{"id":13903,"date":"2014-02-28T16:00:00","date_gmt":"2014-02-28T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13903"},"modified":"2026-09-26T23:18:09","modified_gmt":"2026-09-26T21:18:09","slug":"blackstar-david-bowie-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/blackstar-david-bowie-2\/","title":{"rendered":"Blackstar – David Bowie: Ten jazz-rock minutes that open the last album"},"content":{"rendered":"

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\u2605, 2016 : sessions Magic Shop, groupe de McCaslin, dix minutes qui ouvrent la porte<\/h3>\n

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Blackstar<\/em> ouvre le dernier album studio de David Bowie, sorti le jour de ses 69 ans, le 8 janvier 2016, via ISO\/Columbia. Le titre \u00e9ponyme dure pr\u00e8s de dix minutes : deux sections principales, des mesures qui bougent, et un groupe men\u00e9 par le saxophoniste Donny McCaslin avec Mark Guiliana \u00e0 la batterie, Tim Lefebvre \u00e0 la basse et Ben Monder \u00e0 la guitare. Tony Visconti co-produit. Les sessions se font surtout au Magic Shop \u00e0 New York, avec du travail additionnel \u00e0 Human Worldwide. D\u00e8s les premi\u00e8res mesures, on entend que ce n’est pas le rock guitare de The Next Day<\/em>. C’est de l’art-rock qui croise le jazz downtown, \u00e9crit en forme longue qui refuse la carte radio de trois minutes.<\/p>\n

Bowie garde la voix s\u00e8che et proche ; le saxophone de McCaslin porte des motifs qui font accroche sans transformer le morceau en edit. Les paroles tournent autour du rituel, de la c\u00e9l\u00e9brit\u00e9 et d’une figure \u00ab blackstar \u00bb sans d\u00e9rouler une intrigue unique. L’arrangement laisse de la place \u00e0 l’improvisation dans une forme \u00e9crite : la batterie de Guiliana change de feel, la basse de Lefebvre reste \u00e9lastique, la guitare de Monder colore plut\u00f4t qu’elle n’encombre. On peut suivre les sections une fois qu’on les attend, mais le plaisir, c’est de voir combien proprement le groupe change de temp\u00e9rature sans perdre la voix de Bowie au centre.<\/p>\n

Johan Renck r\u00e9alise le court m\u00e9trage : boutons \u00e0 la place des yeux, astronaute mort, ville de rituel. La premi\u00e8re audio est li\u00e9e \u00e0 The Last Panthers<\/em> sur Sky Atlantic. Trois jours apr\u00e8s la sortie de l’album, Bowie meurt \u00e0 New York. Visconti appellera plus tard le disque un cadeau d’adieu ; le titre d’ouverture est la porte qu’on ouvre en premier. Les auditeurs arriv\u00e9s apr\u00e8s le 10 janvier 2016 entendent forc\u00e9ment un adieu dans la longueur et les images. Les musiciens en session jouaient une ouverture \u00e9crite et ambitieuse, pas encore une \u00e9l\u00e9gie, et cette honn\u00eatet\u00e9 de m\u00e9tier est encore ce qui fait tenir les dix minutes.<\/p>\n

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\n

Something happened on the day he died.<\/p>\n<\/blockquote>\n

(Paroles, Blackstar, \u2605, ISO\/Columbia, 2016)<\/em><\/p>\n

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Comme d\u00e9claration de longueur single, Blackstar<\/em> n’a jamais \u00e9t\u00e9 pens\u00e9 pour la radio de trois minutes. Comme ouverture d’album, il pose la r\u00e8gle de la suite : formes longues, jazzmen, et images qui refusent de s’expliquer jusqu’\u00e0 ce que le reste du disque, et la nouvelle du 10 janvier, remplissent le cadre. Critiques et fans l’ont trait\u00e9 comme la cl\u00e9 du cycle, pas comme une \u00e9pop\u00e9e bonus park\u00e9e en t\u00eate.<\/p>\n

Dix minutes. Une porte. Pas d’atterrissage doux. Appuyez sur play pour le premier motif de McCaslin, puis restez pour voir comment la deuxi\u00e8me section r\u00e9arrange la pi\u00e8ce sans jeter la premi\u00e8re. Cette architecture patiente explique pourquoi le titre ouvre encore les \u00e9coutes profondes du dernier album de Bowie : jazz-rock avec une intrigue qui ne dit jamais tout \u00e0 fait son nom, et une voix qui reste intime pendant que le groupe s’\u00e9largit.<\/p>\n

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Blackstar est le titre \u00e9ponyme de dix minutes du dernier album de Bowie (ISO\/Columbia, 8 janvier 2016) : jazz-rock au Magic Shop avec le groupe de Donny McCaslin et Tony Visconti, accompagn\u00e9 d’un court m\u00e9trage de Johan Renck.<\/p>\n","protected":false},"author":1,"featured_media":14112,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[482,421],"class_list":["post-13903","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-david-bowie-fr","post_format-post-format-video"],"yoast_head":"\nBlackstar - David Bowie: Ten jazz-rock minutes that open the last album - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/blackstar-david-bowie-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blackstar - 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