{"id":13780,"date":"2008-04-22T16:00:00","date_gmt":"2008-04-22T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/"},"modified":"2026-09-26T23:58:33","modified_gmt":"2026-09-26T21:58:33","slug":"the-piper-at-the-gates-of-dawn-pink-floyd-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/","title":{"rendered":"The Piper At The Gates Of Dawn &#8211; Le premier Barrett chez EMI Columbia"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Le premier Barrett chez EMI Columbia<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>The Piper at the Gates of Dawn<\/em> arrive au Royaume-Uni le 5 ao\u00fbt 1967 (EMI Columbia), pendant que les Beatles travaillent sur <em>Sgt. Pepper<\/em> dans d&rsquo;autres salles d&rsquo;Abbey Road. Norman Smith produit. Syd Barrett \u00e9crit la plupart des titres ; Roger Waters, Richard Wright et Nick Mason compl\u00e8tent le quatuor d&rsquo;origine. Le titre reprend un chapitre de <em>The Wind in the Willows<\/em> de Kenneth Grahame. La photo kal\u00e9idoscopique de Vic Singh fige le groupe dans une couleur psych\u00e9d\u00e9lique en miroir.<\/p>\n<p style=\"text-align: justify;\"><em>Astronomy Domine<\/em> ouvre avec la voix de Peter Jenner au m\u00e9gaphone et la guitare space-rock de Barrett. <em>Lucifer Sam<\/em> est une forme de single \u00e0 riff de chat. <em>Matilda Mother<\/em>, <em>Flaming<\/em> et <em>The Gnome<\/em> poussent le surr\u00e9alisme comptine de Barrett. <em>Interstellar Overdrive<\/em> s&rsquo;\u00e9tire en jam instrumental long qui d\u00e9finit les sets live du premier Floyd. <em>Bike<\/em> ferme l&rsquo;\u00e9dition UK avec collage de bruit et une offre parl\u00e9e de v\u00e9lo et de manteau. Les pressages US remanient et coupent des titres ; le LP Columbia britannique reste la s\u00e9quence de r\u00e9f\u00e9rence.<\/p>\n<p style=\"text-align: justify;\">Les sessions courent de f\u00e9vrier \u00e0 mai 1967. Le groupe attire d\u00e9j\u00e0 au UFO Club ; l&rsquo;album saisit ce moment underground londonien avant l&rsquo;effondrement de la sant\u00e9 de Barrett et l&rsquo;arriv\u00e9e de David Gilmour plus tard dans l&rsquo;ann\u00e9e. Les charts placent Piper dans le Top 10 britannique. Il n&rsquo;invente pas le Floyd de stade, mais il fixe le catalogue de l&rsquo;\u00e8re Barrett que le Saucerful of Secrets de Mason tourne encore.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Syd \u00e9tait le principal auteur. Ces chansons venaient de son monde de livres, de chats et de nuits londoniennes, et on les a jou\u00e9es en groupe au studio.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Nick Mason, \u00e0 propos de The Piper at the Gates of Dawn)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb14937&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790420728{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Remasters et r\u00e9\u00e9ditions mono\/st\u00e9r\u00e9o gardent les bandes Abbey Road de 1967 en circulation. L&rsquo;audio officiel d&rsquo;<em>Astronomy Domine<\/em> pr\u00e9sente encore le premier album mieux qu&rsquo;aucun titre de stade ult\u00e9rieur. Pour qui ne conna\u00eet que Dark Side ou The Wall, Piper est le document d&rsquo;un autre groupe : chansons plus courtes, voix de Barrett, et Interstellar Overdrive comme clause de jam.<\/p>\n<p style=\"text-align: justify;\">R\u00e9\u00e9coutez : les salles d&rsquo;Abbey Road de 1967 restent proches, astronomie au m\u00e9gaphone, riff du chat, comptine du gnome, puis le long instrumental. <em>The Piper at the Gates of Dawn<\/em>, c&rsquo;est le premier \u00e9nonc\u00e9 de Pink Floyd, Barrett au centre, avant que la formation et les concepts ne changent.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Le 5 ao\u00fbt 1967, Pink Floyd sort son premier album The Piper at the Gates of Dawn chez EMI Columbia, enregistr\u00e9 \u00e0 Abbey Road avec Norman Smith alors que Syd Barrett m\u00e8ne encore les chansons.<\/p>\n","protected":false},"author":1,"featured_media":13776,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287,244],"tags":[482,514],"class_list":["post-13780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","category-non-categorise","tag-classic-rock-fr","tag-pink-floyd-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Piper At The Gates Of Dawn - Le premier Barrett chez EMI Columbia - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Piper At The Gates Of Dawn - Le premier Barrett chez EMI Columbia - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Le 5 ao\u00fbt 1967, Pink Floyd sort son premier album The Piper at the Gates of Dawn chez EMI Columbia, enregistr\u00e9 \u00e0 Abbey Road avec Norman Smith alors que Syd Barrett m\u00e8ne encore les chansons.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/the-piper-at-the-gates-of-dawn-pink-floyd-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2008-04-22T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T21:58:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/PiperAtTheGates.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/albums-fr\\\/the-piper-at-the-gates-of-dawn-pink-floyd-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/albums-fr\\\/the-piper-at-the-gates-of-dawn-pink-floyd-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"The Piper At The Gates Of Dawn &#8211; 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