{"id":13545,"date":"2019-02-16T16:00:00","date_gmt":"2019-02-16T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/let-love-rule-lenny-kravitz\/"},"modified":"2026-09-27T00:00:59","modified_gmt":"2026-09-26T22:00:59","slug":"let-love-rule-lenny-kravitz","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/let-love-rule-lenny-kravitz\/","title":{"rendered":"Let Love Rule – Premier album solo contre le son 80s massif"},"content":{"rendered":"

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D\u00e9but \u00e0 Hoboken contre le son 80s<\/h3>\n

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Le 6 septembre 1989, Virgin Records sort Let Love Rule<\/em>, premier album studio de Lenny Kravitz. L’essentiel des sessions a lieu en 1988-89 aux Waterfront Studios de Henry Hirsch, \u00e0 Hoboken (New Jersey). \u00ab\u00a0Sittin’ on Top of the World\u00a0\u00bb est enregistr\u00e9 au Studio II de Culver City ; les overdubs d’orgue passent aux T.C. Studios de Somerville. Greg Calbi masterise le disque \u00e0 Sterling Sound. Kravitz produit, chante et joue presque tous les instruments.<\/p>\n

Le choix du mat\u00e9riel est volontaire. Kravitz a d\u00e9crit plus tard un Fender Deluxe tweed pouss\u00e9 \u00e0 10 pour le son de guitare sale, un Fender Twin Reverb pour les parties plus propres, et surtout une Epiphone Sorrento, avec une Telecaster sur certains titres clean. \u00c0 une \u00e9poque de batterie gated et d’effets lourds, il vise un mix intime et organique. Lisa Bonet \u00e9crit les paroles de \u00ab\u00a0Fear\u00a0\u00bb et co\u00e9crit \u00ab\u00a0Rosemary\u00a0\u00bb ; pour le reste, l’album est essentiellement un one-man show.<\/p>\n

Le titre \u00e9ponyme devient la carte de visite. Son groove mid-tempo, son feeling percussif et son refrain teint\u00e9 gospel tranchent avec la radio rock de la fin des ann\u00e9es 80. Parmi les autres titres cl\u00e9s : \u00ab\u00a0I Build This Garden for Us,\u00a0\u00bb \u00ab\u00a0Does Anybody Out There Even Care,\u00a0\u00bb et \u00ab\u00a0Mr. Cab Driver,\u00a0\u00bb qui met une friction sociale en mots simples sur un riff dur. Le saxophone de Karl Denson appara\u00eet sur certains titres ; Henry Hirsch apporte aussi orgue et prise de son.<\/p>\n

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\u00c0 l’\u00e9poque tout le monde faisait ce son tr\u00e8s Eighties, tr\u00e8s effets, tr\u00e8s bombastique, grosses batteries. Alors je suis all\u00e9 dans l’autre sens, un espace tr\u00e8s organique. Un espace tr\u00e8s intime. Et j’ai utilis\u00e9\u00e9 tout ce matos vintage incroyable.<\/p>\n<\/blockquote>\n

(Lenny Kravitz, interview Guitar World sur Let Love Rule<\/em>)<\/em><\/p>\n

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Critique et public entendent rock psych\u00e9d\u00e9lique et soul psych\u00e9d\u00e9lique sur le m\u00eame disque. Le premier album n’explose pas du jour au lendemain en n\u00b01 am\u00e9ricain, mais il construit une base durable : radio campus et rock, identit\u00e9 visuelle nette, assez d’\u00e9lan pour que Virgin soutienne un deuxi\u00e8me album. Le clip et les versions live du titre gardent la formule \u00ab\u00a0let love rule\u00a0\u00bb en circulation bien apr\u00e8s le premier cycle de charts.<\/p>\n

La suite confirme le diagnostic. Mama Said<\/em> (1991) et Are You Gonna Go My Way<\/em> (1993) amplifient le son, mais l’ADN est d\u00e9j\u00e0 l\u00e0 : multi-instruments, amplis vintage, et chansons qui m\u00ealent grit rock et harmonies soul. Les \u00e9ditions anniversaires et remasters, dont le package 20e anniversaire, ajoutent d\u00e9mos et bonus sans remplacer la s\u00e9quence 1989 comme document central.<\/p>\n

Let Love Rule<\/em> reste la porte d’entr\u00e9e vers Kravitz comme auteur de studio. C’est un premier album fait hors du mainstream lisse de son ann\u00e9e, puis absorb\u00e9 par ce m\u00eame mainstream une fois les crochets install\u00e9s. Commencez par le titre \u00e9ponyme, puis \u00e9coutez comment le reste de l’album tient la m\u00eame logique de prise de son s\u00e8che, du premier au dernier titre.<\/p>\n

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