{"id":13888,"date":"2008-08-23T19:00:00","date_gmt":"2008-08-23T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/speed-of-sound-coldplay\/"},"modified":"2026-09-27T01:16:10","modified_gmt":"2026-09-26T23:16:10","slug":"speed-of-sound-coldplay","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/speed-of-sound-coldplay\/","title":{"rendered":"Speed of Sound &#8211; Coldplay: Released April 2005 as the lead single from X&#038;Y, took Kate"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Lead single, avril 2005 : riff piano, toms Kate Bush, premier Top 10 US<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">La figure de piano se r\u00e9p\u00e8te avant m\u00eame l&rsquo;arriv\u00e9e du chant. Puis le motif de toms de Will Champion, emprunt\u00e9 dans l&rsquo;esprit \u00e0 <em>Running Up That Hill<\/em> de Kate Bush, pousse le couplet pendant qu&rsquo;un pad de synth\u00e9 tient l&rsquo;air. <em>Speed of Sound<\/em> \u00e9tait le lead single de <em>X&amp;Y<\/em> : premi\u00e8re radio sur l&rsquo;\u00e9mission de Steve Lamacq \u00e0 BBC Radio 1 le 18 avril 2005, sortie digitale le lendemain, CD et vinyle UK le 23 mai avec en faces B <em>Things I Don&rsquo;t Understand<\/em> et <em>Proof<\/em>. D\u00e8s le premier refrain, on entend pourquoi Parlophone a mis\u00e9 dessus : large, clair, fait pour voyager.<\/p>\n<p style=\"text-align: justify;\">Chris Martin a dit que la chanson est venue apr\u00e8s avoir \u00e9cout\u00e9 Bush et apr\u00e8s la naissance de sa fille Apple, en cherchant \u00ab awe and wonderment \u00bb avec des emprunts que le groupe n&rsquo;a pas cherch\u00e9 \u00e0 cacher. Guy Berryman a confirm\u00e9 qu&rsquo;ils voulaient ces batteries et ces accords, et qu&rsquo;ils n&rsquo;avaient aucun mal \u00e0 le dire. Produit avec Danton Supple et le groupe, le titre grimpe vers un refrain \u00e9pais de guitares, basse et synth\u00e9s. Il plafonne \u00e0 la deuxi\u00e8me place UK, bloqu\u00e9 par le hit novelty de Crazy Frog, et d\u00e9bute \u00e0 la huiti\u00e8me du Billboard Hot 100, premier Top 10 US de Coldplay et premier groupe britannique \u00e0 entrer cold dans ce top ten depuis l&rsquo;\u00e8re Beatles. On l&rsquo;a aussi cit\u00e9 comme le milliardi\u00e8me t\u00e9l\u00e9chargement achet\u00e9 sur l&rsquo;iTunes Store, une note de bas de page du milieu des ann\u00e9es 2000 qui dit encore jusqu&rsquo;o\u00f9 le single a voyag\u00e9.<\/p>\n<p style=\"text-align: justify;\">Mark Romanek a tourn\u00e9 le clip sur un plateau de Los Angeles en deux jours d&rsquo;avril 2005, le groupe jouant devant un mur LED courbe de centaines de tubes Element Labs anim\u00e9s surtout depuis la piste vocale de Martin. Le clip a r\u00e9colt\u00e9 des nominations MTV VMA et une rotation lourde. Des ann\u00e9es plus tard, Martin s&rsquo;est refroidi sur le morceau, disant aux journalistes qu&rsquo;ils \u00ab ne l&rsquo;avaient jamais bien r\u00e9ussi \u00bb et que le public sent quand un groupe n&rsquo;y croit pas. Les performances live se sont rar\u00e9fi\u00e9es alors que le single restait un pilier radio, ce qui ne fait qu&rsquo;aiguiser le paradoxe : un hit que le groupe a \u00e0 demi reni\u00e9 et qui d\u00e9finit encore le visage public de l&rsquo;album.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">On essayait vraiment de recr\u00e9er les batteries de cette chanson-l\u00e0 pour celle-ci, et les accords. Certains groupes h\u00e9sitent \u00e0 admettre qu&rsquo;ils prennent des choses \u00e0 d&rsquo;autres artistes\u2026 et nous, on n&rsquo;a aucune pudeur l\u00e0-dessus.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Guy Berryman, sur l&#8217;emprunt \u00e0 Kate Bush)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb14762&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790423345{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Les prix ont suivi : Brit Award du Best British Single en 2006, ASCAP Song of the Year, nominations Grammy pour Best Rock Song et Best Rock Performance by a Duo or Group. Pour beaucoup d&rsquo;auditeurs \u00e0 l&rsquo;\u00e9t\u00e9 2005, c&rsquo;\u00e9tait le premier go\u00fbt fini de <em>X&amp;Y<\/em> avant l&rsquo;album de juin.<\/p>\n<p style=\"text-align: justify;\">Remettez <em>Speed of Sound<\/em> et le piano cueille encore l&rsquo;\u00e9poque. Le motif de toms fait toujours le travail Kate Bush. Que Martin l&rsquo;aime encore ou non, le single a fait le job commercial : ouvrir la campagne album, percer le Top 10 US, et laisser une image LED coll\u00e9e \u00e0 la t\u00e9l\u00e9vision du milieu des ann\u00e9es 2000. Appuyez sur play pour cette entr\u00e9e et le refrain qui a vendu le Coldplay grand \u00e9cran \u00e0 l&rsquo;Am\u00e9rique.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Sorti en avril 2005 comme lead single de X&#038;Y, Speed of Sound emm\u00e8ne des toms inspir\u00e9s de Kate Bush jusqu&rsquo;\u00e0 la deuxi\u00e8me place UK et offre \u00e0 Coldplay son premier Top 10 US.<\/p>\n","protected":false},"author":1,"featured_media":13145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[311,559],"class_list":["post-13888","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-alternative-indie-punk-fr","tag-coldplay-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Speed of Sound - Coldplay: Released April 2005 as the lead single from X&amp;Y, took Kate - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/speed-of-sound-coldplay\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Speed of Sound - Coldplay: Released April 2005 as the lead single from X&amp;Y, took Kate - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Sorti en avril 2005 comme lead single de X&amp;Y, Speed of Sound emm\u00e8ne des toms inspir\u00e9s de Kate Bush jusqu&#039;\u00e0 la deuxi\u00e8me place UK et offre \u00e0 Coldplay son premier Top 10 US.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/speed-of-sound-coldplay\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2008-08-23T17:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T23:16:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Coldplay-FixYou.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/speed-of-sound-coldplay\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/speed-of-sound-coldplay\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Speed of Sound &#8211; 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