{"id":13577,"date":"2017-10-25T16:00:00","date_gmt":"2017-10-25T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/cmon-you-know-liam-gallagher\/"},"modified":"2026-09-27T00:00:42","modified_gmt":"2026-09-26T22:00:42","slug":"cmon-you-know-liam-gallagher","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/cmon-you-know-liam-gallagher\/","title":{"rendered":"C’MON YOU KNOW – Semaine de Knebworth, Dave Grohl sur le lead single"},"content":{"rendered":"

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Warner, semaine de Knebworth, Grohl sur le single<\/h3>\n

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Le 27 mai 2022, Liam Gallagher sort C’MON YOU KNOW<\/em> chez Warner Records, son troisi\u00e8me album studio solo. Andrew Wyatt en est le producteur principal et coauteur. Le m\u00eame jour, Gallagher publie aussi le live Down by the River Thames<\/em>. L’album studio arrive \u00e0 l’approche des concerts sold-out de Knebworth Park les 3 et 4 juin 2022 : la campagne m\u00eale donc titres neufs et moment live \u00e0 \u00e9chelle stade.<\/p>\n

L’\u00e9dition standard compte douze titres, environ quarante-cinq minutes. L’ouverture \u00ab\u00a0More Power\u00a0\u00bb s’appuie sur des ch\u0153urs et une dynamique lente. \u00ab\u00a0Diamond in the Dark\u00a0\u00bb et \u00ab\u00a0Don’t Go Halfway\u00a0\u00bb tiennent un rock mid-tempo. Le titre \u00e9ponyme d\u00e9passe les cinq minutes. \u00ab\u00a0Everything’s Electric,\u00a0\u00bb co\u00e9crit avec Dave Grohl et produit par Greg Kurstin, devient le lead single et le premier Top 20 solo de Gallagher au Royaume-Uni, jusqu’\u00e0 la 18e place. Charlie Lightening r\u00e9alise le clip officiel, m\u00e9lange de prise live neuve et d’archives de sc\u00e8ne.<\/p>\n

D’autres producteurs et auteurs tournent sur la tracklist. Ezra Koenig appara\u00eet sur \u00ab\u00a0Moscow Rules.\u00a0\u00bb Greg Kurstin, Ariel Rechtshaid, Adam Noble, Emile Haynie, Simon Aldred et Danny L Harle prennent aussi des cr\u00e9dits sur certains titres. Les associ\u00e9s de la formation live Michael Tighe, Dan McDougall et Mike Moore nourrissent l’\u00e9criture. \u00ab\u00a0Better Days,\u00a0\u00bb \u00ab\u00a0Too Good for Giving Up\u00a0\u00bb et \u00ab\u00a0Oh Sweet Children\u00a0\u00bb \u00e9largissent la palette \u00e9motionnelle sans l\u00e2cher la voix nasale de Gallagher comme centre de gravit\u00e9.<\/p>\n

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\n

Le meilleur et le plus exp\u00e9rimental album solo de Gallagher \u00e0 ce jour.<\/p>\n<\/blockquote>\n

(NME sur C’MON YOU KNOW<\/em>, 2022)<\/em><\/p>\n

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C’MON YOU KNOW<\/em> d\u00e9marre n\u00b01 des albums au Royaume-Uni et en \u00c9cosse. Il atteint la 2e place en Irlande et en Hongrie, la 5e en Australie, la 8e en Suisse, la 10e en Allemagne, et le Top 20 dans une bonne partie de l’Europe. L’\u00e9dition deluxe ajoute \u00ab\u00a0The Joker\u00a0\u00bb et \u00ab\u00a0Wave,\u00a0\u00bb prolongeant le set pour le streaming et le CD sans r\u00e9\u00e9crire le c\u0153ur des douze titres.<\/p>\n

La pochette, tir\u00e9e de photos de foule \u00e0 Reading Festival, colle au pitch live-first de l’album : mains en l’air, flash noir et blanc, et le chanteur pris dans un rituel de foule plut\u00f4t qu’en ermite de studio. Sur sc\u00e8ne cet \u00e9t\u00e9-l\u00e0, les nouveaux titres c\u00f4toient les favoris de l’\u00e8re Oasis sans excuses. Le mix garde les guitares devant, la batterie solide, et la voix assez s\u00e8che pour traverser les sono de festival.<\/p>\n

Comme troisi\u00e8me album solo, C’MON YOU KNOW<\/em> confirme que Gallagher peut encore ouvrir n\u00b01 avec du neuf, pas seulement avec des packages nostalgie. La production de Wyatt ouvre la palette d’arrangements ; Grohl et Kurstin apportent le pic radio ; le reste de la tracklist garde l’aboiement mancunien intact. Pour qui suit le catalogue post-Oasis, voici le chapitre 2022 : douze chansons, un sommet UK, et un week-end de Knebworth accroch\u00e9.<\/p>\n

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