{"id":13905,"date":"2015-12-07T09:00:00","date_gmt":"2015-12-07T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=13905"},"modified":"2026-09-27T01:17:46","modified_gmt":"2026-09-26T23:17:46","slug":"lazarus-david-bowie","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/lazarus-david-bowie\/","title":{"rendered":"Lazarus &#8211; David Bowie: Magic Shop single filmed from a hospital bed"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">December 2015 single: Magic Shop band, off-Broadway musical, Renck&rsquo;s bed video<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>Lazarus<\/em> is the third track on David Bowie&rsquo;s <em>Blackstar<\/em> and the album&rsquo;s second single, issued as a digital download on 17 December 2015 (ISO\/Columbia). The album version runs about 6:22; the video edit is shorter. Same New York team as the title track: Donny McCaslin&rsquo;s group, Tony Visconti producing, Magic Shop and Human Worldwide rooms. The song also anchors Bowie&rsquo;s off-Broadway musical <em>Lazarus<\/em>, developed with Enda Walsh from <em>The Man Who Fell to Earth<\/em>. From the first line you are already upstairs: heaven, scars, a dropped phone. Guitar and sax push a mid-tempo rock frame while Bowie&rsquo;s vocal stays intimate enough for a stage monologue and a hospital room at once.<\/p>\n<p style=\"text-align: justify;\">Compared with the ten-minute mosaic of <em>Blackstar<\/em>, <em>Lazarus<\/em> behaves more like a single that still refuses verse-chorus comfort. The band locks a clear pulse; McCaslin&rsquo;s saxophone colours the edges; the lyric keeps returning to looking up and leaving. It is less cryptic collage than a character speaking from a high place, which is why it transferred so cleanly to the musical and to radio playlists after the news broke. You can hum the contour after one listen and still feel the arrangement leave space around the voice.<\/p>\n<p style=\"text-align: justify;\">Johan Renck shot the video in Brooklyn in November 2015: Bowie in the button-eyed bandage on a hospital bed, then at a desk writing. The clip went public on 7 January 2016, one day before the album and three days before Bowie&rsquo;s death. Renck later said the process felt unmatched; listeners heard the song as farewell once the news landed. As Bowie&rsquo;s last single released in his lifetime, <em>Lazarus<\/em> carries a weight the December 2015 premiere could not advertise. On the album it sits after the title epic as the clearest vocal statement of the cycle.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Look up here, I&rsquo;m in heaven.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Opening lyric, Lazarus, Blackstar, ISO\/Columbia, 2016)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb10945&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790425747{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Stage character, sickbed image, and a Magic Shop band that keeps playing while the writer finishes the page: that triad is why the track still opens retrospectives of Bowie&rsquo;s final year. It does not need the ten-minute architecture of the title song. It needs the first-person climb and a video that refused soft lighting.<\/p>\n<p style=\"text-align: justify;\">Look up here. The rest of the record does the explaining. Press play for the opening line alone, then stay for how the guitar and sax refuse to turn a farewell into a ballad template. That mid-tempo stubbornness is the reason <em>Lazarus<\/em> still feels like a door, not a curtain call.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Lazarus, second single from Blackstar, dropped digitally on 17 December 2015: Magic Shop sessions with McCaslin&rsquo;s band, a Johan Renck hospital-bed video, released three days before Bowie died.<\/p>\n","protected":false},"author":1,"featured_media":14122,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[482,421],"class_list":["post-13905","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-david-bowie-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lazarus - David Bowie: Magic Shop single filmed from a hospital bed - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/lazarus-david-bowie\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lazarus - David Bowie: Magic Shop single filmed from a hospital bed - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Lazarus, second single from Blackstar, dropped digitally on 17 December 2015: Magic Shop sessions with McCaslin&#039;s band, a Johan Renck hospital-bed video, released three days before Bowie died.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/lazarus-david-bowie\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-07T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T23:17:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/Bowie-Lazarus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/lazarus-david-bowie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/titres\\\/lazarus-david-bowie\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Lazarus &#8211; 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