chant.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\">Il traverse la rue mouill\u00e9e, la chemise ray\u00e9e s\u2019efface dans le rose n\u00e9on, l\u2019\u00e9tui tape sa jambe. Fiction, oui. Le double doux respire encore.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dans une rue de Portland sous la pluie et le n\u00e9on, Riffs and Beats retrouve Elliott Smith et sa petite acoustique.<\/p>\n","protected":false},"author":1,"featured_media":12604,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[311,925],"class_list":["post-12608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-alternative-indie-punk-fr","tag-elliott-smith"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview afterlife d&#039;Elliott Smith - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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