{"id":12614,"date":"2014-10-14T11:20:00","date_gmt":"2014-10-14T09:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-de-marvin-gaye\/"},"modified":"2026-09-27T02:00:01","modified_gmt":"2026-09-27T00:00:01","slug":"interview-afterlife-de-marvin-gaye","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-marvin-gaye\/","title":{"rendered":"Interview afterlife de Marvin Gaye"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454689759548{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dans une lumi\u00e8re Motown qui ne pointe jamais, <em>Riffs and Beats<\/em> retrouve Marvin Gaye devant un piano \u00e0 queue, costume net de dos, touches chaudes comme l\u2019asphalte de Detroit apr\u00e8s la pluie.<\/h3>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Marvin, What\u2019s Going On sonne encore comme un titre et une pri\u00e8re. Souvenir studio ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nOn s\u2019est disput\u00e9s avec le label, puis on a enregistr\u00e9 quand m\u00eame. Batterie douce, voix empil\u00e9es, questions qui refusaient de sourire \u00e0 la demande. What&rsquo;s Going On a commenc\u00e9 comme une conversation, pas comme un monument.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Sexual Healing \u00e9tait plus tard et plus l\u00e2che. M\u00eame chanteur ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nM\u00eame faim, autre horloge de ville. Je voulais un groove dans les hanches et dans la conscience en m\u00eame temps. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Les duos avec Tammi Terrell t\u2019ont appris quoi sur les \u00e9changes ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nLaisser de l\u2019espace. Un duo, c\u2019est une conversation, pas un concours. Si tu empiles trop fier, le refrain meurt. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Je me souviens du tambourin plus que de la statue de marbre.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Tu t\u2019es battu pour le contr\u00f4le des albums. \u00c7a valait les bleus ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nOui. Les singles paient le loyer. Les albums construisent des pi\u00e8ces. J\u2019avais besoin de pi\u00e8ces pour les nouvelles de la rue. Un falsetto doux peut porter une question dure.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Let\u2019s Get It On : romance ou flex de production ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nRomance avec des ing\u00e9nieurs qui savaient quand arr\u00eater de polir. Garder la sueur sur la bande. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Le streaming a d\u00e9coup\u00e9 les catalogues Motown. \u00c7a blesse l\u2019id\u00e9e de suite ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nUn peu. What\u2019s Going On, c\u2019est une cha\u00eene. Casses un maillon, tu as un joli fragment. Quand m\u00eame, les fragments trouvent de nouveaux gamins. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  J&rsquo;ai tenu une syllabe jusqu&rsquo;\u00e0 ce que Motown cligne.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Conseil aux chanteurs soul qui chassent les vocalises virales ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nChante la voyelle comme si tu voulais dire la phrase. Le m\u00e9lisme sans sens, c\u2019est du bijou sur une table vide. La protestation vivait dans le groove, pas dans la le\u00e7on.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Une habitude piano que tu gardes ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nTrouver le pocket avec la main gauche avant que la droite pr\u00eache. On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.  Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>Mythe \u00e0 retirer ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nQue je flottais seulement au-dessus du beat. Je comptais. Je discutais les tempos. Le ciel a encore un clic. Le refrain devait marcher sans slogan. Si le slogan portait tout, on recommen\u00e7ait.  Je pr\u00e9f\u00e8re encore une vraie pi\u00e8ce \u00e0 un discours vertueux.<\/p>\n<p style=\"text-align: justify;\"><strong>Riffs and Beats<\/strong><br \/>\n<em>La lumi\u00e8re de Detroit refroidit ici ?<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Marvin Gaye<\/strong><br \/>\nJamais. L\u2019ambre reste sur le couvercle du piano. Je joue jusqu\u2019\u00e0 ce que les questions s\u2019adoucissent. Sexual Healing m\u00e9rite son titre en m\u00e9ritant son pocket.  On r\u00e9glait le micro plus bas que l\u2019ego. Le bas dit la v\u00e9rit\u00e9 plus vite.<\/p>\n<p style=\"text-align: justify;\">Il referme le piano \u00e0 demi, le costume dispara\u00eet dans l\u2019ambre Motown. Fiction, oui. La question du refrain tient encore.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dans une lumi\u00e8re Motown qui ne pointe jamais, Riffs and Beats retrouve Marvin Gaye devant un piano \u00e0 queue.<\/p>\n","protected":false},"author":1,"featured_media":12610,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[882,539],"class_list":["post-12614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-marvin-gaye-fr","tag-soul-rb-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Interview afterlife de Marvin Gaye - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-marvin-gaye\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview afterlife de Marvin Gaye - 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