{"id":14472,"date":"2013-07-27T11:00:00","date_gmt":"2013-07-27T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/master-and-servant-depeche-mode\/"},"modified":"2026-09-27T03:12:10","modified_gmt":"2026-09-27T01:12:10","slug":"master-and-servant-depeche-mode","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/master-and-servant-depeche-mode\/","title":{"rendered":"Master and Servant – Depeche Mode: claquement de fouet devenu chanson de travail"},"content":{"rendered":"

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Some Great Reward, ao\u00fbt 1984 : samples de fouet, m\u00e9taphore du travail, clip cuir<\/h3>\n

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Un claquement de fouet ouvre le champ st\u00e9r\u00e9o avant que le s\u00e9quenceur se pose. Dave Gahan chante la domination comme une \u00e9quipe d’usine, pendant que le texte de Martin Gore plie le jeu de chambre dans la hi\u00e9rarchie de bureau. Master and Servant<\/em> est le deuxi\u00e8me single UK de Some Great Reward<\/em>, sorti le 20 ao\u00fbt 1984 chez Mute, avec (Set Me Free) Remotivate Me<\/em> en face B. Il suit People Are People<\/em> et pousse Depeche Mode plus loin du synth-pop de Basildon de Speak & Spell<\/em> vers quelque chose de plus froid et plus physique. Les d\u00e9mos de Gore pour l’\u00e8re de l’album s’appuyaient d\u00e9j\u00e0 sur des percussions trouv\u00e9es et l’ambigu\u00eft\u00e9 morale ; le single a simplement rendu cette tension dansable. Certaines radios ont h\u00e9sit\u00e9 devant le sujet. Les clubs, non.<\/p>\n

Le groupe produit avec Daniel Miller et Gareth Jones. Les prises de base courent \u00e0 Music Works \u00e0 Highbury, Londres, en mai 1984 ; le mix part \u00e0 Hansa Mischraum \u00e0 Berlin-Ouest, le m\u00eame complexe qui avait d\u00e9j\u00e0 accueilli Bowie et Iggy. Samples de percussions industrielles et voix s\u00e8che pos\u00e9s sur une pulse dance faite pour les clubs autant que pour la radio. Gore a dit que le morceau parle de toute relation avec un c\u00f4t\u00e9 dominant et un c\u00f4t\u00e9 soumis, y compris celles o\u00f9 l’on pointe chaque matin. Cette double lecture explique pourquoi le titre tient encore en plein jour : c’est un langage S&M en badge de pointage. La campagne douze pouces de Mute traite le fouet comme un cue DJ autant qu’un effet de choc, ce qui aide le titre \u00e0 voyager hors de la radio indie UK.<\/p>\n

Clive Richardson r\u00e9alise le clip officiel : cuir, cha\u00eenes et lumi\u00e8res de sc\u00e8ne cal\u00e9es sur la campagne de l’album. Pic UK \u00e0 la neuvi\u00e8me place ; l’Allemagne de l’Ouest le monte \u00e0 la deuxi\u00e8me. Aux \u00c9tats-Unis, le titre trouve de la traction en dancefloor m\u00eame quand la radio pop h\u00e9site, fr\u00f4lant le Hot 100 et les charts Club Songs. En live, il devient un cue de claquement en milieu de set sur les tourn\u00e9es du milieu des ann\u00e9es 1980 qui m\u00e8nent vers l’\u00e9chelle Rose Bowl de 101<\/em>. Plus tard, le morceau s’assoit parfois \u00e0 c\u00f4t\u00e9 de Blasphemous Rumours<\/em>, autre single de Some Great Reward<\/em> qui refuse la bonne humeur facile. Le Slavery Whip Mix \u00e9tire le groove au-del\u00e0 de neuf minutes pour les bo\u00eetes DJ qui veulent plus de claquement, moins de refrain.<\/p>\n

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\n

\u00c7a parle de toute relation o\u00f9 il y a une personne dominante et une personne soumise. \u00c7a peut \u00eatre un patron et un employ\u00e9, ou un prof et un \u00e9l\u00e8ve.<\/p>\n<\/blockquote>\n

(Martin Gore, \u00e0 propos de Master and Servant)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb7728″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790419991{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Les mixes douze pouces \u00e9tirent le fouet et le groove pour les bo\u00eetes DJ, y compris plus tard des variantes On-U Sound et US black-and-blue. La version album reste celle que la plupart des \u00e9couteurs connaissent : tendue, assez courte pour la radio, assez nette pour que le titre fasse son travail. \u00c9coutez Master and Servant<\/em> \u00e0 c\u00f4t\u00e9 de People Are People<\/em> et vous entendez Depeche Mode 1984 en une soir\u00e9e : la politique en civil, puis le d\u00e9sir habill\u00e9 en travail. Le claquement du d\u00e9but vous dit encore de quel c\u00f4t\u00e9 du bureau vous \u00eates. Appuyez sur play pour le sample seul, puis restez pour voir avec quel calme Gahan vend un jeu de pouvoir comme une pointeuse.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

En ao\u00fbt 1984, Depeche Mode sort Master and Servant de Some Great Reward : un mix Gareth Jones et Daniel Miller o\u00f9 la m\u00e9taphore S&M de Martin Gore double en chanson de travail, et le clip de Clive Richardson verrouille le look cuir.<\/p>\n","protected":false},"author":1,"featured_media":6382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[556,457],"class_list":["post-14472","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-depeche-mode-fr","tag-newwave-electro-triphop-fr","post_format-post-format-video"],"yoast_head":"\nMaster and Servant - Depeche Mode: claquement de fouet devenu chanson de travail - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/master-and-servant-depeche-mode\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Master and Servant - 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