{"id":13344,"date":"2019-12-31T16:00:00","date_gmt":"2019-12-31T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13344"},"modified":"2026-09-26T22:59:23","modified_gmt":"2026-09-26T20:59:23","slug":"random-access-memories-daft-punk","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/random-access-memories-daft-punk\/","title":{"rendered":"Random Access Memories – Musiciens live, Nile Rodgers, Album of the Year"},"content":{"rendered":"

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Columbia, musiciens live, Nile Rodgers<\/h3>\n

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En mai 2013, Daft Punk sort Random Access Memories<\/em> chez Columbia, un disque disco \u00e0 musiciens live con\u00e7u comme si Internet n’avait jamais exist\u00e9. Thomas Bangalter et Guy-Manuel de Homem-Christo passent des ann\u00e9es \u00e0 rassembler des sessions \u00e0 Los Angeles, \u00e0 Electric Lady \u00e0 New York et \u00e0 Gang \u00e0 Paris. L’ing\u00e9nieur Mick Guzauski capture les musiciens live \u00e0 L.A. ; Florian Lagatta travaille les salles parisiennes. Le brief refuse la prod laptop seule et vise le ressenti d’albums comme Rumours<\/em>, Hotel California<\/em> et Thriller<\/em>.<\/p>\n

Les invit\u00e9s sont cast\u00e9s comme un film. Nile Rodgers apporte la guitare Chic, dont l’instrument plexiglas que Bangalter demande explicitement pour Get Lucky<\/em>. Pharrell Williams chante ce hit apr\u00e8s avoir crois\u00e9 le duo \u00e0 Paris. Giorgio Moroder raconte son autobiographie sur un throb analogique dans Giorgio by Moroder<\/em>. Julian Casablancas, Panda Bear, Todd Edwards et le songwriter Paul Williams apparaissent aussi. Nathan East, Omar Hakim, Paul Jackson Jr. et d’autres session players remplissent les bases.<\/p>\n

Get Lucky<\/em> fuit t\u00f4t, puis domine 2013 : lick de guitare lin\u00e9aire de Rodgers, falsetto de Pharrell, voix robots au refrain. N\u00b02 du Hot 100, n\u00b01 dans une grande part de l’Europe. Lose Yourself to Dance<\/em> garde la m\u00eame \u00e9quipe dans un groove plus profond. Instant Crush<\/em> place Casablancas sur une pulse soft-rock. Give Life Back to Music<\/em> pose la mission d\u00e8s les premi\u00e8res minutes. La pochette noire au titre cursive blanc fait un clin d’\u0153il \u00e0 Thriller<\/em> sans le copier.<\/p>\n

Aux 56e Grammys, l’album prend Album of the Year et Best Dance\/Electronic Album ; Get Lucky<\/em> prend Record of the Year et Best Pop Duo\/Group Performance. Paul Williams plaisante sur sc\u00e8ne \u00e0 propos de deux robots qui l’appellent sobre. La blague passe parce que la musique a d\u00e9j\u00e0 atteint des salons bien au-del\u00e0 de la culture club.<\/p>\n

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\n

Ils voulaient faire un album comme si Internet n’avait jamais exist\u00e9.<\/p>\n<\/blockquote>\n

(Nile Rodgers sur le brief de Daft Punk pour les sessions)<\/em><\/p>\n

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Le consensus critique est solide : \u00e9loges pour le jeu, d\u00e9bats sur la longueur des plages ambiantes, applaudissements quasi unanimes pour les singles. Commercialement, le duo revient au centre du mainstream apr\u00e8s l’\u00e8re plus abstraite de Human After All<\/em> et la BO de Tron. La s\u00e9rie vid\u00e9o The Collaborators documente les invit\u00e9s et vend la th\u00e8se analogique avant la sortie.<\/p>\n

L’h\u00e9ritage est concret. Les actes dance festivaliers rechassent la disco live. La carri\u00e8re de Rodgers conna\u00eet une deuxi\u00e8me vague mondiale. L’omnipr\u00e9sence de Pharrell en 2013 repose en partie sur ce titre. Dans le catalogue Daft Punk, Random Access Memories<\/em> est le p\u00f4le oppos\u00e9 du grit machine de Homework<\/em> et l’extension logique de l’amour de la m\u00e9lodie sur Discovery<\/em>.<\/p>\n

Les cr\u00e9dits de session racontent l’histoire aussi clairement que les singles. La batterie d’Omar Hakim, la basse de Nathan East et les guitares live empil\u00e9es passent sous les voix robots au lieu de les remplacer. L’album d\u00e9passe l’heure, avec des ponts ambient que certains sautent et d’autres traitent comme des pauses entre featuring. Dans les deux cas, le fil tient : musiciens humains d’abord, machines comme outils d’arrangement, m\u00e9moire disco comme m\u00e9thode plut\u00f4t que costume.<\/p>\n

\u00c9coutez-le d’un bout \u00e0 l’autre : c’est un statement de craft studio achev\u00e9, pas une playlist de drops. Les robots n’ont pas montr\u00e9 leurs visages ; ils ont montr\u00e9 leur collection de disques et leur carnet d’adresses. Random Access Memories<\/em> est l’endroit o\u00f9 ce pari a pay\u00e9 en charts, Grammys et un \u00e9t\u00e9 qui sonne encore comme la guitare de Nile d\u00e8s qu’on lance Get Lucky<\/em>.<\/p>\n

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En mai 2013, Daft Punk sort Random Access Memories chez Columbia, un disque disco \u00e0 musiciens live con\u00e7u comme si Internet n’avait jamais exist\u00e9.<\/p>\n","protected":false},"author":1,"featured_media":13340,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[420,417],"class_list":["post-13344","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-daft-punk-fr","tag-techno-house-dance-fr"],"yoast_head":"\nRandom Access Memories - Musiciens live, Nile Rodgers, Album of the Year - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/random-access-memories-daft-punk\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Random Access Memories - 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