{"id":13621,"date":"2010-09-04T13:00:00","date_gmt":"2010-09-04T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/dig-out-your-soul-oasis-2\/"},"modified":"2026-09-27T01:16:36","modified_gmt":"2026-09-26T23:16:36","slug":"dig-out-your-soul-oasis-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/dig-out-your-soul-oasis-2\/","title":{"rendered":"Dig Out Your Soul – Abbey Road avec Dave Sardy vers la fin"},"content":{"rendered":"

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Big Brother, Abbey Road avec Sardy<\/h3>\n

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Le 6 octobre 2008, Big Brother sort Dig Out Your Soul<\/em>, enregistr\u00e9 \u00e0 Abbey Road avec Dave Sardy entre l’\u00e9t\u00e9 et No\u00ebl 2007, puis mix\u00e9 au Village \u00e0 Los Angeles. Noel rach\u00e8te en cash une r\u00e9servation de U2 pour garder le studio. Zak Starkey batte durant les sessions comme membre \u00e0 part enti\u00e8re. Le line-up r\u00e9unit Liam et Noel Gallagher avec Gem Archer et Andy Bell, la formation post-Bonehead\/Guigsy d\u00e9j\u00e0 crois\u00e9e avec Sardy sur Don’t Believe the Truth<\/em>. Sardy installe sa Neve Melbourne \u00e0 c\u00f4t\u00e9 du mat\u00e9riel EMI en Studio 2.<\/p>\n

Noel \u00e9crit encore l’essentiel, mais Liam apporte trois titres, Archer et Bell un chacun (To Be Where There’s Life<\/em>, The Nature of Reality<\/em>). Le son penche psych\u00e9 et groovy : batteries boucl\u00e9es, guitares en drone, moins de snap Britpop. The Shock of the Lightning<\/em> est le lead single ; Falling Down<\/em>, Waiting for the Rapture<\/em> et (Get Off Your) High Horse Lady<\/em> poussent le c\u00f4t\u00e9 hypnotique. La collage de Julian House (mains, champignon atomique, pomme croqu\u00e9e, \u00ab\u00a0COME IN, COME OUT!\u00a0\u00bb) colle aux textures plus denses.<\/p>\n

La promo inclut une prise de m\u00e9tro \u00e0 New York et des dates d’arena au Royaume-Uni. L’album est num\u00e9ro un en Grande-Bretagne. En moins d’un an, la rupture publique des Gallagher met fin au groupe apr\u00e8s une sc\u00e8ne de loge \u00e0 Paris en ao\u00fbt 2009 : ce disque reste le dernier geste studio avant des d\u00e9cennies de catalogues solo.<\/p>\n

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\n

Abbey Road, c’est le Mus\u00e9e. Tu t’assois vingt minutes, et il faut quand m\u00eame faire sonner l’endroit.<\/p>\n<\/blockquote>\n

(Dave Sardy sur l’enregistrement de Dig Out Your Soul \u00e0 Abbey Road)<\/em><\/p>\n

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The Shock of the Lightning<\/em> et les singles suivants gardent Oasis \u00e0 la radio du jour pendant que le live m\u00e9lange drones nouveaux et tubes de l’\u00e8re Wonderwall<\/em>. La critique salue davantage l’impulsion lourde que la formule tardive. L’impact US reste modeste face aux sommets du milieu des ann\u00e9es 1990, mais le public britannique remplit encore les arenas de la tourn\u00e9e.<\/p>\n

\u00c9cout\u00e9 aujourd’hui, l’album est le dernier chapitre studio avant la s\u00e9paration : \u00e9criture partag\u00e9e, grave de Sardy, salles d’Abbey Road plut\u00f4t que fermes Creation. Il ferme le catalogue Oasis sur le rythme et la couleur, pas sur une nouvelle course au plus gros refrain. Les discussions de reunion des ann\u00e9es suivantes renvoient encore \u00e0 ce dernier lot de chansons termin\u00e9es.<\/p>\n

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