{"id":13746,"date":"2011-10-31T19:00:00","date_gmt":"2011-10-31T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/atom-heart-mother-pink-floyd\/"},"modified":"2026-09-27T01:59:17","modified_gmt":"2026-09-26T23:59:17","slug":"atom-heart-mother-pink-floyd","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/atom-heart-mother-pink-floyd\/","title":{"rendered":"Atom Heart Mother – Pochette vache, suite de 23 minutes, premier n\u00b01 UK"},"content":{"rendered":"

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Pochette vache, suite de 23 minutes, premier n\u00b01 UK<\/h3>\n

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Atom Heart Mother<\/em> sort le 2 octobre 1970 chez Harvest, cinqui\u00e8me album studio de Pink Floyd. La face A est la suite titre, environ vingt-trois minutes, co-cr\u00e9dit\u00e9e au groupe et au compositeur \u00e9cossais Ron Geesin, qui arrange cuivres et ch\u0153ur John Alldis sur la base rock du groupe. \u00c0 Abbey Road, Alan Parsons figure parmi les ing\u00e9nieurs ; Norman Smith reste producteur ex\u00e9cutif. La face B bascule vers des pi\u00e8ces plus courtes : If<\/em> (Waters), Summer ’68<\/em> (Wright), Fat Old Sun<\/em> (Gilmour), et le collage improvis\u00e9 Alan’s Psychedelic Breakfast<\/em> avec le roadie Alan Stiles.<\/p>\n

Storm Thorgerson (Hipgnosis) photographie la pochette dans un champ pr\u00e8s de Potters Bar : une vache frisonne, Lulubelle III, sans nom de groupe ni titre en fa\u00e7ade. L’image pastorale vide est un geste anti-psych\u00e9d\u00e9lique assum\u00e9 apr\u00e8s des ann\u00e9es de collages surr\u00e9alistes. La collaboration avec Geesin est tendue ; les cuivres peinent sur les partitions, et le groupe se montrera plus tard ambivalent sur la suite, m\u00eame si le public l’adopte en live, y compris aux films de St Tropez et du Bath Festival en 1970.<\/p>\n

Commercialement, c’est la perc\u00e9e : premier n\u00b01 de Floyd au classement albums UK. Aux \u00c9tats-Unis le disque entre dans le Top 60, moins d\u00e9cisif que le sommet britannique. En tourn\u00e9e, la suite ouvre ou ancre souvent les sets avec cuivres et ch\u0153ur locaux quand la logistique le permet, casse-t\u00eate qui pousse le groupe vers des \u00e9piques autonomes comme Echoes<\/em> sur l’album suivant, Meddle<\/em>. La partition de Geesin superpose fanfares, blocs de ch\u0153ur et lignes de violoncelle sur la batterie de Mason et les accords tenus du groupe ; les sections nomm\u00e9es de la suite (Father’s Shout, Breast Milky, Mother Fore, Funky Dung, Mind Your Throats Please, Remergence) guident les arcs m\u00eame si la radio ne les diffuse pas. Fat Old Sun<\/em> devient un favori live de Gilmour des d\u00e9cennies plus tard. Alan’s Psychedelic Breakfast<\/em> ferme le LP sur \u0153ufs au plat et robinet qui goutte, coda domestique apr\u00e8s cuivres et ch\u0153ur.<\/p>\n

Harvest vend le disque avec la vache comme panneau vierge, et l’absence de texte en fa\u00e7ade entre dans l’histoire commerciale. \u00c0 l’int\u00e9rieur, le contraste entre l’ambition orchestrale de Geesin et les croquis domestiques de la face B montre un groupe qui h\u00e9site encore entre suites, chansons et exp\u00e9riences bande. En moins d’un an, Meddle<\/em> r\u00e9pondra plus clairement.
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\n

La vache \u00e9tait parfaite. Pas de titre, pas de groupe, juste une vache dans un champ. C’\u00e9tait la blague et le propos.<\/p>\n<\/blockquote>\n

(Storm Thorgerson \/ Hipgnosis sur la pochette d’Atom Heart Mother)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb14937″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790417998{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

La critique d’\u00e9poque se partage entre admiration pour l’ambition et fatigue face \u00e0 la longueur de la suite. Remasters et archives Early Years ont depuis resitu\u00e9 les images de St Tropez et Bath. Dans la mythologie du groupe, Atom Heart Mother<\/em> est souvent le grand fr\u00e8re g\u00eanant de Meddle<\/em> et Dark Side<\/em>, mais il apprend \u00e0 Floyd comment tenir une face enti\u00e8re avec des musiciens ext\u00e9rieurs.<\/p>\n

\u00c0 \u00e9couter comme charni\u00e8re : une pochette vache n\u00b01 au Royaume-Uni, une suite rock cuivres et ch\u0153ur, puis quatre croquis de face B d\u00e9j\u00e0 plus proches de l’\u00e9quilibre d’\u00e9criture du Floyd des ann\u00e9es 70.<\/p>\n

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Le 2 octobre 1970, Pink Floyd sort Atom Heart Mother chez Harvest, leur premier n\u00b01 britannique, port\u00e9 par la suite titre de 23 minutes cuivres et ch\u0153ur avec Ron Geesin.<\/p>\n","protected":false},"author":1,"featured_media":13742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[482,514],"class_list":["post-13746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nAtom Heart Mother - Pochette vache, suite de 23 minutes, premier n\u00b01 UK - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/atom-heart-mother-pink-floyd\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Atom Heart Mother - 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