{"id":14485,"date":"2010-05-16T11:00:00","date_gmt":"2010-05-16T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/20-20-gaz-coombes\/"},"modified":"2026-09-26T23:58:58","modified_gmt":"2026-09-26T21:58:58","slug":"20-20-gaz-coombes","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/20-20-gaz-coombes\/","title":{"rendered":"20\/20 – Gaz Coombes: Matador monte du hush au plein volume"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Matador, janvier 2015 : d\u00e9part \u00e9touff\u00e9, puis une cr\u00eate de groupe<\/h3>\n

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Des \u00e9lectroniques douces et une voix \u00e0 moiti\u00e9 aval\u00e9e ouvrent le titre. Puis la batterie s’\u00e9paissit, les guitares s’empilent, et Gaz Coombes pousse vers un refrain qui ouvre enfin les poumons. 20\/20<\/em> est le deuxi\u00e8me morceau de Matador<\/em>, sorti le 26 janvier 2015, et il part t\u00f4t en single avec un clip live officiel tourn\u00e9 au venue 229 \u00e0 Londres. Apr\u00e8s Here Come The Bombs<\/em>, cet album prouvait qu’il pouvait approfondir le projet solo sans emprunter en bloc les arrangements Supergrass. L\u00e0 o\u00f9 Hot Fruit<\/em> annon\u00e7ait la libert\u00e9, 20\/20<\/em> montrait la patience : l’arrangement attend avant de d\u00e9penser son volume. Cette attente est d\u00e9j\u00e0 la moiti\u00e9 du plaisir. On entend la salle se remplir au lieu qu’on nous dise d’applaudir.<\/p>\n

Coombes enregistre surtout chez lui et aux Courtyard Studios dans l’Oxfordshire, jouant presque tous les instruments lui-m\u00eame. Le texte empile des images denses (ouragans, vue, chaleur) sur un beat cass\u00e9 que certains premiers \u00e9couteurs ont compar\u00e9 au Radiohead tardif avant que la m\u00e9lodie les ram\u00e8ne \u00e0 sa propre ligne. NME et d’autres outlets signalent le clip 229 en janvier 2015 comme pi\u00e8ce de campagne : pas de d\u00e9cor concept, juste du volume de groupe dans une petite salle. Courtyard et la pi\u00e8ce maison lui donnent des overdubs sans chrono qui tourne, d’o\u00f9 le dernier refrain qui sonne empil\u00e9 plut\u00f4t que pr\u00e9cipit\u00e9. Le titre promet une vue nette. L’arrangement la livre par accumulation, pas par slogan. On remarque le falsetto qui perce les \u00e9lectroniques, puis les guitares qui prennent le plancher une fois que le beat arr\u00eate de faire semblant d’\u00eatre timide.<\/p>\n

Les dates UK de f\u00e9vrier 2015 (Bristol Fleece jusqu’\u00e0 Manchester Gorilla, avec un arr\u00eat Queen Elizabeth Hall \u00e0 Londres) placent 20\/20<\/em> en milieu de set, l\u00e0 o\u00f9 l’arc doux-fort peut respirer. Le soutien radio reste modeste face aux pics Supergrass, mais le titre devient un marqueur fan du cycle Matador<\/em> : le moment o\u00f9 le second album solo arr\u00eate de chuchoter et commence \u00e0 insister. Les fans venus de Supergrass remarquent les favoris et le falsetto, puis restent pour les \u00e9lectroniques qui n’ont plus besoin d’un vote de comit\u00e9. Les playlists streaming plut\u00f4t indie le sortent encore \u00e0 c\u00f4t\u00e9 de Hot Fruit<\/em> comme carte en deux \u00e9tapes de ses premi\u00e8res ann\u00e9es solo. Les albums solo suivants ont gard\u00e9 l’habitude multi-instrumentiste ; ce titre reste l’une des portes les plus claires vers cette m\u00e9thode.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Presque tout sur le disque, c’est moi. Je voulais que les chansons aient l’air faites \u00e0 la main, m\u00eame quand elles deviennent grandes.<\/p>\n<\/blockquote>\n

(Gaz Coombes, sur les sessions Matador)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb15106″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790425398{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Commencer petit, refuser un refrain bon march\u00e9, m\u00e9riter la derni\u00e8re minute : c’est le march\u00e9 de 20\/20<\/em>. Remettez-le apr\u00e8s l’ouvreur Buffalo<\/em> et le rythme de Matador<\/em> s’explique : annoncer la palette, puis \u00e9largir le cadre. Appuyez sur play pour les \u00e9lectroniques \u00e9touff\u00e9es seules, puis restez pour la cr\u00eate qui d\u00e9pense enfin le volume qu’il a retenu expr\u00e8s. Le titre tient encore. La vue nette arrive en empilant les parties, pas en criant la th\u00e8se d\u00e8s la premi\u00e8re mesure.<\/p>\n

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Sur Matador en janvier 2015, 20\/20 monte d’\u00e9lectroniques \u00e9touff\u00e9es vers une cr\u00eate de groupe ; Coombes joue presque tout lui-m\u00eame, puis filme le clip officiel en live au 229 de Londres.<\/p>\n","protected":false},"author":1,"featured_media":6837,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[311,607],"class_list":["post-14485","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-alternative-indie-punk-fr","tag-gaz-coombes-fr","post_format-post-format-video"],"yoast_head":"\n20\/20 - Gaz Coombes: Matador monte du hush au plein volume - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/20-20-gaz-coombes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"20\/20 - 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