{"id":14449,"date":"2009-11-29T19:00:00","date_gmt":"2009-11-29T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/?p=14449"},"modified":"2026-09-27T01:58:56","modified_gmt":"2026-09-26T23:58:56","slug":"rubber-soul-the-beatles","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/rubber-soul-the-beatles\/","title":{"rendered":"Rubber Soul – Abbey Road compress\u00e9, folk dans la pi\u00e8ce"},"content":{"rendered":"

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Abbey Road compress\u00e9, folk dans la pi\u00e8ce<\/h3>\n

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Le 3 d\u00e9cembre 1965, Parlophone sort Rubber Soul<\/em>, l’album des Beatles enregistr\u00e9 \u00e0 Abbey Road en une course d’automne serr\u00e9e avec George Martin apr\u00e8s Help!<\/em> et une nouvelle tourn\u00e9e am\u00e9ricaine. La photo de pochette de Robert Freeman, prise dans le jardin de la maison de John \u00e0 Weybridge et \u00e9tir\u00e9e \u00e0 l’impression, donne aux visages une torsion caoutchouc qui colle au titre. La tracklist UK ouvre sur Drive My Car<\/em> ; l’\u00e9dition Capitol US \u00e9change plusieurs titres contre des coupes plus folk, un \u00e9cart qui compte encore pour comparer les charts.<\/p>\n

L’\u00e9criture rentre vers l’int\u00e9rieur. Norwegian Wood (This Bird Has Flown)<\/em> place le sitar de Harrison sous la voix d\u00e9pouill\u00e9e de Lennon sur une nuit qui finit mal. Nowhere Man<\/em> garde un stack d’harmonies sec et aucun sc\u00e9nario d’amour. Michelle<\/em> et Girl<\/em> \u00e9changent des phrases fran\u00e7aises et une voix fum\u00e9e contre du bavardage adulte. In My Life<\/em> tient le centre : texte de m\u00e9moire de Lennon, solo de piano acc\u00e9l\u00e9r\u00e9 de Martin qui sonne clavier baroque. La basse de McCartney devient m\u00e9lodique ; le kit de Ringo reste sec. Le groupe tient encore les dur\u00e9es radio, mais les sujets ont quitt\u00e9 les bals scolaires.<\/p>\n

Harrison apporte Think for Yourself<\/em> et If I Needed Someone<\/em>, le second b\u00e2ti sur un arp\u00e8ge fa\u00e7on Byrds. The Word<\/em> et What Goes On<\/em> gardent l’identit\u00e9 vocale du groupe pendant que les textes se font plus nets. Sur tout le LP, les guitares sont plus propres que la ru\u00e9e Mersey du d\u00e9but, les harmonies plus serr\u00e9es, les blagues plus s\u00e8ches.<\/p>\n

La r\u00e9servation d’automne laisse peu de place au doute. Les chansons se terminent vite entre dates de tourn\u00e9e et deadline de No\u00ebl. Le piano de Martin sur In My Life<\/em> est enregistr\u00e9 \u00e0 demi-vitesse puis acc\u00e9l\u00e9r\u00e9 pour imiter un solo baroque qu’il ne peut pas jouer en temps r\u00e9el au tempo plein. Le sitar de Harrison sur Norwegian Wood<\/em> est encore une nouveaut\u00e9 dans la pop britannique ; en moins d’un an, les couleurs indiennes s’installeront plus profond\u00e9ment dans l’\u00e9criture du groupe, surtout sur Revolver<\/em>.<\/p>\n

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On progressait, techniquement et musicalement.<\/p>\n<\/blockquote>\n

(George Harrison sur la p\u00e9riode Rubber Soul)<\/em><\/p>\n

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Les ventes sont imm\u00e9diates : n\u00b01 UK, n\u00b01 US sur la configuration Capitol. La critique traite l’album comme un pas vers le m\u00e9tier d’album plut\u00f4t qu’un entrep\u00f4t de singles. Dylan et les Byrds tra\u00eenent dans le discours presse ; les Beatles r\u00e9pondent en absorbant le phras\u00e9 folk sans abandonner la forme pop.<\/p>\n

Rubber Soul<\/em> est la charni\u00e8re avant Revolver<\/em>. Le quatuor prouve qu’il peut porter des th\u00e8mes adultes dans des cadres de trois minutes et remplir encore les bas de No\u00ebl. Les visages \u00e9tir\u00e9s de la pochette sont un accident d’impression devenu marque. Les chansons dessous sont voulues : moins de cris, plus de phrases, un groupe de studio qui apprend \u00e0 dire ce qu’il chante.<\/p>\n

Les acheteurs US de l’\u00e9dition Capitol ratent Drive My Car<\/em>, Nowhere Man<\/em>, What Goes On<\/em> et If I Needed Someone<\/em>, gagnant I’ve Just Seen a Face<\/em> et It’s Only Love<\/em> issus des sessions Help!<\/em>. C’est pourquoi les lectures folk-rock am\u00e9ricaines de Rubber Soul<\/em> sonnent parfois comme un autre album. La s\u00e9quence Parlophone est celle que le groupe a ordonn\u00e9e comme \u00e9nonc\u00e9.<\/p>\n

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Le 3 d\u00e9cembre 1965, Parlophone sort Rubber Soul, l’album des Beatles enregistr\u00e9 \u00e0 Abbey Road en une course d’automne serr\u00e9e avec George Martin apr\u00e8s Help! et une nouvelle tourn\u00e9e am\u00e9ricaine.<\/p>\n","protected":false},"author":1,"featured_media":14446,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[288,287],"tags":[482,493],"class_list":["post-14449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-classic-rock-fr","tag-the-beatles-fr"],"yoast_head":"\nRubber Soul - Abbey Road compress\u00e9, folk dans la pi\u00e8ce - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/rubber-soul-the-beatles\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rubber Soul - 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