{"id":13810,"date":"2016-01-11T16:00:00","date_gmt":"2016-01-11T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/for-you-prince\/"},"modified":"2026-09-27T01:17:47","modified_gmt":"2026-09-26T23:17:47","slug":"for-you-prince","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/for-you-prince\/","title":{"rendered":"For You – Plus jeune auto-producteur du label"},"content":{"rendered":"

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Plus jeune auto-producteur du label<\/h3>\n

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Prince commence For You<\/em> en septembre 1977 \u00e0 Sound 80 \u00e0 Minneapolis, passe \u00e0 l’automne au Record Plant de Sausalito, et termine overdubs et mixes \u00e0 Sound Labs \u00e0 Hollywood d\u00e9but 1978. L’ami et ing\u00e9nieur David Rivkin (plus tard David Z) conseille en cabine. La ligne de cr\u00e9dit est claire : produit, arrang\u00e9, compos\u00e9 et interpr\u00e9t\u00e9 par Prince.<\/p>\n

Warner Bros. sort l’album le 7 avril 1978. Le manager Owen Husney a convaincu le label d’un contrat de trois albums apr\u00e8s avoir vu l’adolescent empiler les parties en studio. Prince a dix-neuf ans et, selon le label, est le plus jeune artiste autoris\u00e9 \u00e0 produire son propre premier disque en jouant tous les instruments. La pochette liste environ vingt-sept parties entre basse, guitares, claviers et falsettos empil\u00e9s.<\/p>\n

Le single Soft and Wet<\/em>, co\u00e9crit avec Chris Moon, atteint la 92e place du Billboard Hot 100 et la 12e du Hot Soul. Le suivant, Just as Long as We’re Together<\/em>, reste surtout un titre R&B. L’album lui-m\u00eame plafonne \u00e0 la 163e du Billboard 200 et \u00e0 la 21e du classement Soul. Tempos disco, basse funk propre et voix multi-pistes esquissent d\u00e9j\u00e0 le Minneapolis Sound que d’autres poursuivront.<\/p>\n

La promo reste limit\u00e9e. Prince pr\u00e9f\u00e8re retourner en studio plut\u00f4t que monter un groupe de tourn\u00e9e pour ces chansons, donc la radio suit mal le m\u00e9tier sur la bande. Apr\u00e8s sa mort en 2016, l’album r\u00e9entre au Billboard 200 \u00e0 la 138e place quand le catalogue se remet en mouvement.<\/p>\n

Tommy Vicari est cr\u00e9dit\u00e9 pour l’aide au mix ; le budget est de l’argent Warner r\u00e9el, pas une bande de chambre. Pourtant chaque glissando de basse et chaque stab de synth\u00e9 est le doigt de Prince. La pri\u00e8re a cappella qui ouvre l’album dure \u00e0 peine une minute et pose le ton de la d\u00e9dicace avant que le pulse disco de In Love<\/em> prenne le relais.<\/p>\n

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\n

Ils ont mont\u00e9 une sorte de test o\u00f9 ils l’ont observ\u00e9 en studio. Avant que ce soit termin\u00e9, ils m’ont emmen\u00e9 dans le couloir et m’ont dit : \u00ab Tu sais quoi ? On te croit. \u00bb<\/p>\n<\/blockquote>\n

(Owen Husney sur le signing Warner Bros., Noisey, 2016)<\/em><\/p>\n

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\u00c9coutez \u00e0 c\u00f4t\u00e9 de Prince<\/em> (1979) : on entend la vitesse. For You<\/em> est soign\u00e9, empil\u00e9, encore en train d’apprendre \u00e0 laisser de l’air. Des titres comme In Love<\/em> et Crazy You<\/em> montrent le falsetto et le d\u00e9tail acoustique ; I’m Yours<\/em> laisse mordre la guitare.<\/p>\n

Comme premi\u00e8re d\u00e9claration, le disque fait le travail pour lequel Warner paie : prouver que le gamin peut \u00e9crire, jouer et produire sans arm\u00e9e de session. Les chiffres commerciaux sont modestes ; le contr\u00f4le de la session ne l’est pas.<\/p>\n

Commencez par Soft and Wet<\/em>, puis le fragment a cappella du titre qui ouvre le disque. Tout ce qui suit, des d\u00e9mos de Dirty Mind<\/em> aux marathons Paisley Park, part de cette obstination \u00e0 jouer les parties soi-m\u00eame.<\/p>\n

MC Hammer \u00e9chantillonnera et reprendra l’orbite de Soft and Wet<\/em> pour une nouvelle g\u00e9n\u00e9ration. Pour les lecteurs de RIFFS AND BEATS, le point est plus simple : la r\u00e9putation de control freak commence d\u00e8s la face A du premier LP, dat\u00e9 1978.<\/p>\n

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