{"id":12686,"date":"2009-06-02T19:20:00","date_gmt":"2009-06-02T17:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-de-keith-moon\/"},"modified":"2026-09-26T23:58:46","modified_gmt":"2026-09-26T21:58:46","slug":"interview-afterlife-de-keith-moon","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-keith-moon\/","title":{"rendered":"Interview afterlife de Keith Moon"},"content":{"rendered":"

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Riffs and Beats retrouve Keith Moon dans un couloir d’h\u00f4tel enfin calme, baguettes en main, fl\u00fbtes de champagne abandonn\u00e9es comme des fills inachev\u00e9s. Le chaos du lobby d’h\u00f4tel est une rumeur; le fill qui mange la barre est sur la bande. Fiction, bien s\u00fbr; le roulement de toms doit quand m\u00eame atterrir quelque part d’honn\u00eate.<\/h3>\n

Riffs and Beats<\/strong>
\nKeith, le couloir est bizarrement rang\u00e9. O\u00f9 sommes-nous ?<\/em><\/p>\n

Keith Moon<\/strong>
\nLendemain d’une belle soir\u00e9e qui ne s’est jamais vraiment finie. Les h\u00f4tels se souviennent mieux de moi que moi d’eux. Celui-ci a enfin arr\u00eat\u00e9 de se plaindre. Asseyez-vous. La moquette a entendu pire. Les h\u00f4tels finissent par se taire; les couloirs se souviennent du tempo plus longtemps que les managers. Les gens veulent l’histoire du fou sans les grilles d’arrangement.<\/p>\n

Riffs and Beats<\/strong>
\nTa batterie sonnait comme du vandalisme m\u00e9lodique. C’\u00e9tait le plan ?<\/em><\/p>\n

Keith Moon<\/strong>
\nPlan est un grand mot. Je suivais le chant puis je me disputais avec. Townshend \u00e9crivait de l’architecture. Moi je jetais des feux d’artifice par les fen\u00eatres. Si la chanson survivait, on avait tous les deux raison. Townshend construisait des murs; je jetais des feux d’artifice; la chanson devait survivre aux deux \u00e9quipes. Il revient \u00e0 la batterie parce que l’espi\u00e8glerie sans tempo n’est que d\u00e9g\u00e2t.<\/p>\n

Riffs and Beats<\/strong>
\nWon’t Get Fooled Again a besoin de cette r\u00e9entr\u00e9e explosive. Comment tu ne surjoues pas la pause ?<\/em><\/p>\n

Keith Moon<\/strong>
\nTu surjoues tout le reste pour que la pause ait l’air maligne. Ensuite tu reviens comme une porte enfonc\u00e9e. Le timing, c’est de la com\u00e9die. La com\u00e9die, c’est de la batterie avec une meilleure presse. Une pause n’a l’air maligne que si le chaos d’avant a pay\u00e9 le loyer en entier. Demande aux toms, \u00e0 la road crew, \u00e0 la bande; les tablo\u00efds ont menti plus fort.<\/p>\n

Riffs and Beats<\/strong>
\nThe Who \u00e9taient une guerre sur sc\u00e8ne. Qui t’emp\u00eachait de partir en vrille totale ?<\/em><\/p>\n

Keith Moon<\/strong>
\nEntwistle, surtout, avec ce calme assassin dans le grave. Pete avec des accords comme des briques. Roger avec un micro comme une arme. J’\u00e9tais le syst\u00e8me m\u00e9t\u00e9o. Eux, la carte. Le grave d’Entwistle \u00e9tait la ceinture; sans \u00e7a mon syst\u00e8me m\u00e9t\u00e9o aurait quitt\u00e9 la carte. Si \u00e7a sonne dessin anim\u00e9, remets le pocket dessous.<\/p>\n

Riffs and Beats<\/strong>
\nLes gens se souviennent plus des voitures dans les piscines que des fills. \u00c7a agace le musicien en toi ?<\/em><\/p>\n

Keith Moon<\/strong>
\n\u00c7a agace, \u00e7a amuse, les deux. Les fills ont pay\u00e9 les histoires de piscine. Si un gamin apprend Baba O’Riley et entend aussi une nuit de b\u00eatises, tant mieux. Apprends juste la partie avant de r\u00e9server la piscine. Apprends la partie avant de r\u00e9server la piscine; la b\u00eatise sans m\u00e9tier, c’est de la plomberie ch\u00e8re. Le respect, c’est le chaos qui sait encore o\u00f9 est le un.<\/p>\n

