{"id":13246,"date":"2012-12-24T09:00:00","date_gmt":"2012-12-24T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/here-come-the-bombs-gaz-coombes-2\/"},"modified":"2026-09-27T01:59:33","modified_gmt":"2026-09-26T23:59:33","slug":"here-come-the-bombs-gaz-coombes-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/here-come-the-bombs-gaz-coombes-2\/","title":{"rendered":"Here Come The Bombs &#8211; Bombes solo depuis une cave \u00e0 Wheatley"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Apr\u00e8s Supergrass, une bombe avec une m\u00e8che<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Le 21 mai 2012, apr\u00e8s la s\u00e9paration de Supergrass, Gaz Coombes sort <em>Here Come The Bombs<\/em> sur son label Hot Fruit Recordings, avec EMI pour le marketing britannique. Il amorce la plupart des titres seul chez lui \u00e0 Wheatley (Oxfordshire), puis passe au studio Templesound de Sam Williams \u00e0 Oxford pour \u00e9crire davantage, enregistrer et mixer. Williams avait produit <em>I Should Coco<\/em> ; ici il co-produit et joue batterie, basse, claviers et th\u00e9r\u00e9mine sur certains titres, pendant que Coombes assure presque tout le reste.<\/p>\n<p style=\"text-align: justify;\">Le son laisse le bounce britpop pour des grooves plus denses, des guitares satur\u00e9es et des synth\u00e9s. L\u2019ouverture <em>Bombs<\/em> vient en partie d\u2019images t\u00e9l\u00e9vis\u00e9es de conflits ; Coombes parle de plans a\u00e9riens de bombes qui paraissent irr\u00e9els tant qu\u2019on n\u2019imagine pas le sol. Singles et titres forts : <em>Hot Fruit<\/em>, <em>Simulator<\/em>, <em>Break the Silence<\/em>, <em>Whore<\/em>. Le NME note l\u2019album 8\/10. La pochette &#8211; casque dessin\u00e9 en bombe \u00e0 m\u00e8che &#8211; colle au double sens du titre : chansons comme petites bombes sonores, et bruit de fond d\u2019une d\u00e9cennie de guerres.<\/p>\n<p style=\"text-align: justify;\">Poss\u00e9der les masters chez Hot Fruit compte : Coombes contr\u00f4le pochette et choix de singles sans comit\u00e9 de major. Les premiers concerts UK (Bush Hall, festivals) pr\u00e9sentent la voix solo sans faire de la nostalgie Supergrass l\u2019accroche principale.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Tu vois des images a\u00e9riennes de bombes qui tombent, et \u00e7a n&rsquo;a pas l&rsquo;air r\u00e9el. Mais en bas, c&rsquo;est putain de dingue.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Gaz Coombes \u00e0 propos de Bombs, cycle d\u2019interviews NME \/ Guardian, 2012)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb15107&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790425139{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Here Come The Bombs<\/em> ouvre une carri\u00e8re solo qui m\u00e8nera au <em>Matador<\/em> nomm\u00e9 aux Mercury et \u00e0 <em>World&rsquo;s Strongest Man<\/em>. Le bilan utile : un disque home-studio 2012 qui transforme le chanteur de Supergrass en auteur auto-\u00e9dit\u00e9 avec Williams de retour en cabine, et un graphisme encore lisible en miniature.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>En mai 2012, Gaz Coombes sort son premier album solo Here Come The Bombs chez Hot Fruit\/EMI, amorc\u00e9 chez lui dans l\u2019Oxfordshire puis fini avec Sam Williams.<\/p>\n","protected":false},"author":1,"featured_media":13242,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287,244],"tags":[311,607],"class_list":["post-13246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","category-non-categorise","tag-alternative-indie-punk-fr","tag-gaz-coombes-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Here Come The Bombs - Bombes solo depuis une cave \u00e0 Wheatley - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/here-come-the-bombs-gaz-coombes-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Here Come The Bombs - Bombes solo depuis une cave \u00e0 Wheatley - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"En mai 2012, Gaz Coombes sort son premier album solo Here Come The Bombs chez Hot Fruit\/EMI, amorc\u00e9 chez lui dans l\u2019Oxfordshire puis fini avec Sam Williams.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/here-come-the-bombs-gaz-coombes-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2012-12-24T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T23:59:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/HereComeTheBombs.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/albums-fr\\\/here-come-the-bombs-gaz-coombes-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/albums-fr\\\/here-come-the-bombs-gaz-coombes-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Here Come The Bombs &#8211; 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