{"id":14425,"date":"2012-05-16T13:00:00","date_gmt":"2012-05-16T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=14425"},"modified":"2026-09-26T23:59:26","modified_gmt":"2026-09-26T21:59:26","slug":"electric-warrior-t-rex","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/electric-warrior-t-rex\/","title":{"rendered":"Electric Warrior – Glam Visconti qui plante le riff"},"content":{"rendered":"

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Glam Visconti qui plante le riff<\/h3>\n

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En septembre 1971, Fly Records sort Electric Warrior<\/em>, l’album de T. Rex produit par Tony Visconti apr\u00e8s que Marc Bolan a raccourci le nom du groupe et branch\u00e9 le duo folk sur un vrai groupe rock. Mickey Finn reste aux percussions. Steve Currie arrive \u00e0 la basse, Bill Legend \u00e0 la batterie. La silhouette de pochette, Bolan devant une pile d’amplis, dit d\u00e9j\u00e0 ce que le titre promet : les ann\u00e9es acoustiques Tyrannosaurus Rex sont finies.<\/p>\n

Les sessions passent surtout \u00e0 Trident et Advision \u00e0 Londres, Visconti cherchant un mix sec et percutant. Mambo Sun<\/em> ouvre sur un riff sec et la voix enroul\u00e9e de Bolan. Cosmic Dancer<\/em> ralentit le pouls sans perdre la swagger glam. Jeepster<\/em> monte une ligne fa\u00e7on Chuck Berry vers un refrain radio ado. Get It On<\/em>, sorti aux \u00c9tats-Unis sous le titre Bang a Gong (Get It On)<\/em>, verrouille un riff simple, des claquements de mains et une voix qui refuse de tenir en place. Sur tout le disque, la guitare de Bolan reste claire et un peu sale ; la batterie frappe court ; les cordes ajout\u00e9es par Visconti n’enterrent jamais le groove.<\/p>\n

Le packaging vend le nouveau T. Rex comme une machine pop, pas comme un reste hippie. Boucles de Bolan, paillettes, titres courts : tout vise les charts. Au Royaume-Uni, l’album prend la t\u00eate et y reste des semaines. Get It On<\/em> passe n\u00b01 en single. Aux \u00c9tats-Unis, le single renomm\u00e9 entre dans le Top 10 et donne \u00e0 Bolan une prise qu’il ne retrouvera pas vraiment avec les albums suivants.<\/p>\n

Bolan a d\u00e9j\u00e0 marqu\u00e9 avec Ride a White Swan<\/em> et le nom raccourci en 1970. Electric Warrior<\/em> verrouille la formule : dur\u00e9es courtes, blagues sexuelles \u00e0 moiti\u00e9 d\u00e9guis\u00e9es en discours cosmique, et Visconti qui exige que les guitares percent la radio AM. Flo and Eddie rejoindront plus tard les harmonies live autour de cette \u00e9poque ; sur l’album, le centre vocal reste Bolan, l\u00e9g\u00e8rement derri\u00e8re le beat, vendant chaque boucle de phrase.<\/p>\n

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Je voulais juste faire du rock and roll. C’est tout ce qu’est Electric Warrior.<\/p>\n<\/blockquote>\n

(Marc Bolan sur l’intention de l’album)<\/em><\/p>\n

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La critique entend le virage tout de suite : mysticisme folk \u00e9chang\u00e9 contre boogie et crochets. Plus tard, on appellera le disque un blueprint glam, mais en 1971 il sonne simplement comme un groupe qui a trouv\u00e9 son volume et ses blagues en m\u00eame temps. La prod de Visconti laisse la pi\u00e8ce audible. Rien ne se dissout dans un brouillard psych\u00e9d\u00e9lique.<\/p>\n

Ce qui tient, c’est l’\u00e9conomie. Dix titres, peu de mesures perdues, un chanteur qui traite chaque syllabe comme un geste de sc\u00e8ne. Electric Warrior<\/em> documente Bolan d\u00e9cidant que pop ado et swagger rock peuvent partager la m\u00eame bande. Le Ziggy<\/em> de Bowie arrivera des mois plus tard et r\u00e9\u00e9crira le livre des costumes ; cet album a d\u00e9j\u00e0 les riffs et la preuve charts. Encha\u00eenez Get It On<\/em> et Jeepster<\/em> : on comprend pourquoi l’Angleterre a c\u00e9d\u00e9 en premier.<\/p>\n

Les albums T. Rex suivants courent apr\u00e8s le m\u00eame glitter avec des retours charts en baisse. Celui-ci tient parce que les chansons refusent de d\u00e9passer le riff. Les photos mode glam de l’\u00e9poque datent ; le backbeat de Lean Woman Blues<\/em> et les claquements de Get It On<\/em>, non.<\/p>\n

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