{"id":13766,"date":"2008-04-28T16:00:00","date_gmt":"2008-04-28T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-dark-side-of-the-moon-pink-floyd-2\/"},"modified":"2026-09-26T22:56:57","modified_gmt":"2026-09-26T20:56:57","slug":"the-dark-side-of-the-moon-pink-floyd-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/the-dark-side-of-the-moon-pink-floyd-2\/","title":{"rendered":"The Dark Side Of The Moon – Prisme, Parsons, et une face continue"},"content":{"rendered":"

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Prisme, Parsons, une face continue<\/h3>\n

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The Dark Side of the Moon<\/em> sort le 1er mars 1973 (Harvest \/ Capitol). Pink Floyd a test\u00e9 le cycle sur la route en 1972 sous des titres de travail avant de verrouiller la version studio \u00e0 Abbey Road entre juin 1972 et janvier 1973. Alan Parsons est \u00e0 la prise de son ; le groupe produit. L’album court en une s\u00e9quence : battements de c\u0153ur, horloges, caisses enregistreuses, voix parl\u00e9es, puis des chansons sur le temps, l’argent, le conflit et l’effondrement mental. La pochette-prisme d’Hipgnosis (Storm Thorgerson et Aubrey Powell) devient aussi c\u00e9l\u00e8bre que n’importe quel titre \u00e0 l’int\u00e9rieur.<\/p>\n

Speak to Me<\/em> \/ Breathe<\/em> ouvrent le trajet. On the Run<\/em> est une course VCS3. Time<\/em> empile de vrais r\u00e9veils enregistr\u00e9s par Parsons, puis Gilmour et Wright se partagent le chant. The Great Gig in the Sky<\/em> donne \u00e0 Clare Torry une voix sans paroles sur le piano de Wright. La face deux ouvre sur Money<\/em>, basse en 7\/4 et sax de Dick Parry, puis Us and Them<\/em>, Any Colour You Like<\/em>, Brain Damage<\/em> et Eclipse<\/em>. Waters \u00e9crit la plupart des textes ; la musique est un montage \u00e0 quatre avec des voix du road crew et du staff r\u00e9pondant \u00e0 des questions sur la folie et la violence.<\/p>\n

En live, le groupe avait d\u00e9j\u00e0 jou\u00e9 la suite avant la sortie du LP. Sur disque, crossfades et effets font du vinyle une seule pi\u00e8ce. Les charts racontent le reste : sommet britannique, n\u00b01 US, et un s\u00e9jour Billboard 200 compt\u00e9 en centaines de semaines. Money<\/em> porte encore un clip officiel li\u00e9 \u00e0 l’identit\u00e9 de l’album des d\u00e9cennies plus tard.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Le concept portait sur les pressions et les obsessions qui peuvent rendre fou : voyage, argent, temps, violence. On voulait que l’album se sente comme une seule pi\u00e8ce.<\/p>\n<\/blockquote>\n

(Roger Waters, \u00e0 propos de The Dark Side of the Moon)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb14937″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790418323{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Coffrets Immersion, remasters et prises live de l’\u00e8re Pulse gardent la s\u00e9quence de 1973 en circulation. Reprises et samples suivent, mais le mix d’origine d\u00e9finit encore la marque : clart\u00e9 s\u00e8che, effets bande, cri de Torry, sax de Parry. Pour beaucoup d’auditeurs, c’est le premier Floyd qui semble achev\u00e9 comme un seul argument plut\u00f4t qu’une collection d’exp\u00e9riences.<\/p>\n

R\u00e9\u00e9coutez : le battement de c\u0153ur revient encore \u00e0 la fin. The Dark Side of the Moon<\/em>, c’est Pink Floyd qui transforme le m\u00e9tier de studio et un th\u00e8me lyrique clair en fixe permanent du catalogue, prisme compris.<\/p>\n

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Le 1er mars 1973, Pink Floyd sort The Dark Side of the Moon chez Harvest, un album-concept continu ing\u00e9nieur\u00e9 par Alan Parsons \u00e0 Abbey Road, emball\u00e9 dans la pochette-prisme d’Hipgnosis.<\/p>\n","protected":false},"author":1,"featured_media":13762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287,244],"tags":[482,514],"class_list":["post-13766","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","category-non-categorise","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"\nThe Dark Side Of The Moon - Prisme, Parsons, et une face continue - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/the-dark-side-of-the-moon-pink-floyd-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Dark Side Of The Moon - 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