{"id":14325,"date":"2017-05-11T19:00:00","date_gmt":"2017-05-11T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/lhomme-a-tete-de-chou-serge-gainsbourg\/"},"modified":"2026-09-27T00:00:36","modified_gmt":"2026-09-26T22:00:36","slug":"lhomme-a-tete-de-chou-serge-gainsbourg","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/lhomme-a-tete-de-chou-serge-gainsbourg\/","title":{"rendered":"L&rsquo;homme \u00e0 t\u00eate de chou &#8211; Marilou concept with Vannier&rsquo;s shadow"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Marilou concept in Vannier&rsquo;s shadow<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><em>L&rsquo;homme \u00e0 t\u00eate de chou<\/em> arrived on Philips on 18 November 1976. Serge Gainsbourg cut most of it at Mercury Studios in London between mid-August and mid-September, with Philippe Lerichomme producing and Alan Hawkshaw arranging. The concept album follows a man in his forties who falls for Marilou, a shampoo girl at Max&rsquo;s men&rsquo;s salon, then slides from lust into jealousy, murder and a psychiatric ward where he believes his head has become a cabbage. It is the grim cousin of <em>Histoire de Melody Nelson<\/em>: spoken narration, rock band, no soft landing.<\/p>\n<p style=\"text-align: justify;\">The sequence is theatrical and short. Title track, then <em>Chez Max coiffeur pour hommes<\/em>, <em>Marilou Reggae<\/em> (Gainsbourg&rsquo;s first reggae tilt, still essentially pop), <em>Transit \u00e0 Marilou<\/em>, <em>Flash Forward<\/em>, <em>A\u00e9roplanes<\/em>, <em>Premiers sympt\u00f4mes<\/em>. Side two pushes further: <em>Ma Lou Marilou<\/em>, the long <em>Variations sur Marilou<\/em>, the extinguisher murder of <em>Meurtre \u00e0 l&rsquo;extincteur<\/em>, <em>Marilou sous la neige<\/em>, and the asylum closer <em>Lunatic Asylum<\/em>. Styles jump on purpose: reggae sketch, funk bounce, organ drone, country tint, disco flicker. Subject and sound are often mismatched on purpose, cheerful grooves under ugly thoughts.<\/p>\n<p style=\"text-align: justify;\">On release the record drew less heat than Melody Nelson. Later listeners treated it as one of Gainsbourg&rsquo;s key 1970s statements, the bridge toward the Jamaican sessions of <em>Aux armes et c\u00e6tera<\/em>. The cabbage-head image on the sleeve matches the narrator&rsquo;s final delusion: cartoon horror sold as high art. Jean-Claude Vannier is not the architect here; Hawkshaw&rsquo;s charts and Lerichomme&rsquo;s control room keep the story moving across twelve cuts in just over half an hour.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Je suis l&rsquo;homme \u00e0 t\u00eate de chou\u2026<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Serge Gainsbourg, L&rsquo;homme \u00e0 t\u00eate de chou, 1976)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb15352&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790425440{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Put the title track on and the spoken grain is already halfway to reggae cadence. By <em>Marilou Reggae<\/em> the experiment is explicit; by <em>Lunatic Asylum<\/em> the percussion and organ have locked the narrator inside. Stage adaptations and later covers kept the story in circulation long after the 1976 shrug.<\/p>\n<p style=\"text-align: justify;\">What sticks is the narrative nerve. Gainsbourg uses genre hops as plot devices, not decoration. <em>L&rsquo;homme \u00e0 t\u00eate de chou<\/em> remains the album where French rock concept writing went X-rated without dropping the poetry, and where a cabbage became a career landmark.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>In November 1976 Serge Gainsbourg released L&rsquo;homme \u00e0 t\u00eate de chou on Philips, a Marilou concept album cut at Mercury Studios in London with Philippe Lerichomme producing.<\/p>\n","protected":false},"author":1,"featured_media":14322,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[467,960],"class_list":["post-14325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-pop-fr-2","tag-serge-gainsbourg-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;homme \u00e0 t\u00eate de chou - Marilou concept with Vannier&#039;s shadow - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/lhomme-a-tete-de-chou-serge-gainsbourg\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L&#039;homme \u00e0 t\u00eate de chou - Marilou concept with Vannier&#039;s shadow - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"In November 1976 Serge Gainsbourg released L&#039;homme \u00e0 t\u00eate de chou on Philips, a Marilou concept album cut at Mercury Studios in London with Philippe Lerichomme producing.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/lhomme-a-tete-de-chou-serge-gainsbourg\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2017-05-11T17:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-26T22:00:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/HommeChou.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/albums-fr\\\/lhomme-a-tete-de-chou-serge-gainsbourg\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/albums-fr\\\/lhomme-a-tete-de-chou-serge-gainsbourg\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"L&rsquo;homme \u00e0 t\u00eate de chou &#8211; 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