{"id":13103,"date":"2023-07-01T11:00:00","date_gmt":"2023-07-01T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/pick-up-the-pieces-average-white-band-2\/"},"modified":"2026-11-09T07:13:47","modified_gmt":"2026-11-09T06:13:47","slug":"pick-up-the-pieces-average-white-band-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/pick-up-the-pieces-average-white-band-2\/","title":{"rendered":"Average White Band – Pick Up the Pieces"},"content":{"rendered":"

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Atlantic 1974 : funk \u00e9cossais, No. 1 Hot 100 en 1975<\/h3>\n

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Pick Up the Pieces<\/em> est le funk quasi instrumental qu\u2019Average White Band enregistre pour Atlantic \u00e0 New York en 1974 avec le producteur Arif Mardin. La formation Dundee\/Glasgow accroche le titre \u00e0 une figure de guitare s\u00e8che de Hamish Stuart, une ligne de cuivres esquiss\u00e9e par le saxophoniste Roger Ball et un titre cri\u00e9 qui tombe comme un signal plut\u00f4t qu\u2019un couplet. Pas d\u2019histoire d\u2019amour, pas de confession au milieu : batterie, r\u00e9ponses de cuivres et un groupe qui refuse de remplir le silence avec des mots. Les congas de Ralph MacDonald \u00e9paississent le rythme sans encombrer les cuivres. Ils avaient d\u00e9j\u00e0 coup\u00e9 des versions album pour MCA \u00e0 Clover Studios \u00e0 Los Angeles ; MCA passe. La bande arrive chez Jerry Wexler d\u2019Atlantic \u00e0 L.A., qui les signe sur place. Mardin demande d\u2019autres titres, puis reconstruit la prise qui devient le hit.<\/p>\n

Dans le mix, la batterie est s\u00e8che et devant. Les cuivres r\u00e9pondent en phrases courtes et percutantes, pas en longues lignes de ballade soul. Le saxophone de Malcolm Duncan rejoint les esquisses de Ball ; Onnie McIntyre et Stuart verrouillent les guitares. Le titre cri\u00e9, dira plus tard Duncan, parle de se relever quand l\u2019argent ne rentre pas. Dur\u00e9e autour de trois minutes et demie sur le single. Face B : Work to Do<\/em>. D\u00e9but 1975, la face A atteint la 1re place du Billboard Hot 100 et la 5e R&B, en d\u00e9logeant Linda Ronstadt, tandis que l\u2019album \u00e0 pochette blanche domine les classements pop et Black : un crossover rare pour un groupe \u00e9cossais qui vend du funk franchement.<\/p>\n

Le single sort en juillet 1974. La radio Black et les pistes prennent d\u2019abord le signal de cuivres ; la radio pop suit une fois la mont\u00e9e ind\u00e9niable. En live, le groupe traite le cri comme un signal pour ouvrir la salle. Les reprises arrivent pendant les ann\u00e9es disco, mais le mix Atlantic reste celui des radios : batterie s\u00e8che, r\u00e9ponses courtes, titre comme signal. Parmi les instrumentaux funk du milieu des ann\u00e9es 70, il documente encore combien peu de paroles un No. 1 Hot 100 peut avoir quand la ligne de cuivres parle.<\/p>\n

Producteurs hip-hop et R&B traiteront plus tard la figure comme une infrastructure : Beastie Boys, Public Enemy, TLC, A Tribe Called Quest et d\u2019autres en l\u00e8vent des morceaux. Brand New Heavies et les salles acid-jazz gardent l\u2019original en rotation. Les compilations le rangent sous 1974\/75. Les notes de session confirment le m\u00eame chemin : refus MCA, oui de Wexler, reconstruction Mardin, puis un pic de classement qui surprend quiconque croyait le funk \u00e9cossais une blague de cat\u00e9gorie.<\/p>\n

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Il s’agit de se relever quand les choses ne vont pas bien. On avait pass\u00e9 beaucoup de temps sans gagner un sou, alors \u00e7a sonnait tr\u00e8s juste.<\/p>\n<\/blockquote>\n

(Malcolm Duncan, \u00e0 propos du titre cri\u00e9)<\/em><\/p>\n

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Pick Up the Pieces n\u2019a pas invent\u00e9 le funk crossover. Il a plac\u00e9 un signal de cuivres \u00e9cossais sur la radio Atlantic jusqu\u2019\u00e0 ce que le Hot 100 fasse de la place. Le No. 1 est ce que le classement a not\u00e9. Le refus de MCA est le passage de la bande.<\/p>\n

La figure de guitare s\u00e8che ouvre le morceau. Le cri sert de signal, pas de couplet. Les blancs entre les r\u00e9ponses de cuivres font partie de l\u2019arrangement.<\/p>\n

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Pick Up the Pieces d\u2019Average White Band (Atlantic, 1974) : Arif Mardin, No. 1 Hot 100 en 1975, funk quasi instrumental.<\/p>\n","protected":false},"author":1,"featured_media":13099,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[1190,428],"class_list":["post-13103","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-average-white-band-fr","tag-discofunk-fr","post_format-post-format-video"],"yoast_head":"\nAverage White Band - Pick Up the Pieces - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Pick Up the Pieces d\u2019Average White Band (Atlantic, 1974) : Arif Mardin, No. 1 Hot 100 en 1975, funk quasi instrumental.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/pick-up-the-pieces-average-white-band-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Average White Band - 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