{"id":13802,"date":"2015-12-25T13:00:00","date_gmt":"2015-12-25T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/emancipation-prince\/"},"modified":"2026-09-27T00:00:18","modified_gmt":"2026-09-26T22:00:18","slug":"emancipation-prince","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/emancipation-prince\/","title":{"rendered":"Emancipation – Triple CD libre de Warner"},"content":{"rendered":"

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Triple CD libre de Warner<\/h3>\n

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Le 19 novembre 1996, moins d’une semaine apr\u00e8s la fin de son contrat Warner Bros., Prince sort Emancipation<\/em> sur NPG Records avec distribution EMI. C’est son dix-neuvi\u00e8me album studio et son premier triple officiel. Chacun des trois CD est mix\u00e9 pour durer exactement soixante minutes, une discipline qu’il visait depuis la version triple abandonn\u00e9e de ce qui est devenu Sign o’ the Times<\/em>.<\/p>\n

1996 est d\u00e9j\u00e0 charg\u00e9 : la B.O. Spike Lee Girl 6<\/em> en mars, l’adieu Warner Chaos and Disorder<\/em> en juillet, puis cette d\u00e9claration de trois heures en novembre. Les sessions \u00e0 Paisley Park s’\u00e9tendent de fin 1994 \u00e0 octobre 1996. Le single Betcha by Golly Wow!<\/em>, reprise des Stylistics, sort avec un clip tourn\u00e9 \u00e0 Paisley Park avec Mayte Garcia et la gymnaste olympique Dominique Dawes. The Holy River<\/em> \/ Somebody’s Somebody<\/em> suivent d\u00e9but 1997.<\/p>\n

Sur trente-six titres, le disque va du funk de f\u00eate (Jam of the Year<\/em>, Get Yo Groove On<\/em>) aux reprises calmes (I Can’t Make U Love Me<\/em>, One of Us<\/em>) et aux chansons de mariage li\u00e9es \u00e0 sa vie avec Mayte. Le troisi\u00e8me disque ouvre sur Slave<\/em>, le mot qu’il avait peint sur son visage pendant la guerre avec Warner. Voix invit\u00e9es et \u00e9nergie live c\u00f4toient la programmation solo.<\/p>\n

Un concert \u00e0 Paisley Park le 12 novembre 1996 est diffus\u00e9 en m\u00eame temps sur MTV, VH1 et BET, avec Boys II Men, Mavis Staples et D’Angelo parmi les invit\u00e9s. L’album d\u00e9marre \u00e0 la 11e place du Billboard 200 et \u00e0 la 6e des Top R&B Albums. La RIAA compte le coffret triple vers le double platine en f\u00e9vrier 1997.<\/p>\n

Mariage et paternit\u00e9 imminente colorent le disque du milieu : Let’s Have a Baby<\/em>, Friend, Lover, Sister, Mother\/Wife<\/em>, et l’intro parl\u00e9e de la reprise des Stylistics. La joie sur ces bandes c\u00f4toie le deuil qui suit la mort de l’enfant du couple le m\u00eame automne, un contexte que les auditeurs entendent m\u00eame quand les notes restent br\u00e8ves.<\/p>\n

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Emancipation, c’est la libert\u00e9. Libre de faire ce que je veux de ma musique.<\/p>\n<\/blockquote>\n

(Prince, commentaires presse autour de la sortie NPG\/EMI, 1996)<\/em><\/p>\n

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La Jam of the Year Tour dure des mois avec Kirk Johnson, Rhonda Smith, Morris Hayes, Kat Dyson, Mike Scott et Marva King, transformant les titres denses en workouts de groupe. Les disquaires traitent le triple pack comme un \u00e9v\u00e9nement ; les fans comme la preuve que quitter le major ne veut pas dire silence.<\/p>\n

Au catalogue, Emancipation<\/em> est le long soupir apr\u00e8s les ann\u00e9es glyphe. C’est in\u00e9gal par design : trois heures laissent de la place au remplissage et aux gardiens. Les reprises annoncent l’affection pour la soul Philly et la radio R&B adulte ; les titres de f\u00eate originaux gardent le bounce de Minneapolis.<\/p>\n

Commencez par Betcha by Golly Wow!<\/em> ou The Holy River<\/em> pour le visage radio, puis plongez dans Face Down<\/em> et Slave<\/em> pour la guerre de contrat encore audible dans le mix. La libert\u00e9 se mesure ici en minutes par disque.<\/p>\n

Les r\u00e9\u00e9ditions de 2019 remettent le triple en vinyle et en streaming avec de nouveaux passages en charts. Pour qui suit la sortie de Warner, c’est le tour de victoire qui sonne encore comme trois albums coll\u00e9s bout \u00e0 bout volontairement.<\/p>\n

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Le 19 novembre 1996, NPG et EMI sortent Emancipation, premier triple album de Prince apr\u00e8s Warner Bros., trois disques cal\u00e9s chacun \u00e0 exactement soixante minutes.<\/p>\n","protected":false},"author":1,"featured_media":13798,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[428,469],"class_list":["post-13802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-discofunk-fr","tag-prince-fr"],"yoast_head":"\nEmancipation - Triple CD libre de Warner - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/emancipation-prince\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emancipation - 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