{"id":14480,"date":"2011-10-25T09:00:00","date_gmt":"2011-10-25T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/hot-fruit-gaz-coombes\/"},"modified":"2026-09-26T23:59:18","modified_gmt":"2026-09-26T21:59:18","slug":"hot-fruit-gaz-coombes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/hot-fruit-gaz-coombes\/","title":{"rendered":"Hot Fruit – Gaz Coombes: premier single solo apr\u00e8s Supergrass"},"content":{"rendered":"

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Here Come The Bombs, mai 2012 : premier single solo, clip cube, post-Supergrass<\/h3>\n

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La batterie frappe avant que le chant se pose. Guitares et claviers encombrent le medium, et Gaz Coombes chante comme quelqu’un qui vide une pi\u00e8ce apr\u00e8s une longue vie de groupe. Hot Fruit<\/em> \u00e9tait le lead single de son premier album solo Here Come The Bombs<\/em>, sorti le 21 mai 2012. Le single lui-m\u00eame part le 14 mai. Apr\u00e8s la pause ind\u00e9finie de Supergrass en 2010, c’\u00e9tait la preuve publique que Coombes \u00e9crivait encore des accroches, seulement sans la d\u00e9mocratie \u00e0 trois. Il avait d\u00e9j\u00e0 test\u00e9 du mat\u00e9riel solo dans de petites salles avant la sortie de l’album, pour voir comment Hot Fruit<\/em> frappait sans logo Supergrass sur le billet. Le refrain arrive comme une habitude qu’il refuse d’abandonner ; les couplets font plus de bruit qu’un comit\u00e9 n’aurait autoris\u00e9.<\/p>\n

Il produit une grande part du disque lui-m\u00eame, empilant guitares, synth\u00e9s et percussions dans des setups maison et petits studios plut\u00f4t que de chasser un remake Supergrass en grande salle. Le texte penche vers le d\u00e9sir et un peu le d\u00e9traqu\u00e9 : beaut\u00e9, chaleur, et un narrateur qui ne tient pas en place. Les critiques de l’album ont entendu une pulse krautrock et de la couleur psych\u00e9d\u00e9lique \u00e0 c\u00f4t\u00e9 des habitudes m\u00e9lodiques qu’il tra\u00eenait depuis I Should Coco<\/em>. Hot Fruit<\/em> \u00e9tait la pointe radio de ce m\u00e9lange. Les sessions Bombs laissaient de la place au bruit et aux fausses fins qu’un comit\u00e9 major aurait peut-\u00eatre coup\u00e9es ; le single a gard\u00e9 assez de ce bord pour le daytime. Les interviewers demandaient si Supergrass reviendrait. Il montrait la nouvelle pochette comme r\u00e9ponse pour cette ann\u00e9e-l\u00e0.<\/p>\n

Les r\u00e9alisateurs dom&nic tournent le promo avec Coombes coinc\u00e9 dans un cube lumineux dans une clairi\u00e8re, pendant que la maison VFX MPC construit la bo\u00eete et le chaos autour, entre LA, Londres et Bangalore : pilules, rotation, une silhouette r\u00f4deuse en lisi\u00e8re, environ vingt-huit plans CG en moins de trois semaines. Un lyric video circule aussi en avril 2012 quand DIY et d’autres outlets signalent le single. Des sessions live pour the Guardian et des dates club au printemps mettent le morceau dans des salles qui attendaient encore des refrains Supergrass et re\u00e7oivent une palette solo plus dense. Festivals et dates t\u00eate d’affiche UK en 2012 utilisent Hot Fruit<\/em> comme secousse de d\u00e9but de set : m\u00eame instinct d’accroche, permission diff\u00e9rente de devenir bizarre avant qu’elle atterrisse.<\/p>\n

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\n

Je voulais faire un disque qui donne une impression de libert\u00e9, o\u00f9 je pouvais suivre chaque id\u00e9e sans attendre le vote du groupe.<\/p>\n<\/blockquote>\n

(Gaz Coombes, sur le d\u00e9but des albums solo autour de Here Come The Bombs)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb15106″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790425000{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Le titre n’avait pas besoin d’\u00eatre un hymne de stade pour compter. Il disait aux \u00e9couteurs que le frontman de Supergrass avait un second catalogue en route, qu’il allait \u00e9largir avec Matador<\/em> et les disques suivants. Remettez-le en t\u00eate de Here Come The Bombs<\/em> et le message est clair : nouveau nom sur la pochette, m\u00eame instinct de refrain, permission diff\u00e9rente de devenir bizarre dans les couplets. Appuyez sur play pour la premi\u00e8re rotation du clip cube seule, puis restez pour voir combien proprement l’accroche survit au bruit autour.<\/p>\n

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