{"id":13086,"date":"2012-10-04T16:00:00","date_gmt":"2012-10-04T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/dirty-water-foo-fighters-2\/"},"modified":"2026-09-27T01:59:30","modified_gmt":"2026-09-26T23:59:30","slug":"dirty-water-foo-fighters-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/dirty-water-foo-fighters-2\/","title":{"rendered":"Dirty Water – Foo Fighters: Prise EastWest sur Concrete and Gold"},"content":{"rendered":"

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EastWest 2017 : jangle d’abord, puis le stop sec<\/h3>\n

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Dirty Water<\/em> est la piste six de l’album Concrete and Gold<\/em> des Foo Fighters (septembre 2017), enregistr\u00e9 entre d\u00e9cembre 2016 et mai 2017 \u00e0 EastWest Studios \u00e0 Los Angeles avec le producteur Greg Kurstin. Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett, Pat Smear et Rami Jaffee poursuivent une forme en deux actes qui reste nette au casque : les couplets roulent sur des guitares qui carillonnent et un mid-tempo stable, puis un bref silence ouvre une seconde moiti\u00e9 plus lourde, t\u00eate baiss\u00e9e, faite pour les arenas. La pause est le geste de m\u00e9tier. Sans elle, le drop ne serait qu’une section forte de plus ; avec elle, la seconde moiti\u00e9 arrive comme une porte enfonc\u00e9e.<\/p>\n

L’oreille pop de Kurstin (Adele, Sia) rencontre le muscle hard-rock des Foo Fighters sans limer les guitares \u00e0 plat. La voix de Grohl reste conversationnelle jusqu’\u00e0 ce que le refrain s’\u00e9largisse ; le groupe laisse de la place au drop au lieu d’empiler les riffs d\u00e8s la premi\u00e8re mesure. Cette retenue explique pourquoi la prise studio tient : on attend que le plancher s’ouvre, puis il s’ouvre. Le morceau d\u00e9bute en live \u00e0 Paris, AccorHotels Arena, le 3 juillet 2017, des semaines avant la sortie de l’album, d\u00e9j\u00e0 dans l’architecture soft-loud qui rend la version disque m\u00e9morable d\u00e8s la premi\u00e8re \u00e9coute et meilleure \u00e0 la troisi\u00e8me.<\/p>\n

En tourn\u00e9e, Dirty Water<\/em> devient un r\u00e9gulier de set-list, parfois avec Violet Grohl au chant sur des dates ult\u00e9rieures (dont Madison Square Garden en 2018). Ce n’\u00e9tait pas le lead single (c’\u00e9tait Run<\/em>), ce qui le laisse libre de travailler comme architecture d’album : le reset milieu de disque avant Arrows<\/em> et le poli invit\u00e9 de la title track. \u00c9coutez-le dans l’ordre et l’album respire autrement autour de ce stop sec, exactement le travail qu’un deep cut doit faire.<\/p>\n

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\n

Je voulais travailler avec quelqu’un qui puisse nous pousser dans des endroits o\u00f9 nous n’\u00e9tions pas all\u00e9s avant.<\/p>\n<\/blockquote>\n

(Dave Grohl, sur la collaboration avec Greg Kurstin pour Concrete and Gold, presse 2017)<\/em><\/p>\n

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\u00c9coutez une fois pour le jangle, une fois pour le silence, une troisi\u00e8me pour la fa\u00e7on dont le groupe frappe apr\u00e8s. Revenez \u00e0 la version studio et le stop sec fonctionne encore : une d\u00e9cision de m\u00e9tier, pas un gadget. \u00c0 c\u00f4t\u00e9 de Run<\/em> et The Sky Is a Neighborhood<\/em>, Dirty Water<\/em> est la le\u00e7on soft-loud la plus claire de l’album, preuve que les sessions Concrete and Gold de Kurstin pouvaient encore sonner Foo Fighters quand les amplis s’ouvrent apr\u00e8s une approche calme.<\/p>\n

Cinq minutes vingt de patience, puis le volume. Voil\u00e0 toute la carte. Mettez-le au milieu d’une playlist quand vous voulez que la pi\u00e8ce se penche en avant avant que les guitares frappent : le jangle m\u00e9rite le drop, et le drop m\u00e9rite le replay. Peu de titres milieu d’album de 2017 font ce march\u00e9 aussi nettement.<\/p>\n

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Sur Concrete and Gold (2017), les Foo Fighters enregistrent Dirty Water \u00e0 EastWest \u00e0 Los Angeles avec Greg Kurstin : un cut milieu d’album qui d\u00e9marre en alt-rock jangly et d\u00e9tonne en seconde moiti\u00e9 arena apr\u00e8s un stop sec.<\/p>\n","protected":false},"author":1,"featured_media":17013,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,244,293],"tags":[311,430],"class_list":["post-13086","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-non-categorise","category-titres","tag-alternative-indie-punk-fr","tag-foo-fighters-fr","post_format-post-format-video"],"yoast_head":"\nDirty Water - Foo Fighters: Prise EastWest sur Concrete and Gold - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/dirty-water-foo-fighters-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dirty Water - 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