{"id":13738,"date":"2009-01-10T09:00:00","date_gmt":"2009-01-10T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/a-saucerful-of-secrets-pink-floyd\/"},"modified":"2026-09-26T23:58:42","modified_gmt":"2026-09-26T21:58:42","slug":"a-saucerful-of-secrets-pink-floyd","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/a-saucerful-of-secrets-pink-floyd\/","title":{"rendered":"A Saucerful Of Secrets – Sortie de Barrett, entr\u00e9e de Gilmour, collage Hipgnosis"},"content":{"rendered":"

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Barrett sort, Gilmour entre, collage Hipgnosis<\/h3>\n

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A Saucerful of Secrets<\/em> sort en juin 1968 (EMI Columbia UK ; Tower US), deuxi\u00e8me album studio de Pink Floyd. L’enregistrement s’\u00e9tire d’ao\u00fbt 1967 \u00e0 avril 1968 \u00e0 Abbey Road avec Norman Smith. David Gilmour rejoint le groupe d\u00e9but 1968 ; un temps, la formation live inclut Gilmour et Syd Barrett avant le d\u00e9part d\u00e9finitif de Barrett. Sur le disque fini, Barrett figure sur Remember a Day<\/em>, Set the Controls for the Heart of the Sun<\/em> et son adieu Jugband Blues<\/em>. C’est le seul LP studio Floyd o\u00f9 les cinq membres de l’\u00e8re classique sont cr\u00e9dit\u00e9s sur les sessions.<\/p>\n

La musique quitte le whimsy de The Piper at the Gates of Dawn<\/em> pour des pi\u00e8ces plus longues, plus architecturales. Waters et Mason dessinent le titre \u00e9ponyme comme un diagramme dynamique avant d’y coller la musique. Set the Controls for the Heart of the Sun<\/em>, paroles de Waters tir\u00e9es de po\u00e9sie chinoise et batterie de Mason aux maillets, devient un pilier live jusqu’\u00e0 l’\u00e8re Pomp\u00e9i. Let There Be More Light<\/em> et Corporal Clegg<\/em> gardent la couleur psych\u00e9d\u00e9lique ; See-Saw<\/em> (Wright) adoucit la face B avant l’adieu fractur\u00e9 de Barrett.<\/p>\n

Hipgnosis signe la pochette, collage c\u00e9leste et surr\u00e9aliste qui ouvre le langage visuel que Floyd affinera ensuite. Au classement, l’album atteint la 9e place UK. Sur sc\u00e8ne, le groupe \u00e9tire la suite titre et Set the Controls<\/em> en improvisations, pont entre la psych\u00e9d\u00e9lie du UFO Club et les \u00e9piques de concert du d\u00e9but des ann\u00e9es 70. Remember a Day<\/em> garde la voix de clavier nostalgique de Wright des ann\u00e9es Barrett, tandis que Corporal Clegg<\/em> ajoute kazoo et humour noir sur les m\u00e9dailles de guerre. La suite titre encha\u00eene sections calmes, chaotiques et quasi chorales qui annoncent les transitions Floyd plus tardives. Les pressages Tower US et Columbia UK diff\u00e8rent un peu, mais l’image Hipgnosis circule intacte et reste la premi\u00e8re pochette pleinement surr\u00e9aliste du groupe.<\/p>\n

La production de Norman Smith garde la discipline Abbey Road de l’\u00e8re Beatles, m\u00eame quand le groupe tire vers des structures plus libres. Cette tension, craft studio contre improvisation ouverte, est exactement ce qu’on entend entre l’ouverture tr\u00e8s arrang\u00e9e de Let There Be More Light<\/em> et le milieu plus l\u00e2che de la suite titre.
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\n

On cherchait comment travailler sans Syd, et cet album est le son de cette recherche.<\/p>\n<\/blockquote>\n

(David Gilmour \/ r\u00e9trospectives du groupe sur A Saucerful of Secrets)<\/em><\/p>\n

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Jugband Blues<\/em> se ferme sur la lucidit\u00e9 brute de Barrett et un fragment de fanfare de l’Arm\u00e9e du salut, une fin volontairement inachev\u00e9e. Le reste du disque appartient \u00e0 Waters, Wright, Mason et Gilmour qui apprennent \u00e0 porter le nom. Cet apprentissage nourrit Atom Heart Mother<\/em>, Meddle<\/em>, puis The Dark Side of the Moon<\/em>.<\/p>\n

Pour les auditeurs Floyd, A Saucerful of Secrets<\/em> est l’album charni\u00e8re : derni\u00e8re empreinte studio de Barrett et premi\u00e8re de Gilmour, structures space-rock \u00e0 la place de la psych\u00e9d\u00e9lie nursery, Hipgnosis ouvrant le livre visuel.<\/p>\n

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En juin 1968, Pink Floyd sort A Saucerful of Secrets chez EMI Columbia, le seul album studio o\u00f9 figurent \u00e0 la fois Syd Barrett et David Gilmour sur la m\u00eame tracklist.<\/p>\n","protected":false},"author":1,"featured_media":13734,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[482,514],"class_list":["post-13738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nA Saucerful Of Secrets - Sortie de Barrett, entr\u00e9e de Gilmour, collage Hipgnosis - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/a-saucerful-of-secrets-pink-floyd\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Saucerful Of Secrets - 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