Riffs and Beats<\/strong>
\nConseil pour un batteur qui veut le chaos sans saboter le groupe ?<\/em><\/p>\n

Keith Moon<\/strong>
\nLe chaos a besoin d’une destination. Visez l’explosion. \u00c9coutez la piste d’atterrissage du chant. Si vous n’entendez pas le chanteur, vous n’\u00eates pas Keith Moon, vous n’\u00eates que du bruit cher. Le chaos a besoin d’une piste d’atterrissage appel\u00e9e chant; la rater et tu n’es que du bruit riche. Volez la joie t\u00e9m\u00e9raire, pas la mythologie de chambre d\u00e9truite.<\/p>\n

Riffs and Beats<\/strong>
\nTommy et Quadrophenia demandaient une batterie narrative. L’op\u00e9ra-rock te convenait ?<\/em><\/p>\n

Keith Moon<\/strong>
\n\u00c7a me convenait comme un costume qui laisse encore sprinter. L’histoire te donne des cues. Les cues te donnent des excuses pour des fills plus gros. J’ai toujours aim\u00e9 une excuse. L’op\u00e9ra-rock m’a donn\u00e9 des cues; les cues m’ont donn\u00e9 la permission pour des fills plus gros et plus dr\u00f4les. Le destin n’a pas r\u00e9serv\u00e9 ces kits; un batteur ennuy\u00e9 avec trop de bras l’a fait.<\/p>\n

Riffs and Beats<\/strong>
\nQu’est-ce qui te manque et qu’un couloir calme ne peut pas imiter ?<\/em><\/p>\n

Keith Moon<\/strong>
\nUn vrai gasp du public apr\u00e8s un crash de cymbale. Moon the Loon qui offre une tourn\u00e9e qu’il ne peut pas payer. L’odeur d’une ruelle de th\u00e9\u00e2tre. Et Pete qui dit one more en sachant que \u00e7a veut dire trois. Les gasps du public me manquent parce que ce sont les seules critiques \u00e0 l’heure. Les fant\u00f4mes de cirque attendent encore le crash avant d’\u00e9meuter.<\/p>\n

Riffs and Beats<\/strong>
\nDerni\u00e8re : tu d\u00e9truisais des chambres d’h\u00f4tel ou tu r\u00e9p\u00e9tais la libert\u00e9 ?<\/em><\/p>\n

Keith Moon<\/strong>
\nJe r\u00e9p\u00e9tais la libert\u00e9 avec un mauvais contr\u00f4le des impulsions. La destruction, c’\u00e9tait le titre de presse. En dessous, un gamin qui d\u00e9testait l’immobilit\u00e9. L’immobilit\u00e9 est utile maintenant. \u00c0 l’\u00e9poque, \u00e7a faisait mort en gilet. Les r\u00e9p\u00e9titions de libert\u00e9 avec mauvais contr\u00f4le ont b\u00e2ti une carri\u00e8re et un dossier presse; l’immobilit\u00e9 est venue plus tard comme frais de scolarit\u00e9. Laisse les manchettes de lunatique; finis le fill.<\/p>\n

Riffs and Beats<\/strong>
\nThe Who t’ont-ils demand\u00e9 de jouer plus petit ?<\/em><\/p>\n

Keith Moon<\/strong>
\nIls m’ont demand\u00e9 de mieux viser. Plus petit n’\u00e9tait jamais le brief. Viser l’architecture avec les feux d’artifice, pas les oreilles du public pour le sport. Cette consigne arrivait tard certains soirs, t\u00f4t les bons soirs, et toujours avec un sourire.<\/p>\n

Il tape un roulement discret sur la rampe du couloir, puis salue un balcon invisible. Keith Moon range une baguette, en laisse une pour qui aura besoin de chaos avec du timing, et dispara\u00eet derri\u00e8re une porte qui sent encore le brouillard de sc\u00e8ne. Il sort en riant, les cymbales disputant encore avec la gravit\u00e9.<\/p>\n

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Riffs and Beats retrouve Keith Moon dans un couloir d’h\u00f4tel enfin calme, baguettes en main, fl\u00fbtes de champagne abandonn\u00e9es comme des fills inachev\u00e9s.<\/p>\n","protected":false},"author":1,"featured_media":12682,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[482,510],"class_list":["post-12686","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-classic-rock-fr","tag-the-who-fr"],"yoast_head":"\nInterview afterlife de Keith Moon - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-de-keith-moon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interview afterlife de Keith Moon - 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