{"id":13944,"date":"2011-11-14T19:00:00","date_gmt":"2011-11-14T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/coffee-tv-blur-2\/"},"modified":"2026-09-27T01:16:51","modified_gmt":"2026-09-26T23:16:51","slug":"coffee-tv-blur-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/coffee-tv-blur-2\/","title":{"rendered":"Coffee & TV – Blur: Coxon au chant, deuxi\u00e8me single de 13"},"content":{"rendered":"

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Juin 1999 : voix lead de Coxon, console d’Orbit, Milky sur MTV<\/h3>\n

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Les figures de guitare arrivent fines et polies, puis s’\u00e9paississent en quelque chose qu’on peut accompagner en marchant. Graham Coxon chante Coffee & TV<\/em> d’une voix plus proche d’une confession de cuisine que d’un cri Britpop : fatigu\u00e9e, s\u00e8che, presque timide. Le texte dessine une petite routine (caf\u00e9, t\u00e9l\u00e9vision, sortir de la maison) qui double en r\u00e9cit de reprise apr\u00e8s une p\u00e9riode dure. Sur le sixi\u00e8me album de Blur, 13<\/em>, sorti en mars 1999 et produit par William Orbit, le morceau c\u00f4toie de longues chansons meurtries et reste celui qu’on fredonne en allant au magasin. Coxon a \u00e9crit les paroles ; le groupe a fini l’arrangement autour. Ce changement d’auteur compte. Pour une fois Albarn s’efface au micro et laisse le guitariste porter la journ\u00e9e.<\/p>\n

Orbit garde la guitare de Coxon s\u00e8che et en avant, avec les ch\u0153urs d’Albarn et la section rythmique qui tiennent un mid-tempo sans se presser. La batterie de Dave Rowntree reste sobre ; la basse d’Alex James se glisse sous les accords au lieu de leur faire concurrence. La version album dure pr\u00e8s de six minutes ; les edits single et radio coupent le gras sans tuer le balancement. Food \/ Parlophone sort le single le 28 juin 1999, deuxi\u00e8me extrait de 13<\/em> apr\u00e8s Tender<\/em>. Il plafonne \u00e0 la 11e place du UK Singles Chart. Des bugs de donn\u00e9es de ventes cette semaine-l\u00e0 lui ont peut-\u00eatre co\u00fbt\u00e9 le Top 10, mais les chiffres n’\u00e9taient pas le sujet. Le clip a fait le travail.<\/p>\n

Hammer & Tongs (Garth Jennings et Nick Goldsmith) ont r\u00e9alis\u00e9 le clip : une brique de lait consciente nomm\u00e9e Milky cherche \u00e0 Londres et Bromley le visage de Coxon imprim\u00e9 sur son flanc. Des prix suivent aux NME Awards et MTV Europe ; Channel 4 classera plus tard le clip parmi les plus grands clips pop. Sur sc\u00e8ne, Coxon prend encore le micro ; le public conna\u00eet la ligne sur la \u00ab sociability \u00bb avant qu’il ne la finisse. \u00c0 c\u00f4t\u00e9 des titres plus abstraits d’Orbit sur 13<\/em>, c’est la charni\u00e8re domestique : un guitariste qui d\u00e9crit comment passer une journ\u00e9e, enregistr\u00e9 avec assez d’espace pour que le refrain atterrisse sans truc de stade.<\/p>\n

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\n

I got up and I know I didn’t look too good \/ I didn’t wash my face or comb my hair.<\/p>\n<\/blockquote>\n

(Graham Coxon, paroles de Coffee & TV, 13, 1999)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb13949″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790419234{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Revenez au mix album et la chanson refuse encore le spectacle. Compilations et Best Of ont gard\u00e9 le single en rotation bien apr\u00e8s que le Britpop ait \u00e9t\u00e9 rang\u00e9. Les faces B \u00e9taient des remixes (Trade Stylee<\/em>, Metal Hip Slop<\/em>, X-Offender<\/em>, Coyote<\/em>), mais c’est la face A qui a tenu : la voix de Coxon, la retenue d’Orbit, la marche de Milky.<\/p>\n

Cela a suffi \u00e0 transformer un titre \u00e0 l’air de face B en pilier du catalogue. Appuyez sur play pour l’entr\u00e9e de guitare polie, restez pour la confession qui n’\u00e9l\u00e8ve jamais la voix, et voyez combien peu de d\u00e9coration un album meurtri a besoin quand un seul morceau dit simplement la v\u00e9rit\u00e9 sur le fait de sortir du lit.<\/p>\n

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En juin 1999, Blur sort Coffee & TV, deuxi\u00e8me single de 13 : Graham Coxon en voix lead, William Orbit \u00e0 la console, et un clip de brique de lait qui d\u00e9passe les charts.<\/p>\n","protected":false},"author":1,"featured_media":17028,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,244,293],"tags":[311,407],"class_list":["post-13944","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-non-categorise","category-titres","tag-alternative-indie-punk-fr","tag-blur-fr","post_format-post-format-video"],"yoast_head":"\nCoffee & TV - Blur: Coxon au chant, deuxi\u00e8me single de 13 - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/coffee-tv-blur-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Coffee & TV - 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