{"id":12698,"date":"2019-08-31T11:20:00","date_gmt":"2019-08-31T09:20:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interview-afterlife-deddie-van-halen\/"},"modified":"2026-09-27T00:01:08","modified_gmt":"2026-09-26T22:01:08","slug":"interview-afterlife-deddie-van-halen","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-deddie-van-halen\/","title":{"rendered":"Interview afterlife d’Eddie Van Halen"},"content":{"rendered":"

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Riffs and Beats retrouve Eddie Van Halen dans la lueur d’un garage de Pasadena, Frankenstrat \u00e0 l’\u00e9paule, dos \u00e0 l’\u00e9tabli o\u00f9 une autre id\u00e9e impossible est d\u00e9j\u00e0 \u00e0 moiti\u00e9 construite. Appelez \u00e7a fiction si vous voulez; le brown sound arrive encore avant la poign\u00e9e de main. Fiction ou pas, le tapping montre encore ses devoirs.<\/h3>\n

Riffs and Beats<\/strong>
\nEddie, ce garage sent encore la soudure et l’ambition. O\u00f9 sommes-nous ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nPasadena avec la porte entrouverte pour les voisins qui se plaignaient puis demandaient des tickets. C’est l\u00e0 qu’Eruption \u00e9tait un probl\u00e8me \u00e0 r\u00e9soudre, pas un monument. Prenez un tabouret. Attention aux c\u00e2bles. Les voisins de Pasadena se plaignaient, puis demandaient des tickets; voil\u00e0 le vrai cycle de critiques. Les gens veulent Eruption sans les heures sur le tapis du salon.<\/p>\n

Riffs and Beats<\/strong>
\nLe tapping avait l’air d’une triche jusqu’\u00e0 devenir un devoir pour une g\u00e9n\u00e9ration. Comment tu l’as invent\u00e9 pour toi ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nIl me fallait plus de notes que de doigts \u00e0 l’ancienne. Alors j’ai emprunt\u00e9 l’autre main. Ce n’\u00e9tait pas de magie. C’\u00e9tait de la menuiserie avec de l’\u00e9lectricit\u00e9. Si \u00e7a sonnait musical, on garde. Si \u00e7a sonnait cascade, on r\u00e9\u00e9crit. Le tapping, c’\u00e9tait de la menuiserie: plus de notes, m\u00eame sens de la chanson, z\u00e9ro int\u00e9r\u00eat pour les cascades vides. Il revient \u00e0 la touche parce que les doigts racontent moins de l\u00e9gendes que les magazines.<\/p>\n

Riffs and Beats<\/strong>
\nLa Frankenstrat est moche-belle. Pourquoi construire au lieu d’acheter ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nParce que les guitares du magasin r\u00e9pondaient aux questions de quelqu’un d’autre. Je voulais un hot-rod assez juste pour dive-bomber et encore sourire. Les rayures camouflaient les cicatrices. La fonction d’abord, la mythologie ensuite. Les cicatrices sous les rayures \u00e9taient le but; les jolies guitares r\u00e9pondent aux jolies questions. Demande \u00e0 l’ampli, \u00e0 la bouteille en slide, au fr\u00e8re \u00e0 la batterie.<\/p>\n

Riffs and Beats<\/strong>
\nLe party rock de Van Halen cachait un vrai craft. Le sourire prot\u00e9geait le nerd ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nAbsolument. Les sourires vendent les tickets. Les nerds inventent les pi\u00e8ces qui rendent le sourire honn\u00eate. Je riais en couverture de magazine et je restais debout \u00e0 souder. Les deux jobs comptaient. Sourire en couverture, soudure la nuit; les deux shifts gardaient Van Halen honn\u00eate. Si \u00e7a sonne brochure shred, ralentis jusqu’\u00e0 ce que \u00e7a swingue.<\/p>\n

Riffs and Beats<\/strong>
\nLe brown sound est une religion maintenant. Tu peux le d\u00e9crire sans po\u00e9sie ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nUne attitude Plexi via Variac, \u00e0 fond d’une mani\u00e8re intelligente, des guitares qui mordent dans le medium, pas un aiguileur. C’est du bois, des lampes et de l’ent\u00eatement. Les plugins approximhent. Les salles se souviennent. Le brown sound, c’est du medium t\u00eatu et du courage \u00e0 lampes; les salles se souviennent de ce que les plugins approximhent. Le respect, c’est une carte de tempo qu’on ne triche pas avec la seule vitesse.<\/p>\n

