{"id":13722,"date":"2009-03-23T11:00:00","date_gmt":"2009-03-23T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/standing-on-the-shoulder-of-giants-oasis\/"},"modified":"2026-09-26T23:58:45","modified_gmt":"2026-09-26T21:58:45","slug":"standing-on-the-shoulder-of-giants-oasis","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/standing-on-the-shoulder-of-giants-oasis\/","title":{"rendered":"Standing on the Shoulder of Giants – Loops et un Oasis all\u00e9g\u00e9 apr\u00e8s les d\u00e9parts"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Big Brother, loops apr\u00e8s la s\u00e9paration<\/h3>\n

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Standing on the Shoulder of Giants<\/em> sort le 28 f\u00e9vrier 2000, quatri\u00e8me album studio d’Oasis et premier disque chez Big Brother Recordings. Les sessions vont d’avril \u00e0 ao\u00fbt 1999 \u00e0 Olympic, Supernova Heights, Wheeler End et au Ch\u00e2teau de La Colle Noire en France, avec Mark \u00ab Spike \u00bb Stent et Noel Gallagher \u00e0 la production. Paul \u00ab Bonehead \u00bb Arthurs et Paul \u00ab Guigsy \u00bb McGuigan sont partis ; Gem Archer et Andy Bell rejoindront la tourn\u00e9e, mais une grande partie du disque est enregistr\u00e9e autour des Gallagher avec renforts de session, dont Alan White \u00e0 la batterie.<\/p>\n

Le son bascule. Noel multiplie samples, boucles de batterie et couleurs psych\u00e9d\u00e9liques : la boucle Johnny Jenkins \/ Dr. John sous Go Let It Out<\/em>, les bruits de foule de l’\u00eele de Wight sur Fuckin’ in the Bushes<\/em>, la pulsation \u00e9lectronique de Who Feels Love?<\/em>. Go Let It Out<\/em> prend la 1re place UK en f\u00e9vrier 2000 ; Who Feels Love?<\/em> et Sunday Morning Call<\/em> suivent en singles. Little James<\/em>, \u00e9crite par Liam pour le fils d’Appleton, est son premier cr\u00e9dit d’\u00e9criture Oasis sur un album studio. La pochette New York jour\/nuit annonce la rupture avec l’\u00e8re Creation autant que la musique.<\/p>\n

Commercialement l’album d\u00e9marre encore n\u00b01 au Royaume-Uni et se vend bien, mais la presse est plus froide qu’avec (What’s the Story) Morning Glory?<\/em> ou Be Here Now<\/em>. En live, la tourn\u00e9e 2000 (capt\u00e9e sur Familiar to Millions<\/em>) doit prouver qu’un Oasis remani\u00e9 remplit les ar\u00e8nes sans la section rythmique d’origine. Le mix dense et le mid-tempo divisent les fans du Britpop sec de 1994-96. Le mix de Spike Stent laisse plus de place \u00e0 l’\u00e9lectronique et aux textures invers\u00e9es que les disques secs de Creation. Put Yer Money Where Yer Mouth Is<\/em> avance sur un groove trouble ; I Can See a Liar<\/em> garde un bord rock plus dur. Le titre, emprunt\u00e9 et l\u00e9g\u00e8rement d\u00e9form\u00e9 \u00e0 Newton, colle \u00e0 un groupe qui revendique l’histoire du rock tout en sonnant moins comme la machine \u00e0 chants de stade de 1995.<\/p>\n

L’ind\u00e9pendance de Big Brother face \u00e0 Creation signifie aussi qu’Oasis contr\u00f4le pochette, timing des singles et catalogue en interne. Standing on the Shoulder of Giants<\/em> est donc \u00e0 la fois une exp\u00e9rience sonore et un reset business : premier manifeste de la fa\u00e7on dont les Gallagher g\u00e8rent la marque apr\u00e8s l’\u00e8re label du Britpop.
\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Il \u00e9tait temps de changer. On ne pouvait pas refaire le m\u00eame disque.<\/p>\n<\/blockquote>\n

(Noel Gallagher \u00e0 propos de Standing on the Shoulder of Giants, interviews presse, 2000)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb14915″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790424300{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Des titres comme Gas Panic!<\/em> et Where Did It All Go Wrong?<\/em> montrent Noel \u00e9crivant depuis la gueule de bois et le doute plut\u00f4t que le swagger. Roll It Over<\/em> ferme sur un long fade de guitare ouverte. Le titre reprend la formule de Newton (avec le \u00ab Shoulder \u00bb singulier d’Oasis), \u00e9tiquette ironique pour un groupe qui quitte le sommet Britpop vers une identit\u00e9 plus studio.<\/p>\n

Dans la timeline Oasis, cet album est la charni\u00e8re entre l’exc\u00e8s Creation et le rock plus clair de Heathen Chemistry<\/em> chez Big Brother : d’abord loops et ambiance, puis refrains reconstruits pour les ann\u00e9es Archer\/Bell.<\/p>\n

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Le 28 f\u00e9vrier 2000, Oasis sort Standing on the Shoulder of Giants chez Big Brother, leur premier album sans Bonehead ni Guigsy et le premier sur leur propre label.<\/p>\n","protected":false},"author":1,"featured_media":13718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[482,463],"class_list":["post-13722","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-classic-rock-fr","tag-oasis-fr"],"yoast_head":"\nStanding on the Shoulder of Giants - Loops et un Oasis all\u00e9g\u00e9 apr\u00e8s les d\u00e9parts - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/standing-on-the-shoulder-of-giants-oasis\/\" \/>\n<meta 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