{"id":13562,"date":"2019-07-05T19:00:00","date_gmt":"2019-07-05T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/noel-gallaghers-high-flying-birds-noel-gallaghers-high-flying-birds\/"},"modified":"2026-09-27T02:01:08","modified_gmt":"2026-09-27T00:01:08","slug":"noel-gallaghers-high-flying-birds-noel-gallaghers-high-flying-birds","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/noel-gallaghers-high-flying-birds-noel-gallaghers-high-flying-birds\/","title":{"rendered":"Noel Gallagher’s High Flying Birds – First flight after the Oasis split"},"content":{"rendered":"

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Sour Mash, first flight after Oasis<\/h3>\n

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In October 2011 Sour Mash released Noel Gallagher’s High Flying Birds<\/em>, the first solo album after Oasis, produced with Dave Sardy in London and Los Angeles. Work ran across State of the Ark, Strangeways, Dean Street and Abbey Road in London, with further tracking in L.A. The band name borrowed a Jefferson Airplane song title and a Peter Green Fleetwood Mac reference. Guests included The Lemon Twigs’ associates on some sessions, plus the Crouch End Festival Chorus and The Wired Strings on the bigger arrangements. This was not Beady Eye’s leftover catalog; it was Noel writing and singing the whole front line.<\/p>\n

Everybody’s on the Run<\/em> opens with piano and a wide chorus. Dream On<\/em> keeps a mid-tempo strut. If I Had a Gun…<\/em> became an early live favorite with a clean acoustic-to-electric lift. The Death of You and Me<\/em>, the lead single, pairs New Orleans-tinged brass with a caf\u00e9-and-pool video directed by Mike Bruce in Los Angeles; the clip ends on a \u00ab\u00a0to be continued\u00a0\u00bb card that links into the next single’s story. AKA… What a Life!<\/em> pushes a looping piano figure under a chant-ready chorus. (Stranded On) The Wrong Beach<\/em>, Soldier Boys and Jesus Freaks<\/em>, and Stop the Clocks<\/em> fill the middle with the sort of mid-paced rock Noel had stockpiled while Oasis still existed.<\/p>\n

The UK week was decisive. Official Charts put the album at No.1 with first-week sales around 122,000, beating X Factor winner Matt Cardle’s Letters<\/em> by a clear margin and roughly doubling the opening week of Liam’s Beady Eye debut earlier that year. Platinum certification followed quickly. For an artist who had spent two decades as Oasis guitarist and chief writer, the solo debut answered a simple chart question: could Noel open week one without Liam on the mic?<\/p>\n

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I’m not going to sit around waiting for someone else to make my music.<\/p>\n<\/blockquote>\n

(Noel Gallagher, on launching High Flying Birds after Oasis)<\/em><\/p>\n

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Sardy’s mixes leave space for piano, strings, and brass without burying the vocal. The songs sit closer to late-Oasis ballad craft than to the 1994 aggression of Definitely Maybe<\/em>, which was the honest sound of where Noel was in 2011. Touring proved the catalog could carry arenas: High Flying Birds became a working band name, not a one-off solo credit.<\/p>\n

Years later the debut still reads as the clean break. Chasing Yesterday<\/em> and Who Built the Moon?<\/em> would push further, but this first LP locked the template: Sour Mash control, Sardy polish, and choruses built for the same crowds that once sang Oasis back at him. Noel Gallagher’s High Flying Birds<\/em> is the album where the songwriter stopped being half of a feud and started posting solo No.1s.<\/p>\n

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