Riffs and Beats<\/strong>
\nConseil pour les guitaristes qui courent apr\u00e8s la vitesse et sautent les chansons ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nLa vitesse sans refrain, c’est un tapis de course. Apprenez Jump et Ain’t Talkin’ ‘Bout Love comme chansons d’abord. Ensuite sprintez. Les h\u00e9ros qui ne font que shredder deviennent le fond de la m\u00e9lodie de quelqu’un d’autre. Sprintez apr\u00e8s l’existence du refrain; sinon vous \u00eates un tapis de course avec un Floyd Rose. Volez le carnet de r\u00e9p\u00e9tition, pas la combinaison.<\/p>\n

Riffs and Beats<\/strong>
\nAvec Roth puis Hagar : qu’est-ce qui restait constant dans ton cerveau guitare ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nDes riffs qui font lever une salle. Un son qui traverse la batterie sans la tuer. Et l’habitude de r\u00e9\u00e9crire jusqu’\u00e0 ce que la partie semble in\u00e9vitable. Les chanteurs changent. La gravit\u00e9 non. Les chanteurs changent de ville; les riffs qui font lever restent sur le m\u00eame passeport. Le destin n’a pas invent\u00e9 les harmoniques; un apr\u00e8s-midi d’ennui l’a fait.<\/p>\n

Riffs and Beats<\/strong>
\nQu’est-ce qui te manque et qu’un garage lumineux ne peut pas inventer ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nAlex qui compte avec ce regard de fr\u00e8re. De la cendre de cigarette sur un potard. L’odeur d’un club avant l’ouverture. Et un gamin au premier rang qui air-tap les mauvaises cases avec une joie parfaite. Le regard de fr\u00e8re d’Alex sur le count-in bat encore n’importe quel click track. Les fant\u00f4mes ont encore besoin des croches de charleston sinon ils crashent trop t\u00f4t.<\/p>\n

Riffs and Beats<\/strong>
\nDerni\u00e8re : inventeur, showman, ou grand fr\u00e8re avec un fer \u00e0 souder ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nGrand fr\u00e8re avec un fer \u00e0 souder qu’on a tra\u00een\u00e9 sur sc\u00e8ne et qui a aim\u00e9 \u00e7a. L’invention, c’est de l’amour avec des outils. Le showmanship, c’est rendre cet amour visible depuis le rang vingt. J’avais besoin des deux. Fer \u00e0 souder d’abord, projecteur ensuite; l’invention a rendu le projecteur digne de la facture d’\u00e9lectricit\u00e9. Laisse les m\u00e9taphores volcan; finis la phrase propre.<\/p>\n

Riffs and Beats<\/strong>
\nQu’est-ce que le garage a enseign\u00e9 que les stades ne pouvaient pas ?<\/em><\/p>\n

Eddie Van Halen<\/strong>
\nL’\u00e9chec \u00e0 loyer bas. Les stades punissent les exp\u00e9riences. Les garages les pardonnent jusqu’\u00e0 2 heures. Chaque moment live tape-\u00e0-l’\u0153il a commenc\u00e9 comme une id\u00e9e moche sur un \u00e9tabli qui n’aurait pas d\u00fb marcher, puis a march\u00e9 sous n\u00e9on.<\/p>\n

Il lance une harmonique qui reste suspendue dans l’air du garage, puis accroche la guitare ray\u00e9e \u00e0 un clou comme une phrase termin\u00e9e. Eddie Van Halen s’essuie les mains sur un chiffon et part chercher une autre pi\u00e8ce qui ne devrait pas marcher, c’est comme \u00e7a qu’il commen\u00e7ait toujours. Il range la guitare comme un set qui a d\u00e9j\u00e0 eu son rappel.<\/p>\n

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Riffs and Beats retrouve Eddie Van Halen dans la lueur d’un garage de Pasadena, Frankenstrat \u00e0 l’\u00e9paule, dos \u00e0 l’\u00e9tabli o\u00f9 une autre id\u00e9e impossible est d\u00e9j\u00e0 \u00e0 moiti\u00e9 construite.<\/p>\n","protected":false},"author":1,"featured_media":12694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[367,369],"tags":[452,927],"class_list":["post-12698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews-fr","category-interviews-posthumes","tag-hardrock-metal-fr","tag-van-halen"],"yoast_head":"\nInterview afterlife d'Eddie Van Halen - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/interviews-fr\/interviews-posthumes\/interview-afterlife-deddie-van-halen\/\" 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