{"id":13972,"date":"2010-01-16T11:00:00","date_gmt":"2010-01-16T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/barbaric-blur-2\/"},"modified":"2026-09-26T23:58:54","modified_gmt":"2026-09-26T21:58:54","slug":"barbaric-blur-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/barbaric-blur-2\/","title":{"rendered":"Barbaric – Blur: Troisi\u00e8me titre de The Ballad of Darren"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Juillet 2023 : Studio 13, mix lean de Ford, un sentiment nomm\u00e9 \u00ab barbaric \u00bb<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Barbaric<\/em> est la troisi\u00e8me piste du neuvi\u00e8me album studio de Blur, The Ballad of Darren<\/em>, sorti le 21 juillet 2023 chez Parlophone. James Ford a produit le disque au Studio 13 \u00e0 Londres et dans le Devon, les m\u00eames salles qui ont fa\u00e7onn\u00e9 les autres singles de l’album et donn\u00e9 \u00e0 la r\u00e9union sa clart\u00e9 tardive. Le morceau avance \u00e0 un tempo rock mesur\u00e9 : figures de guitare de Coxon claires mais pas de stade, batterie droite de Rowntree, Albarn qui chante un sentiment partag\u00e9 qui a fil\u00e9. Le refrain r\u00e9p\u00e8te la perte jusqu’\u00e0 ce que le mot \u00ab barbaric \u00bb tombe comme un diagnostic, pas un costume. Huit ans apr\u00e8s The Magic Whip<\/em>, le groupe sonne comme quatre personnes qui se connaissent et refusent d’enfler pour la nostalgie.<\/p>\n

Le groupe le sort en single autour de l’arriv\u00e9e de l’album, apr\u00e8s The Narcissist<\/em> (18 mai) et St. Charles Square<\/em>. Un visualiser officiel r\u00e9alis\u00e9 avec Undercard Studio accompagne la sortie et garde le focus sur le morceau plut\u00f4t que sur un clip \u00e0 concept. Au UK le single fait une course modeste ; l’album d\u00e9bute num\u00e9ro un, septi\u00e8me LP Blur en t\u00eate des charts britanniques. Les concerts au Wembley Stadium en juillet 2023 placent les nouveaux titres \u00e0 c\u00f4t\u00e9 des classiques de l’\u00e8re Parklife, et Barbaric<\/em> tient sans les vieux truc de chant collectif. En milieu de set, \u00e7a marche comme une pause entre de plus vieilles d\u00e9tonations : un refrain qu’on peut chanter sans en faire un chant de stade.<\/p>\n

Le mix de Ford laisse de l’espace autour de la voix. Les ch\u0153urs et les couleurs de guitare arrivent, puis reculent, pour que le diagnostic du refrain reste audible. L’image du \u00ab powdered cake of common cause \u00bb est assez concr\u00e8te pour coller sans expliquer toute la r\u00e9union ni l’histoire priv\u00e9e derri\u00e8re l’\u00e9criture d’Albarn. On entend l’arrangement respirer au lieu d’empiler. Sur un album qui contient aussi Russian Strings<\/em> et The Everglades (For Leonard)<\/em>, la piste trois fait le travail relationnel : pas le pitch du lead single, pas les hauteurs de fin, mais l’aveu au milieu de l’ordre des titres.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Now where are you going, darling? \/ The feeling that we thought we’d never lose \/ It is barbaric.<\/p>\n<\/blockquote>\n

(Damon Albarn, paroles de Barbaric, The Ballad of Darren, 2023)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb13949″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790420789{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Revenez \u00e0 la s\u00e9quence album et Barbaric<\/em> nomme encore les d\u00e9g\u00e2ts sans en faire un slogan. \u00c0 c\u00f4t\u00e9 des gros titres plus bruyants de l’ann\u00e9e de r\u00e9union, ce cut est la phrase priv\u00e9e : un sentiment perdu, dit clairement, avec le cadre lean de Ford qui le tient debout sur un disque court et concentr\u00e9.<\/p>\n

Un sentiment perdu, dit clairement. Cela a suffi pour la voie centrale d’un disque de r\u00e9union. Appuyez sur play pour les figures claires de Coxon et le diagnostic d’Albarn au refrain, restez pour l’espace que Ford laisse autour de la voix, et voyez combien peu de grammaire de stade une chanson Blur 2023 a besoin quand le groupe fait confiance \u00e0 l’aveu.<\/p>\n

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Sur The Ballad of Darren (21 juillet 2023), Barbaric arrive en piste trois : James Ford au Studio 13, un refrain sur un sentiment perdu, et un single qui suit The Narcissist et St. Charles Square dans l’ann\u00e9e de r\u00e9union.<\/p>\n","protected":false},"author":1,"featured_media":13965,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,244,293],"tags":[311,407],"class_list":["post-13972","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-non-categorise","category-titres","tag-alternative-indie-punk-fr","tag-blur-fr","post_format-post-format-video"],"yoast_head":"\nBarbaric - Blur: Troisi\u00e8me titre de The Ballad of Darren - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/barbaric-blur-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barbaric - 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