{"id":13873,"date":"2009-07-09T09:00:00","date_gmt":"2009-07-09T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/42-coldplay\/"},"modified":"2026-09-26T23:58:48","modified_gmt":"2026-09-26T21:58:48","slug":"42-coldplay","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/42-coldplay\/","title":{"rendered":"42 – Coldplay: Coldplay built as a three-part piece with no chorus on Viva la Vida,"},"content":{"rendered":"

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Viva la Vida, 2008 : trois mouvements, pas de refrain, neuvi\u00e8me essai nomm\u00e9 42<\/h3>\n

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Le piano et les cordes ouvrent en douceur, presque comme une r\u00e9p\u00e9tition priv\u00e9e. Puis le tempo bascule, la guitare de Jonny Buckland coupe, et le dernier tron\u00e7on empile boucles, batterie et encore du piano jusqu’\u00e0 saturer la pi\u00e8ce. 42<\/em>, sur Viva la Vida or Death and All His Friends<\/em> (2008), c’est Coldplay qui refuse la carte couplet-refrain habituelle. Pas d’accroche \u00e0 hurler d\u00e8s la premi\u00e8re \u00e9coute, et c’est pr\u00e9cis\u00e9ment pour \u00e7a que \u00e7a tient. Le groupe a pass\u00e9 environ deux ans \u00e0 tenter de finir un morceau sans couplets ni refrain. Voici la prise qui a enfin accroch\u00e9.<\/p>\n

Brian Eno a fa\u00e7onn\u00e9 les sessions de l’album, poussant les quatre vers la couleur et le risque plut\u00f4t qu’une nouvelle copie radio polie. Fin f\u00e9vrier 2008, ils mixent dans leur QG du nord de Londres pendant qu’Eno est bri\u00e8vement parti travailler avec U2. Rolling Stone surprend Chris Martin rappelant Buckland pour rejouer des parties de guitare apr\u00e8s qu’on a dit que le milieu de 42<\/em> sonnait comme Radiohead. \u00ab Il n’y a rien de mal \u00e0 sonner comme Radiohead, dit Martin. C’est juste que, quand je l’entends dans ma t\u00eate, ce n’est pas comme \u00e7a. \u00bb Il confie \u00e0 MTV que le titre est son chiffre pr\u00e9f\u00e9r\u00e9, et que chaque essai rat\u00e9 de la m\u00eame id\u00e9e s’appelait aussi 42<\/em>. Buckland utilise un accordage ostrich, toutes les cordes en fa, qui donne au milieu son mordant tendu et bizarre.<\/p>\n

Une prise live de Madrid en 2008 atterrit sur l’album live gratuit LeftRightLeftRightLeft<\/em> le mai suivant. Sur la tourn\u00e9e Viva, le morceau se place pr\u00e8s du d\u00e9but du set : intimit\u00e9 piano d’abord, puis le milieu rock, puis la fin empil\u00e9e qui demande une sono claire. Des passages t\u00e9l\u00e9 comme Later\u2026 with Jools Holland<\/em> mettent la forme en trois parties face \u00e0 un public de studio oblig\u00e9 de suivre les virages sans refrain sur lequel s’appuyer. On voit la salle rattraper le coup en temps r\u00e9el, et c’est d\u00e9j\u00e0 la moiti\u00e9 du plaisir.<\/p>\n

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\n

On a essay\u00e9 pendant environ deux ans d’enregistrer un morceau qui n’avait aucun refrain et pas vraiment de couplets\u2026 et 42, c’est la seule fois o\u00f9 on a r\u00e9ussi \u00e0 le faire.<\/p>\n<\/blockquote>\n

(Jonny Buckland, \u00e0 propos de 42)<\/em><\/p>\n

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Les critiques ont entendu l’influence Eno et l’ambition. Les fans ont appris la structure en passant l’album deux fois. Le titre n’avait pas besoin d’\u00eatre un single pour compter dans le cycle Viva<\/em> : il prouvait que Coldplay pouvait casser son propre mod\u00e8le et remplir des arenas sans filet de chant collectif.<\/p>\n

Remettez 42<\/em> et le piano sonne encore comme un d\u00e9but, pas comme une th\u00e8se. Le saut de guitare surprend toujours. La derni\u00e8re minute refuse encore de se r\u00e9soudre en slogan. Ce refus est le point, et c’est pourquoi le morceau reste l’un des deep cuts les plus nets d’un disque blockbuster. Appuyez sur play pour le pivot seul, puis restez pour voir combien proprement les trois parties s’embo\u00eetent une fois qu’on les attend.<\/p>\n

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En 2008, Coldplay construit 42 en trois parties sans refrain sur Viva la Vida, puis se dispute des lignes de guitare jusqu’\u00e0 ce que le milieu cesse de sonner comme Radiohead dans la t\u00eate de Chris Martin.<\/p>\n","protected":false},"author":1,"featured_media":16850,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[311,559],"class_list":["post-13873","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-alternative-indie-punk-fr","tag-coldplay-fr","post_format-post-format-video"],"yoast_head":"\n42 - Coldplay: Coldplay built as a three-part piece with no chorus on Viva la Vida, - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/42-coldplay\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"42 - 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